This amusingly offbeat collection treats us to an unusual array of characters as if it were offering up a plate of clever...
The wives in these guffaw-out-loud short stories by novelist Ellis (The Turning Book: What Curiosity Kills, 2010, etc.) are a wonderfully wacky crew.
At first glance, the women in this pointedly peculiar collection may seem like familiar characters—jealous wives, inconsiderate neighbors, procrastinating writers—yet, often, it’s not long before they and their stories build from a chug to a mad hurtle, take a sharp turn in an unexpected direction, and careen completely and crazily off the rails. In “The Wainscoting War,” two neighbors correspond about their shared vestibule, and over the course of a handful of emails, build from “Thank you for the welcome gift basket you left outside our apartment door” to a high-stakes face-off in a common hallway at high noon. In “The Fitter,” one of the book’s sweeter, gentler stories, the wife of a small-town Georgia man with a “pilgrimage-worthy” gift for fitting women with the perfect bra—“part good old boy, part miracle worker”—reluctantly releases him to the woman she suspects will replace her after she succumbs to the illness that has rid her of her own “body meant for tight sweaters.” In “Dead Doormen,” a woman who initially appears to be a perfectly devoted housewife, catering to her husband’s needs in the vast Manhattan prewar penthouse apartment left to him by his mother, slowly comes into focus as something significantly more sinister. The 12 stories here cheekily tackle subjects ranging from neighborhood book clubs to reality TV shows, and while a few of them feel, sadly, like filler, breaking up the madcap momentum, on the whole, they are deliciously dark and deliriously deranged.
This amusingly offbeat collection treats us to an unusual array of characters as if it were offering up a plate of clever canapes. Maybe just don’t try to devour them all at once.Pub Date: Jan. 12, 2016
ISBN: 978-0-385-54103-9
Page Count: 208
Publisher: Doubleday
Review Posted Online: Sept. 22, 2015
Kirkus Reviews Issue: Oct. 1, 2015
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
PROFILES
It's being called a novel, but it is more a hybrid: short-stories/essays/confessions about the Vietnam War—the subject that O'Brien reasonably comes back to with every book. Some of these stories/memoirs are very good in their starkness and factualness: the title piece, about what a foot soldier actually has on him (weights included) at any given time, lends a palpability that makes the emotional freight (fear, horror, guilt) correspond superbly. Maybe the most moving piece here is "On The Rainy River," about a draftee's ambivalence about going, and how he decided to go: "I would go to war—I would kill and maybe die—because I was embarrassed not to." But so much else is so structurally coy that real effects are muted and disadvantaged: O'Brien is writing a book more about earnestness than about war, and the peekaboos of this isn't really me but of course it truly is serve no true purpose. They make this an annoyingly arty book, hiding more than not behind Hemingwayesque time-signatures and puerile repetitions about war (and memory and everything else, for that matter) being hell and heaven both. A disappointment.
Pub Date: March 28, 1990
ISBN: 0618706410
Page Count: 256
Publisher: Houghton Mifflin
Review Posted Online: Oct. 2, 2011
Kirkus Reviews Issue: Feb. 15, 1990
SEEN & HEARD
IN THE NEWS
SEEN & HEARD
A newcomer to watch: fresh, funny, and tough.
Seven stories, including a couple of prizewinners, from an exuberantly talented young Thai-American writer.
In the poignant title story, a young man accompanies his mother to Kok Lukmak, the last in the chain of Andaman Islands—where the two can behave like “farangs,” or foreigners, for once. It’s his last summer before college, her last before losing her eyesight. As he adjusts to his unsentimental mother’s acceptance of her fate, they make tentative steps toward the future. “Farangs,” included in Best New American Voices 2005 (p. 711), is about a flirtation between a Thai teenager who keeps a pet pig named Clint Eastwood and an American girl who wanders around in a bikini. His mother, who runs a motel after having been deserted by the boy’s American father, warns him about “bonking” one of the guests. “Draft Day” concerns a relieved but guilty young man whose father has bribed him out of the draft, and in “Don’t Let Me Die in This Place,” a bitter grandfather has moved from the States to Bangkok to live with his son, his Thai daughter-in-law, and two grandchildren. The grandfather’s grudging adjustment to the move and to his loss of autonomy (from a stroke) is accelerated by a visit to a carnival, where he urges the whole family into a game of bumper cars. The longest story, “Cockfighter,” is an astonishing coming-of-ager about feisty Ladda, 15, who watches as her father, once the best cockfighter in town, loses his status, money, and dignity to Little Jui, 16, a meth addict whose father is the local crime boss. Even Ladda is in danger, as Little Jui’s bodyguards try to abduct her. Her mother tells Ladda a family secret about her father’s failure of courage in fighting Big Jui to save his own sister’s honor. By the time Little Jui has had her father beaten and his ear cut off, Ladda has begun to realize how she must fend for herself.
A newcomer to watch: fresh, funny, and tough.Pub Date: Jan. 1, 2005
ISBN: 0-8021-1788-0
Page Count: 224
Publisher: Grove
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Oct. 15, 2004
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