Garza (African Americans and Jewish Americans, 1995, etc.) presents a thorough and well-researched history of pioneering women lawyers and their struggle for the right to practice law, in this entry in the Women Then—Women Now series. The book opens by recounting how, in 1873, Myra Bradwell's application for a lawyer's license in Illinois was turned down. Her case was appealed to the US Supreme Court and turned down again, on the basis that women should be only wives and mothers. In 1951, when future Supreme Court Justice Sandra Day O'Connor graduated from Stanford third in her class, she could not find a job as a lawyer. More recently, Robert Shapiro's comment about opposing counsel Marcia Clark in the Simpson trial was, reportedly, ``Great legs!'' Garza makes clear that African-American and Hispanic women have had to overcome even greater hurdles in the legal profession; this discussion sometimes diffuses the focus of the book. Throughout, a moderate tone lends credibility to Garza's thesis: Despite great adversity and ridicule, women are succeeding in their fight to overcome the roadblocks in the legal profession. Garza's book is hopeful and inspirational, certain to lead some YAs to consider a future in law. (b&w photos, notes, bibliography, index) (Nonfiction. 14+)
Pub Date: May 1, 1996
ISBN: 0-531-11265-9
Page Count: 224
Publisher: N/A
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 1, 1996
Pitamic bites off more than she can chew with this instructional art volume, but its core projects will excite in the right context. Twelve pieces of fine art inspire two art projects apiece. Matisse’s The Snail opens the Color section; after history and analysis, there’s one project arranging multicolored tissue-paper squares and one project adding hue to white paint to create stripes of value gradation. These creative endeavors exploring value, shade, texture and various media will exhilarate young artists—but only with at best semi-successful results, as they require an adult dedicated to both advance material procurement and doing the artwork along with the child. Otherwise, complex instructions plus a frequent requirement to draw or trace realistically will cause frustration. Much of the text is above children’s heads, errors of terminology and reproduction detract and the links between the famous pieces and the projects are imprecise. However, an involved adult and an enterprising child aged seven to ten will find many of the projects fabulously challenging and rewarding. Art In Action 2 (ISBN: 978-0-7641-441-7) publishes simultaneously. (artist biographies, glossary, location of originals) (Nonfiction. Adults)
Pub Date: July 1, 2010
ISBN: 978-0-7641-4440-0
Page Count: 96
Publisher: Barron's
Review Posted Online: May 23, 2010
Kirkus Reviews Issue: June 15, 2010
American citizens have been held hostage in the Middle East at least since 1979, when our embassy in Teheran was seized by a mob; Lawson's history of the US government's response in the 80's makes a sad tale of hypocrisy, incompetence, and corruption. He shows how, after the hostage crisis cost Carter his political career, Reagan allowed a series of profitable arms-for-hostages deals to go through—while publicly condemning the idea—to finance his ``pet anti-communist project.'' The ensuing revelations, investigations, and trials are covered here in some detail. In an epilogue, Lawson notes that a new group of hostages were taken when Iraqi forces invaded Kuwait in 1990. A thematic introduction by Arthur L. Liman, an attorney involved in the Senate Iran-contra investigation, sums it up: Reagan's advisors, acting from ``disrespect, bordering on contempt'' for the Constitution, established a ``secret government within the Government'' for specifically illegal purposes. B&w photos; adequate bibliography; long chronology; excellent notes; chart listing hostages taken in the 80's; index. (Nonfiction. YA)
Pub Date: April 1, 1991
ISBN: 0-531-11009-5
Page Count: 128
Publisher: N/A
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: April 15, 1991
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