A positive and realistic representation of both a wheelchair user and an elderly, interracial gay male couple.
Lou visits Grandad and Pops every Saturday and learns a lot from their radically alternative interests, until an accident disrupts the family’s happy routine.
Grandad likes learning how things work, and Pops enjoys the spicier things in life. Lou continually goes between them, equally validating their perspectives. Once Pops is asleep after listening to rock-and-roll, Lou and Grandad work on perfecting their (unnamed) Rube Goldberg machine that produces an aerial burst of paper cranes. One Saturday, Pops, already frail, suffers a fall, after which he must permanently use a wheelchair. Over the following weeks, Lou takes up the mission of getting a depressed Pops to come out of his room. Smith conscientiously relates how “the three Ps—perseverance, persistence and patience”—apply to many aspects of life. Kerrigan’s digital art couples quick pencil outlines with gentle and colorful watercolor washes, subtly mirroring the two grandparents’ personalities. Facial expressions and body language convey mood well. On the page turn when Pops falls, Kerrigan utilizes minimalism to successfully convey the incident and the sharp emotion it elicits. The ending is happily resolved but abrupt. Rachel Martinez’s translation for the companion French edition, Une idée pour Papi, is mostly verbatim but edits to two Ps, “la persévérance et la patience,” forgiven perhaps with the three words’ similar meanings, even in English. Granddad presents black and both Pops and Lou present white.
A positive and realistic representation of both a wheelchair user and an elderly, interracial gay male couple. (Picture book. 3-8)Pub Date: Feb. 19, 2019
ISBN: 978-1-4598-1614-5
Page Count: 32
Publisher: Orca
Review Posted Online: Nov. 13, 2018
Kirkus Reviews Issue: Dec. 1, 2018
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
Renata’s wren encounter proves magical, one most children could only wish to experience outside of this lovely story.
A home-renovation project is interrupted by a family of wrens, allowing a young girl an up-close glimpse of nature.
Renata and her father enjoy working on upgrading their bathroom, installing a clawfoot bathtub, and cutting a space for a new window. One warm night, after Papi leaves the window space open, two wrens begin making a nest in the bathroom. Rather than seeing it as an unfortunate delay of their project, Renata and Papi decide to let the avian carpenters continue their work. Renata witnesses the birth of four chicks as their rosy eggs split open “like coats that are suddenly too small.” Renata finds at a crucial moment that she can help the chicks learn to fly, even with the bittersweet knowledge that it will only hasten their exits from her life. Rosen uses lively language and well-chosen details to move the story of the baby birds forward. The text suggests the strong bond built by this Afro-Latinx father and daughter with their ongoing project without needing to point it out explicitly, a light touch in a picture book full of delicate, well-drawn moments and precise wording. Garoche’s drawings are impressively detailed, from the nest’s many small bits to the developing first feathers on the chicks and the wall smudges and exposed wiring of the renovation. (This book was reviewed digitally with 10-by-20-inch double-page spreads viewed at actual size.)
Renata’s wren encounter proves magical, one most children could only wish to experience outside of this lovely story. (Picture book. 3-7)Pub Date: March 16, 2021
ISBN: 978-0-593-12320-1
Page Count: 40
Publisher: Schwartz & Wade/Random
Review Posted Online: Jan. 12, 2021
Kirkus Reviews Issue: Feb. 1, 2021
Safe to creep on by.
Carle’s famous caterpillar expresses its love.
In three sentences that stretch out over most of the book’s 32 pages, the (here, at least) not-so-ravenous larva first describes the object of its love, then describes how that loved one makes it feel before concluding, “That’s why… / I[heart]U.” There is little original in either visual or textual content, much of it mined from The Very Hungry Caterpillar. “You are… / …so sweet,” proclaims the caterpillar as it crawls through the hole it’s munched in a strawberry; “…the cherry on my cake,” it says as it perches on the familiar square of chocolate cake; “…the apple of my eye,” it announces as it emerges from an apple. Images familiar from other works join the smiling sun that shone down on the caterpillar as it delivers assurances that “you make… / …the sun shine brighter / …the stars sparkle,” and so on. The book is small, only 7 inches high and 5 ¾ inches across when closed—probably not coincidentally about the size of a greeting card. While generations of children have grown up with the ravenous caterpillar, this collection of Carle imagery and platitudinous sentiment has little of his classic’s charm. The melding of Carle’s caterpillar with Robert Indiana’s iconic LOVE on the book’s cover, alas, draws further attention to its derivative nature.
Safe to creep on by. (Picture book. 3-6)Pub Date: Dec. 15, 2015
ISBN: 978-0-448-48932-2
Page Count: 32
Publisher: Grosset & Dunlap
Review Posted Online: Feb. 1, 2021
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
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