Hot, humorous, and well paced.
A steamy romance set in the 16-century Scottish Highlands.
The third book in McCollum’s Sons of Sinclair series stars a chieftain under Scotland’s King James. Both brawny and brainy, Gideon Sinclair is one of four “Horsemen of the Apocalypse”; i.e., Gideon and his brothers were taught by their father to raise hell against enemies of the throne. Gideon, “Horseman of Justice,” must impose law and order. On one of his patrols, Gideon spies Cait MacKay dancing alone in the snowy woods, and he is instantly entranced. Gideon saves Cait’s sister, Willa, when she falls into an icy river, but Cait, a widow, resorts to stealing from him to keep her children fed. She learns he is one of the formidable Horsemen of the Apocalypse and goes on a risky adventure to return what she stole. As Gideon grows increasingly passionate about Cait and becomes familiar with everyday people, he also learns to distinguish between judgment and justice. And as Cait begins to fall for Gideon, she heals from her previous abusive marriage. Cait and Gideon work together to organize the Christmas Hogmanay fest and deal with their past traumas, and all seems well, but sinister forces are plotting a dangerous political takeover. McCollum’s romance ably balances a suspenseful game of political chicken, the possibility of civil war, and skyrocketing sexual tension between Gideon and Cait. Along with their crackling chemistry, the couple build a deep respect for each other that involves the shedding of emotional and social barriers; Gideon says to Cait: “We convince ourselves that we’re something we’re not. We bend our world around that impersonation to protect ourselves from an ugly world that requires us to be something else.” Though filled with the genre’s common tropes, the novel also considers identity, gender equality, and the nature of justice. And we see some comic relief in the form of fraternal hijinks among the Sinclair brothers.
Hot, humorous, and well paced.Pub Date: April 26, 2022
ISBN: 978-1-64937-076-1
Page Count: 400
Publisher: Entangled: Amara
Review Posted Online: April 20, 2022
Kirkus Reviews Issue: June 1, 2022
Review Program: Kirkus Indie
BOOK REVIEW
BOOK REVIEW
Through palpable tension balanced with glimmers of hope, Hoover beautifully captures the heartbreak and joy of starting over.
The sequel to It Ends With Us (2016) shows the aftermath of domestic violence through the eyes of a single mother.
Lily Bloom is still running a flower shop; her abusive ex-husband, Ryle Kincaid, is still a surgeon. But now they’re co-parenting a daughter, Emerson, who's almost a year old. Lily won’t send Emerson to her father’s house overnight until she’s old enough to talk—“So she can tell me if something happens”—but she doesn’t want to fight for full custody lest it become an expensive legal drama or, worse, a physical fight. When Lily runs into Atlas Corrigan, a childhood friend who also came from an abusive family, she hopes their friendship can blossom into love. (For new readers, their history unfolds in heartfelt diary entries that Lily addresses to Finding Nemo star Ellen DeGeneres as she considers how Atlas was a calming presence during her turbulent childhood.) Atlas, who is single and running a restaurant, feels the same way. But even though she’s divorced, Lily isn’t exactly free. Behind Ryle’s veneer of civility are his jealousy and resentment. Lily has to plan her dates carefully to avoid a confrontation. Meanwhile, Atlas’ mother returns with shocking news. In between, Lily and Atlas steal away for romantic moments that are even sweeter for their authenticity as Lily struggles with child care, breastfeeding, and running a business while trying to find time for herself.
Through palpable tension balanced with glimmers of hope, Hoover beautifully captures the heartbreak and joy of starting over.Pub Date: Oct. 18, 2022
ISBN: 978-1-668-00122-6
Page Count: 352
Publisher: Atria
Review Posted Online: July 26, 2022
Kirkus Reviews Issue: Aug. 15, 2022
SEEN & HEARD
SEEN & HEARD
A thoughtful and pensive tale with intelligent characters and a satisfying romance.
A promise to his best friend leads an Army serviceman to a family in need and a chance at true love in this novel.
Beckett Gentry is surprised when his Army buddy Ryan MacKenzie gives him a letter from Ryan’s sister, Ella. Abandoned by his mother, Beckett grew up in a series of foster homes. He is wary of attachments until he reads Ella’s letter. A single mother, Ella lives with her twins, Maisie and Colt, at Solitude, the resort she operates in Telluride, Colorado. They begin a correspondence, although Beckett can only identify himself by his call sign, Chaos. After Ryan’s death during a mission, Beckett travels to Telluride as his friend had requested. He bonds with the twins while falling deeply in love with Ella. Reluctant to reveal details of Ryan’s death and risk causing her pain, Beckett declines to disclose to Ella that he is Chaos. Maisie needs treatment for neuroblastoma, and Beckett formally adopts the twins as a sign of his commitment to support Ella and her children. He and Ella pursue a romance, but when an insurance investigator questions the adoption, Beckett is faced with revealing the truth about the letters and Ryan’s death, risking losing the family he loves. Yarros’ (Wilder, 2016, etc.) novel is a deeply felt and emotionally nuanced contemporary romance bolstered by well-drawn characters and strong, confident storytelling. Beckett and Ella are sympathetic protagonists whose past experiences leave them cautious when it comes to love. Beckett never knew the security of a stable home life. Ella impulsively married her high school boyfriend, but the marriage ended when he discovered she was pregnant. The author is especially adept at developing the characters through subtle but significant details, like Beckett’s aversion to swearing. Beckett and Ella’s romance unfolds slowly in chapters that alternate between their first-person viewpoints. The letters they exchanged are pivotal to their connection, and almost every chapter opens with one. Yarros’ writing is crisp and sharp, with passages that are poetic without being florid. For example, in a letter to Beckett, Ella writes of motherhood: “But I’m not the center of their universe. I’m more like their gravity.” While the love story is the book’s focus, the subplot involving Maisie’s illness is equally well-developed, and the link between Beckett and the twins is heartfelt and sincere.
A thoughtful and pensive tale with intelligent characters and a satisfying romance.Pub Date: Feb. 26, 2019
ISBN: 978-1-64063-533-3
Page Count: 432
Publisher: Entangled: Amara
Review Posted Online: Jan. 2, 2019
Kirkus Reviews Issue: Feb. 15, 2019
Review Program: Kirkus Indie
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