by Helen Benedict ‧ RELEASE DATE: Oct. 1, 1992
An in-depth analysis of the print media's handling of sex crimes. Focusing on four widely reported rape cases, Benedict (Journalism/Columbia Univ.; Recovery, 1985, etc.) dissects the attitudes and language found in newspaper and magazine reports of the incidents. The overriding consideration she detects is the perpetuation of the myth of the rape victim as either ``virgin or vamp,'' a variation on the familiar ``madonna/whore'' dichotomy. To illustrate, Benedict chooses the 1978 Rideout case of marital rape; the New Bedford, Mass., gang rape that was the basis of the film The Accused; the murder of Jennifer Levin in the so-called ``Preppie Murder Case''; and the ``Central Park Jogger'' trial of 1989-90. Benedict begins with a concise and informative overview of the press's handling of sex crimes since the 1930's. Here and throughout, she does a sensitive job of linking, where applicable, race and class to her subject. But much of what she discovers—that reporters and editors denigrate women victims with such words as ``girl'' and ``bubbly''; that alleged rapists' defense lawyers often rely on the ``she was asking for it'' line of argument; that press coverage almost invariably highlights the more sensational aspects of sex-crime trials—will be familiar to most readers. Benedict's probing into the advantages and disadvantages of disclosure of victims's identities is thought-provoking, though, and her recommendations for upgrading press coverage are dramatic, calling for a thorough overhaul of current newsgathering and reporting techniques. Lacking in original insights, but, still, a well-intentioned and thoroughly researched introduction to a painful subject.
Pub Date: Oct. 1, 1992
ISBN: 0-19-506680-4
Page Count: 256
Publisher: Oxford Univ.
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Sept. 1, 1992
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by E.T.A. Hoffmann ‧ RELEASE DATE: Oct. 28, 1996
This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)
Pub Date: Oct. 28, 1996
ISBN: 0-15-100227-4
Page Count: 136
Publisher: Harcourt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 15, 1996
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by E.T.A. Hoffmann ; adapted by Natalie Andrewson ; illustrated by Natalie Andrewson
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by E.T.A. Hoffmann & illustrated by Julie Paschkis
by William Strunk & E.B. White ‧ RELEASE DATE: May 15, 1972
Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis...
Privately published by Strunk of Cornell in 1918 and revised by his student E. B. White in 1959, that "little book" is back again with more White updatings.
Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis (whoops — "A bankrupt expression") a unique guide (which means "without like or equal").Pub Date: May 15, 1972
ISBN: 0205632645
Page Count: 105
Publisher: Macmillan
Review Posted Online: Oct. 28, 2011
Kirkus Reviews Issue: May 1, 1972
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