by Heinz Janisch ; illustrated by Helga Bansch ; translated by Evan Jones ‧ RELEASE DATE: Nov. 1, 2018
An elegant artistic statement, but readers looking for a story on self-esteem will be disappointed.
Rhinoceros is not sure about his looks and wishes he were someone else, but his friends and one experience leave him feeling better.
“Here comes Rhinoceros. / Beautiful as a mountain. / A tiny bird settles on his back, / gentle as a snowflake.” Rhinoceros is sad because his horn is crooked and wishes he were “free like that snowflake,” in his imagination flying around with different sets of wings and even balloons. His fellow animals tell him they need him to protect them, and when the storm comes, he shelters the tiny bird with his mighty body, leaving him feeling better. The animals, which are lightly anthropomorphized (the meerkat carries a red umbrella), are drawn with great attention to texture on largely blank pages and in earthy colors accentuated in red, giving the illustrations a collagelike and contemporary art feel. However, the elliptical text does not live up to the quality of the artwork, and many readers will find the language disjointed and prose forced (possibly as a result of the translation from German). Moreover, some of the similes will most likely escape the comprehension of younger readers (“Curious as a mountain”?), who will likely also find the storyline—the rhino laughs as the bird is blown off his back before returning off-page—difficult to follow.
An elegant artistic statement, but readers looking for a story on self-esteem will be disappointed. (Picture book. 5-8)Pub Date: Nov. 1, 2018
ISBN: 978-1-55455-448-5
Page Count: 32
Publisher: Fitzhenry & Whiteside
Review Posted Online: Sept. 16, 2018
Kirkus Reviews Issue: Oct. 1, 2018
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by Heinz Janisch ; illustrated by Maja Kastelic ; translated by David Henry Wilson
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by Heinz Janisch ; illustrated by Wolf Erlbruch ; translated by Sally-Ann Spencer
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by Heinz Janisch & illustrated by Silke Leffler & translated by Rebecca Morrison
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by Aaron Reynolds ; illustrated by Peter Brown ‧ RELEASE DATE: Aug. 22, 2017
Perfect for those looking for a scary Halloween tale that won’t leave them with more fears than they started with. Pair with...
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Reynolds and Brown have crafted a Halloween tale that balances a really spooky premise with the hilarity that accompanies any mention of underwear.
Jasper Rabbit needs new underwear. Plain White satisfies him until he spies them: “Creepy underwear! So creepy! So comfy! They were glorious.” The underwear of his dreams is a pair of radioactive-green briefs with a Frankenstein face on the front, the green color standing out all the more due to Brown’s choice to do the entire book in grayscale save for the underwear’s glowing green…and glow they do, as Jasper soon discovers. Despite his “I’m a big rabbit” assertion, that glow creeps him out, so he stuffs them in the hamper and dons Plain White. In the morning, though, he’s wearing green! He goes to increasing lengths to get rid of the glowing menace, but they don’t stay gone. It’s only when Jasper finally admits to himself that maybe he’s not such a big rabbit after all that he thinks of a clever solution to his fear of the dark. Brown’s illustrations keep the backgrounds and details simple so readers focus on Jasper’s every emotion, writ large on his expressive face. And careful observers will note that the underwear’s expression also changes, adding a bit more creep to the tale.
Perfect for those looking for a scary Halloween tale that won’t leave them with more fears than they started with. Pair with Dr. Seuss’ tale of animate, empty pants. (Picture book. 5-8)Pub Date: Aug. 22, 2017
ISBN: 978-1-4424-0298-0
Page Count: 48
Publisher: Simon & Schuster
Review Posted Online: July 14, 2017
Kirkus Reviews Issue: Aug. 1, 2017
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by Craig Smith ; illustrated by Katz Cowley ‧ RELEASE DATE: May 1, 2010
Hee haw.
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The print version of a knee-slapping cumulative ditty.
In the song, Smith meets a donkey on the road. It is three-legged, and so a “wonky donkey” that, on further examination, has but one eye and so is a “winky wonky donkey” with a taste for country music and therefore a “honky-tonky winky wonky donkey,” and so on to a final characterization as a “spunky hanky-panky cranky stinky-dinky lanky honky-tonky winky wonky donkey.” A free musical recording (of this version, anyway—the author’s website hints at an adults-only version of the song) is available from the publisher and elsewhere online. Even though the book has no included soundtrack, the sly, high-spirited, eye patch–sporting donkey that grins, winks, farts, and clumps its way through the song on a prosthetic metal hoof in Cowley’s informal watercolors supplies comical visual flourishes for the silly wordplay. Look for ready guffaws from young audiences, whether read or sung, though those attuned to disability stereotypes may find themselves wincing instead or as well.
Hee haw. (Picture book. 5-7)Pub Date: May 1, 2010
ISBN: 978-0-545-26124-1
Page Count: 26
Publisher: Scholastic
Review Posted Online: Dec. 28, 2018
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