Middling Dunmore, but middling Dunmore is still damn fine. Her death at 64 is a real loss.
Published posthumously, the final novel from prolific and genre-hopping Dunmore (Exposure, 2016, etc.) explores the impact of the French Revolution on 1790s England within the context of a gothic romance set in Bristol, where the author herself lived and wrote.
Newly married 22-year-old Lizzie narrates the evolution of her marriage to builder John Diner Tredevant, a relationship both passionate and troubled. While Diner is a businessman, Lizzie was raised by her widowed Mammie, who writes radical political treatises promoting human rights and whose second husband counts Tom Paine as a friend. Lizzie married in defiance of Mammie, who voiced reservations about Lizzie’s marriage to 36-year-old Diner because he was a widower as well as a businessman. As the novel opens, Lizzie, deeply in love, fears she is living in the shadow of Diner’s first wife, Lucy, who died while visiting her native France—echoes of Daphne du Maurier and Charlotte Brontë—but soon enough Diner’s jealous possessiveness becomes a bigger concern, as do the Tredevants’ finances. Diner is heavily invested in developing a terrace of grand houses overlooking the River Avon. While Bristol has been in a building boom, Diner’s business ambitions falter in England’s newly uncertain political climate when Louis XVI is dethroned, threatening the concept of monarchy but also introducing the specter of mob rule and the possibility of war between France and England. (Needless to say, Diner’s and Mammie’s views differ on the development.) When 39-year-old Mammie dies unexpectedly, Lizzie cajoles a reluctant Diner to let her care for her infant half brother, Thomas, in their home. Since Diner wants all Lizzie’s attention for himself, tensions increase. Then there are her new suspicions about his cloudy past and her growing if unspoken attraction to a young poet. Yet Lizzie remains emotionally entwined with the magnificently complex villain Diner.
Middling Dunmore, but middling Dunmore is still damn fine. Her death at 64 is a real loss.Pub Date: Aug. 1, 2017
ISBN: 978-0-8021-2714-3
Page Count: 416
Publisher: Atlantic Monthly
Review Posted Online: July 3, 2017
Kirkus Reviews Issue: July 15, 2017
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.
Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).
A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.Pub Date: June 16, 2020
ISBN: 978-1-9848-2678-7
Page Count: 304
Publisher: Del Rey/Ballantine
Review Posted Online: Feb. 9, 2020
Kirkus Reviews Issue: March 1, 2020
BOOK REVIEW
BOOK TO SCREEN
Still, a respectful and absorbing page-turner.
Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.
In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.
Still, a respectful and absorbing page-turner.Pub Date: Feb. 3, 2015
ISBN: 978-0-312-57722-3
Page Count: 448
Publisher: St. Martin's
Review Posted Online: Nov. 19, 2014
Kirkus Reviews Issue: Dec. 1, 2014
BOOK TO SCREEN
SEEN & HEARD
© Copyright 2025 Kirkus Media LLC. All Rights Reserved.
Follow
Popular in this Genre
We can’t wait for you to join Kirkus!
It’s free and takes less than 10 seconds!
Already have an account? Log in.
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
Welcome Back!
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
