by Heather O'Neill ‧ RELEASE DATE: Feb. 1, 2022
There are insightful observations about friendship, but disconnected ideas gum up the works.
The all-consuming friendship of two upper-class girls in 19th-century Montreal.
Marie Antoine and Sadie Arnett grow up in the Golden Mile, a wealthy neighborhood where Marie is the daughter of the richest man in the city while Sadie’s family struggles to keep up appearances. Psychopathic Sadie easily manipulates the spoiled Marie Antoine. Sadie’s mother recognizes this darkness in her daughter and abandons her to it: “Sadie would pretend to have feelings to get what she wanted. That was how manipulative Sadie was.” The girls confide in each other, push the limits of acceptable behavior, and are “delighted by their indecency.” Yet theirs isn’t a loving friendship. They’re competitive rivals: “Every decent friendship comes with a drop of hatred. But that hatred is like honey in the tea. It makes it addictive.” When they accidentally murder a maid while pretending at a duel, Sadie is sent overseas. A strict boarding school shapes her identity, and her youthful perversions blossom. The first half of the book is a slow build, concentrating more on character development than action. Sadie returns from boarding school as an adult and takes up residence in a whorehouse in the Squalid Mile, a foil to the girls’ upper-class neighborhood. Marie inherits her father’s sugar factory and becomes a coldhearted boss. In its second half, the book takes on too many ideas without bringing them together. A plotline involving a trans character’s search for identity is given surface-level treatment. Sadie releases a sadistic roman à clef about “the violent delight of female desire,” and women across the city awaken to either their sexual power or their need for safe working conditions, but not both. Marie and Sadie lock themselves away from the world, while a pretender to Marie’s throne plots her demise. Ideas about girl power, friendship, gender identity, class, sexual sadism, mistaken identity, and the dehumanizing nature of the Industrial Revolution compete for center stage in this overlong tale with a predictable twist ending.
There are insightful observations about friendship, but disconnected ideas gum up the works.Pub Date: Feb. 1, 2022
ISBN: 978-0-593-42290-8
Page Count: 448
Publisher: Riverhead
Review Posted Online: Nov. 16, 2021
Kirkus Reviews Issue: Dec. 1, 2021
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by Kristin Hannah ‧ RELEASE DATE: Feb. 6, 2024
A dramatic, vividly detailed reconstruction of a little-known aspect of the Vietnam War.
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A young woman’s experience as a nurse in Vietnam casts a deep shadow over her life.
When we learn that the farewell party in the opening scene is for Frances “Frankie” McGrath’s older brother—“a golden boy, a wild child who could make the hardest heart soften”—who is leaving to serve in Vietnam in 1966, we feel pretty certain that poor Finley McGrath is marked for death. Still, it’s a surprise when the fateful doorbell rings less than 20 pages later. His death inspires his sister to enlist as an Army nurse, and this turn of events is just the beginning of a roller coaster of a plot that’s impressive and engrossing if at times a bit formulaic. Hannah renders the experiences of the young women who served in Vietnam in all-encompassing detail. The first half of the book, set in gore-drenched hospital wards, mildewed dorm rooms, and boozy officers’ clubs, is an exciting read, tracking the transformation of virginal, uptight Frankie into a crack surgical nurse and woman of the world. Her tensely platonic romance with a married surgeon ends when his broken, unbreathing body is airlifted out by helicopter; she throws her pent-up passion into a wild affair with a soldier who happens to be her dead brother’s best friend. In the second part of the book, after the war, Frankie seems to experience every possible bad break. A drawback of the story is that none of the secondary characters in her life are fully three-dimensional: Her dismissive, chauvinistic father and tight-lipped, pill-popping mother, her fellow nurses, and her various love interests are more plot devices than people. You’ll wish you could have gone to Vegas and placed a bet on the ending—while it’s against all the odds, you’ll see it coming from a mile away.
A dramatic, vividly detailed reconstruction of a little-known aspect of the Vietnam War.Pub Date: Feb. 6, 2024
ISBN: 9781250178633
Page Count: 480
Publisher: St. Martin's
Review Posted Online: Nov. 4, 2023
Kirkus Reviews Issue: Dec. 1, 2023
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by Alison Espach ‧ RELEASE DATE: July 30, 2024
Uneven but fitfully amusing.
Betrayed by her husband, a severely depressed young woman gets drawn into the over-the-top festivities at a lavish wedding.
Phoebe Stone, who teaches English literature at a St. Louis college, is plotting her own demise. Her husband, Matt, has left her for another woman, and Phoebe is taking it hard. Indeed, she's determined just where and how she will end it all: at an oceanfront hotel in Newport, where she will lie on a king-sized canopy bed and take a bottle of her cat’s painkillers. At the hotel, Phoebe meets bride-to-be Lila, a headstrong rich girl presiding over her own extravagant six-day wedding celebration. Lila thought she had booked every room in the hotel, and learning of Phoebe's suicidal intentions, she forbids this stray guest from disrupting the nuptials: “No. You definitely can’t kill yourself. This is my wedding week.” After the punchy opening, a grim flashback to the meltdown of Phoebe's marriage temporarily darkens the mood, but things pick up when spoiled Lila interrupts Phoebe's preparations and sweeps her up in the wedding juggernaut. The slide from earnest drama to broad farce is somewhat jarring, but from this point on, Espach crafts an enjoyable—if overstuffed—comedy of manners. When the original maid of honor drops out, Phoebe is persuaded, against her better judgment, to take her place. There’s some fun to be had here: The wedding party—including groom-to-be Gary, a widower, and his 11-year-old daughter—takes surfing lessons; the women in the group have a session with a Sex Woman. But it all goes on too long, and the humor can seem forced, reaching a low point when someone has sex with the vintage wedding car (you don’t want to know the details). Later, when two characters have a meet-cute in a hot tub, readers will guess exactly how the marriage plot resolves.
Uneven but fitfully amusing.Pub Date: July 30, 2024
ISBN: 9781250899576
Page Count: 384
Publisher: Henry Holt
Review Posted Online: Sept. 13, 2024
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