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THE LONG HALF-LIVES OF LOVE AND TRAUMA

A relentlessly probing memoir of a search for self-knowledge.

Excavating the past unearths festering wounds.

In this final volume of a trilogy about children of Holocaust survivors, journalist Epstein (Where She Came From: A Daughter’s Search for Her Mother’s History, 1997, etc.) decided to focus on her own “atypical adolescence,” investigating especially how her parents’ trauma had affected her “in the intimate realms of sex and friendship.” The project, she thought naively, “would be easy, even a lark.” She could not have been more wrong. To help her recall details, in 2000, she flew from her home in Massachusetts, where she lived with her husband and sons, to California to reconnect with Robbie, who had been a close family friend and later a lover. Robbie had been a gifted musician, and Epstein had imagined that he would become a “brilliant, charismatic, celebrated” performer. But the 55-year-old man she met was far different: overweight, emotionally volatile, suffering from chronic fatigue syndrome and, he tells her, manic-depression. Although Epstein praises him as her “collaborator and coach,” he often erupted with impatient and harsh remarks. Robbie is just one among many unsympathetic characters populating the memoir. Others include the author’s self-absorbed mother, who had disclosed a shocking revelation the day before Epstein began psychoanalysis; a “narcissistic, patronizing” cousin; and the husband of her nanny, whom she came to believe sexually abused her when she was 3 years old. As soon as she embarked on her journey into the past, Epstein was overcome with grief, frequently weeping, hyperventilating, and falling “into altered states of consciousness.” She decided to have phone sessions with the taciturn therapist Dr. M., who had treated her 20 years before, recording her side of their conversation, enabling her to convey every detail. Candid and penetrating, the memoir nevertheless is overwhelmed by those details, as Epstein meticulously unravels the fabric of her past. Some of her closest friends, she writes, “tired of my doubling back over the same subjects over and over again.” Readers will likely agree.

A relentlessly probing memoir of a search for self-knowledge.

Pub Date: Jan. 8, 2018

ISBN: 978-0-9614696-6-5

Page Count: 250

Publisher: Plunkett Lake Press

Review Posted Online: Oct. 1, 2017

Kirkus Reviews Issue: Oct. 15, 2017

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THE ELEMENTS OF STYLE

50TH ANNIVERSARY EDITION

Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis...

Privately published by Strunk of Cornell in 1918 and revised by his student E. B. White in 1959, that "little book" is back again with more White updatings.

Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis (whoops — "A bankrupt expression") a unique guide (which means "without like or equal").

Pub Date: May 15, 1972

ISBN: 0205632645

Page Count: 105

Publisher: Macmillan

Review Posted Online: Oct. 28, 2011

Kirkus Reviews Issue: May 1, 1972

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NUTCRACKER

This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)

Pub Date: Oct. 28, 1996

ISBN: 0-15-100227-4

Page Count: 136

Publisher: Harcourt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 15, 1996

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