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MY DARLING BOY

This pitch-perfect story about families and secrets starts with a punch and ends with a bang.

Mothers and sons are mired in a quicksand of deception in this tale of psychological suspense set in rural England.

The title of Cooper's fourth novel appears to give a nod to happy families ensconced in idyllic relationships, but it quickly becomes apparent that it's just another of the book's intriguing misdirections. Cooper builds the scaffolding of this secret-packed novel on a harrowing event in which either "a push or a punch" during a scuffle in a pub leaves a young man dead and another sent to prison. Left to pick up the pieces following this tragedy are the men's mothers. Chrissy Dean and Alice Lowe, once the closest of friends, are now irrevocably estranged—yet always on each other's minds. Alice lost her son, Robbie, and she's leading a campaign to oust Chrissy from the insulated village of Cromley. What Robbie and Chrissy's son, Leo, fought over is one of the mysteries running through the book, and the answer becomes more urgent when Leo is paroled and immediately goes missing. Into this already compelling storyline, Cooper drops other plot-driving grenades: Who is Georgie Fallows, a village newcomer who immediately embeds herself in the Deans' and Lowes' lives? What secrets is Alice's brother, Peter, hiding, and what hold does an older inmate have over Leo during his time in prison? As the race to find Leo pushes forward, the snowballing secrets strangling the two families begin to unravel. In a vertigo-inducing denouement of Hitchcockian proportions, "a push or a punch" seems to come full circle. Cooper, with her keen understanding of family dynamics, pushes her characters and her readers to wonder how far they would go to protect themselves and their children.

This pitch-perfect story about families and secrets starts with a punch and ends with a bang.

Pub Date: Dec. 3, 2024

ISBN: 9780593719930

Page Count: 352

Publisher: Putnam

Review Posted Online: Sept. 14, 2024

Kirkus Reviews Issue: Oct. 15, 2024

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THE BLUE HOUR

This propulsive thriller twists into the dark and bloody underbelly of the world of fine art.

The discovery that a revered artist’s sculpture contains a human bone sets off scandal and violence.

Art historian James Becker has what seems like a sweet deal. He’s the curator of the collection of the Fairburn Foundation, housed at a stately home owned by the Lennox family: Sebastian, Becker’s best friend, and his bitter mother, Lady Emmeline. Becker’s wife, Helena, was Sebastian’s fiancee first, but they’re all very civilized about it and happily awaiting the birth of her baby. The centerpiece of the Fairburn collection is works by the late Vanessa Chapman, an artist about whom Becker wrote his thesis, and with whom he is somewhat obsessed. Partly, it’s because of her great talent, but she was also a glamorous figure, a beauty who, as she became successful, sequestered herself on an isolated Scottish tidal island called Eris. She had a dark side—lots of stormy relationships, plus a philandering mooch of a husband who vanished without a trace a few decades ago. Her reputation, though, has risen after her death—so much so that the Fairburn has loaned some of her works to the Tate Modern. That’s where a forensic anthropologist sees one of her sculptures, made of found objects that include what’s described as an animal bone. The scientist is sure the bone is human, and soon Becker finds himself scrambling to prevent scandal. Vanessa willed her works and papers to the foundation, but some of them are still on Eris, guarded by her longtime friend Grace Haswell. A retired doctor, Grace lived with Vanessa off and on over the years and nursed her through her fatal cancer. It was a surprise when Vanessa left her estate not to Grace but to Douglas Lennox, Emmeline’s husband and Sebastian’s father. Douglas was Vanessa’s gallerist and lover, but the two had a nasty falling-out. Sebastian is so frustrated by Grace’s refusal to turn over all of the bequest that he’s ready to sue her, but Becker believes he can negotiate, so off to the the island he goes. He finds far more treachery and shocking secrets than he expected, past and present alike. Hawkins keeps her cast tight, her wild setting ominous, and her plot moving fast.

This propulsive thriller twists into the dark and bloody underbelly of the world of fine art.

Pub Date: Oct. 29, 2024

ISBN: 9780063396524

Page Count: 320

Publisher: Mariner Books

Review Posted Online: Sept. 14, 2024

Kirkus Reviews Issue: Oct. 15, 2024

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IDENTITY UNKNOWN

Expert, but unsurprising.

The death of an old friend who was more than a friend sends Dr. Kay Scarpetta down her latest rabbit hole.

If every body tells a story, the corpse of 7-year-old Luna Briley sings the blues. On top of the many signs of ongoing physical abuse, there’s the fatal gunshot wound to her head. Ryder and Piper Briley, the wealthy and powerful parents who didn’t call the police until after their daughter died, insist that Luna’s death was an accident, or maybe a suicide. Scarpetta doesn’t think so, and her refusal to release the body to the Brileys’ hand-picked mortician moves them to legal action against her as Virginia’s chief medical examiner. You’d think it would be a relief to put this case aside for another when Scarpetta’s niece, Secret Service agent Lucy Farinelli, calls her and ferries her by helicopter to an abandoned Oz theme park owned by Ryder Briley, but this one’s even more heartbreaking. Scarpetta is there to examine the body of astrophysicist Sal Giordano, her close friend and former lover, who was evidently kidnapped, held in captivity for several hours, and tossed out of an unidentified aircraft. The leading suspects are the Brileys; Carrie Grethen, Lucy’s sociopathic ex-lover, with whom Scarpetta has repeatedly tangled in the past; and the UFO that dumped Giordano’s body without leaving the usual traces for air-traffic technologies to pick up. The multiple rounds of physical examinations Scarpetta conducts on both victims are every bit as meticulous and gripping as fans would expect; the killer’s identity is neither surprising nor interesting, but Cornwell juggles her trademark forensics, and the paranormal hints she’s become increasingly invested in, more dexterously than usual.

Expert, but unsurprising.

Pub Date: Oct. 8, 2024

ISBN: 9781538770382

Page Count: 400

Publisher: Grand Central Publishing

Review Posted Online: Aug. 29, 2024

Kirkus Reviews Issue: Oct. 1, 2024

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