A swirl of complicated characters and plot turns makes this a rewarding if sometimes demanding read.
Evocative novel of manners set in the 1920s Vienna of the shattered Habsburg Empire, originally published in 1951 and now translated into English for the first time.
“Much is now past and gone, to our dismay / And beauty shows the frailest power to stay.” So writes von Doderer in a poem that opens his sprawling novel—and that adorns the actual Strudlhof Steps, as central to Vienna as the Spanish Steps are to Rome. The protagonist is a former lieutenant named Melzer who might have been happier being a brewer—nomen est omen, writes von Doderer, the name is a sign, Melz being German for malt—than as a soldier tucked away in the Balkans. Returning to Vienna, Melzer falls into a circle of shattered souls: From the first sentence, we know that one woman is going to walk into a streetcar and lose one of her legs. Others chase after chimerical affairs, still others die by suicide. Melzer becomes increasingly entranced by those belle epoque steps, walking them, sitting at their feet, a passive observer of his own life. Von Doderer’s novel is both neurasthenic and darkly humorous, with some fine philosophical passages: “So it is that the organic fluidity of our physical existence will always detour around schemes hatched by every conclusive, now-and-forever organizer or visionary, implementation-to-the-last-detail politico, whose ambitions would long since…have brought the world to a standstill.” He is foreshadowing the rise of a different politics, one that, though only hinted at, will find Melzer on the Russian front in another couple of decades. Von Doderer himself was a member of the Nazi Party, and while he became disillusioned while serving in the Wehrmacht, there are a few uncomfortable passages that reveal a sometimes-disapproving fascination with the many non-German peoples who inhabited Vienna: the Romanians and Bulgarians with “their fondness for always living in the choicest residential neighborhoods,” for instance. Still, von Doderer ably captures a lost world in a book that belongs alongside the works of Stefan Zweig and Karl Kraus.
A swirl of complicated characters and plot turns makes this a rewarding if sometimes demanding read.Pub Date: Sept. 7, 2021
ISBN: 978-1-68137-527-4
Page Count: 872
Publisher: New York Review Books
Review Posted Online: June 28, 2021
Kirkus Reviews Issue: July 15, 2021
A vibrant tale of a remarkable woman.
Who was Shakespeare?
Move over, Earl of Oxford and Francis Bacon: There’s another contender for the true author of plays attributed to the bard of Stratford—Emilia Bassano, a clever, outspoken, educated woman who takes center stage in Picoult’s spirited novel. Of Italian heritage, from a family of court musicians, Emilia was a hidden Jew and the courtesan of a much older nobleman who vetted plays to be performed for Queen Elizabeth. She was well traveled—unlike Shakespeare, she visited Italy and Denmark, where, Picoult imagines, she may have met Rosencrantz and Guildenstern—and was familiar with court intrigue and English law. “Every gap in Shakespeare’s life or knowledge that has had to be explained away by scholars, she somehow fills,” Picoult writes. Encouraged by her lover, Emilia wrote plays and poetry, but 16th-century England was not ready for a female writer. Picoult interweaves Emilia’s story with that of her descendant Melina Green, an aspiring playwright, who encounters the same sexist barriers to making herself heard that Emilia faced. In alternating chapters, Picoult follows Melina’s frustrated efforts to get a play produced—a play about Emilia, who Melina is certain sold her work to Shakespeare. Melina’s play, By Any Other Name, “wasn’t meant to be a fiction; it was meant to be the resurrection of an erasure.” Picoult creates a richly detailed portrait of daily life in Elizabethan England, from sumptuous castles to seedy hovels. Melina’s story is less vivid: Where Emilia found support from the witty Christopher Marlowe, Melina has a fashion-loving gay roommate; where Emilia faces the ravages of repeated outbreaks of plague, for Melina, Covid-19 occurs largely offstage; where Emilia has a passionate affair with the adoring Earl of Southampton, Melina’s lover is an awkward New York Times theater critic. It’s Emilia’s story, and Picoult lovingly brings her to life.
A vibrant tale of a remarkable woman.Pub Date: Aug. 20, 2024
ISBN: 9780593497210
Page Count: 544
Publisher: Ballantine
Review Posted Online: June 15, 2024
Kirkus Reviews Issue: July 15, 2024
"Don't go into the woods" takes on unsettling new meaning in Moore's blend of domestic drama and crime novel.
Many years after her older brother, Bear, went missing, Barbara Van Laar vanishes from the same sleepaway camp he did, leading to dark, bitter truths about her wealthy family.
One morning in 1975 at Camp Emerson—an Adirondacks summer camp owned by her family—it's discovered that 13-year-old Barbara isn't in her bed. A problem case whose unhappily married parents disdain her goth appearance and "stormy" temperament, Barbara is secretly known by one bunkmate to have slipped out every night after bedtime. But no one has a clue where's she permanently disappeared to, firing speculation that she was taken by a local serial killer known as Slitter. As Jacob Sluiter, he was convicted of 11 murders in the 1960s and recently broke out of prison. He's the one, people say, who should have been prosecuted for Bear's abduction, not a gardener who was framed. Leave it to the young and unproven assistant investigator, Judy Luptack, to press forward in uncovering the truth, unswayed by her bullying father and male colleagues who question whether women are "cut out for this work." An unsavory group portrait of the Van Laars emerges in which the children's father cruelly abuses their submissive mother, who is so traumatized by the loss of Bear—and the possible role she played in it—that she has no love left for her daughter. Picking up on the themes of families in search of themselves she explored in Long Bright River (2020), Moore draws sympathy to characters who have been subjected to spousal, parental, psychological, and physical abuse. As rich in background detail and secondary mysteries as it is, this ever-expansive, intricate, emotionally engaging novel never seems overplotted. Every piece falls skillfully into place and every character, major and minor, leaves an imprint.
"Don't go into the woods" takes on unsettling new meaning in Moore's blend of domestic drama and crime novel.Pub Date: July 2, 2024
ISBN: 9780593418918
Page Count: 496
Publisher: Riverhead
Review Posted Online: April 13, 2024
Kirkus Reviews Issue: May 15, 2024
PERSPECTIVES
SEEN & HEARD
SEEN & HEARD
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