Love is a battlefield in this engaging wartime tale.
A warrior gives up everything for love in McCollum’s latest historical romance.
This second installment of the Sons of Sinclair series picks up with the story of Joshua Sinclair, the brutal Horseman of War who was last seen heading for foreign lands to polish up his mercenary skills. After a bloody battle at South Ronaldsay, Joshua travels to Orkney Isle to train Lord Robert Stuart’s soldiers in defensive maneuvers, though Joshua is far less interested in making war than he used to be. He’s ready to head back to his home when he’s waylaid by fierce fighter Kára. She’s desperate to help her people defend themselves from Lord Robert and his men, who, Joshua learns, hunted, raped, killed, and imprisoned many of them in the past. Joshua quickly falls for Kára, but he’s hesitant to join in her fight, as he’s seen the terrible cost of combat and knows that the Orkney inhabitants don’t stand a chance against the men he helped to train. But Kára’s persistence and her people’s desperate plight convince him to help; he lobbies for a way to avoid an all-out war, but a murder and a kidnapping alter his plans. McCollum’s lengthy novel wastes no time jumping into a romance. Joshua and Kára kick their relationship off with a steamy sex scene early on, and the story’s pace never slows down. Joshua is a very attractive Scottish warrior, complete with bulging muscles and a soft side (he’s great with kids), but he’s also rather complicated. It’s a nice twist to see the Horseman of War seek out alternatives to violence, and it’s always lovely to see a swordswoman who’s fully capable of extracting herself from danger. A clever trick and other unexpected events precede the ending, which ties things up nicely.
Love is a battlefield in this engaging wartime tale.Pub Date: April 27, 2021
ISBN: 978-1-68281-570-0
Page Count: 400
Publisher: Entangled: Amara
Review Posted Online: April 8, 2021
Kirkus Reviews Issue: June 15, 2021
Review Program: Kirkus Indie
BOOK REVIEW
BOOK REVIEW
With captivating dialogue, angst-y characters, and a couple of steamy sex scenes, Hoover has done it again.
After being released from prison, a young woman tries to reconnect with her 5-year-old daughter despite having killed the girl’s father.
Kenna didn’t even know she was pregnant until after she was sent to prison for murdering her boyfriend, Scotty. When her baby girl, Diem, was born, she was forced to give custody to Scotty’s parents. Now that she’s been released, Kenna is intent on getting to know her daughter, but Scotty’s parents won’t give her a chance to tell them what really happened the night their son died. Instead, they file a restraining order preventing Kenna from so much as introducing herself to Diem. Handsome, self-assured Ledger, who was Scotty’s best friend, is another key adult in Diem’s life. He’s helping her grandparents raise her, and he too blames Kenna for Scotty’s death. Even so, there’s something about her that haunts him. Kenna feels the pull, too, and seems to be seeking Ledger out despite his judgmental behavior. As Ledger gets to know Kenna and acknowledges his attraction to her, he begins to wonder if maybe he and Scotty’s parents have judged her unfairly. Even so, Ledger is afraid that if he surrenders to his feelings, Scotty’s parents will kick him out of Diem’s life. As Kenna and Ledger continue to mourn for Scotty, they also grieve the future they cannot have with each other. Told alternatively from Kenna’s and Ledger’s perspectives, the story explores the myriad ways in which snap judgments based on partial information can derail people’s lives. Built on a foundation of death and grief, this story has an undercurrent of sadness. As usual, however, the author has created compelling characters who are magnetic and sympathetic enough to pull readers in. In addition to grief, the novel also deftly explores complex issues such as guilt, self-doubt, redemption, and forgiveness.
With captivating dialogue, angst-y characters, and a couple of steamy sex scenes, Hoover has done it again.Pub Date: Jan. 18, 2022
ISBN: 978-1-5420-2560-7
Page Count: 335
Publisher: Montlake Romance
Review Posted Online: Oct. 12, 2021
Kirkus Reviews Issue: Nov. 1, 2021
SEEN & HEARD
BOOK TO SCREEN
Through palpable tension balanced with glimmers of hope, Hoover beautifully captures the heartbreak and joy of starting over.
The sequel to It Ends With Us (2016) shows the aftermath of domestic violence through the eyes of a single mother.
Lily Bloom is still running a flower shop; her abusive ex-husband, Ryle Kincaid, is still a surgeon. But now they’re co-parenting a daughter, Emerson, who's almost a year old. Lily won’t send Emerson to her father’s house overnight until she’s old enough to talk—“So she can tell me if something happens”—but she doesn’t want to fight for full custody lest it become an expensive legal drama or, worse, a physical fight. When Lily runs into Atlas Corrigan, a childhood friend who also came from an abusive family, she hopes their friendship can blossom into love. (For new readers, their history unfolds in heartfelt diary entries that Lily addresses to Finding Nemo star Ellen DeGeneres as she considers how Atlas was a calming presence during her turbulent childhood.) Atlas, who is single and running a restaurant, feels the same way. But even though she’s divorced, Lily isn’t exactly free. Behind Ryle’s veneer of civility are his jealousy and resentment. Lily has to plan her dates carefully to avoid a confrontation. Meanwhile, Atlas’ mother returns with shocking news. In between, Lily and Atlas steal away for romantic moments that are even sweeter for their authenticity as Lily struggles with child care, breastfeeding, and running a business while trying to find time for herself.
Through palpable tension balanced with glimmers of hope, Hoover beautifully captures the heartbreak and joy of starting over.Pub Date: Oct. 18, 2022
ISBN: 978-1-668-00122-6
Page Count: 352
Publisher: Atria
Review Posted Online: July 26, 2022
Kirkus Reviews Issue: Aug. 15, 2022
SEEN & HEARD
SEEN & HEARD
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