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EVERYWHERE I LOOK

Like strolling around in an idiosyncratic, surprising, and informative museum.

A veteran Australian novelist and essayist returns with a motley, spirited collection of pieces dating back more than a decade.

One of the first things readers new to Garner (The House of Grief: The Story of a Murder Trial, 2015, etc.) will notice is her candor. She writes frankly about her youthful indiscretions, failed marriages, temper (she goes off on a teenage girl taunting older women), and ignorance about certain subjects (ballet, for example). She does so in the same frank and clear voice she uses throughout these essays that range from memories (a rare book from girlhood) to reviews (of films and personalities, from United 93 to the complete films of Russell Crowe) to searches for meaning in her quotidian experiences (she invariably finds something). A couple of times Garner mentions key dreams that conveniently fit with the theme of the piece, but she nonetheless convinces throughout that she is one on whom little is lost. Most pieces are quite brief, just several pages, and they appear in thematic rather than chronological order. Most are from the 2000s, but one about pianist Glenn Gould is from 1994: “J.S. Bach is God, as far as I’m concerned, and…Gould was one of his major prophets.” Throughout, we learn quite a bit about the author. Her feelings about her parents, her fondness for her ukulele, her gratitude to a tough teacher from girlhood, her admiration for writers (from Elizabeth Jolley to Janet Malcolm; she calls the latter “Dear boss”), her broken relationship with a family dog, her battle with depression, her responses to aging (she’s now 73)—these and other richly human subjects connect the author emotionally to her readers. Among the most engaging pieces are three selections from her diary; though generally very brief, they provide sharp images of her work, her reading, and her fellow travelers.

Like strolling around in an idiosyncratic, surprising, and informative museum.

Pub Date: Sept. 13, 2016

ISBN: 978-1-925355-36-9

Page Count: 240

Publisher: Text

Review Posted Online: June 11, 2016

Kirkus Reviews Issue: July 1, 2016

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THE PURSUIT OF HAPPYNESS

FROM MEAN STREETS TO WALL STREET

Well-told and admonitory.

Young-rags-to-mature-riches memoir by broker and motivational speaker Gardner.

Born and raised in the Milwaukee ghetto, the author pulled himself up from considerable disadvantage. He was fatherless, and his adored mother wasn’t always around; once, as a child, he spied her at a family funeral accompanied by a prison guard. When beautiful, evanescent Moms was there, Chris also had to deal with Freddie “I ain’t your goddamn daddy!” Triplett, one of the meanest stepfathers in recent literature. Chris did “the dozens” with the homies, boosted a bit and in the course of youthful adventure was raped. His heroes were Miles Davis, James Brown and Muhammad Ali. Meanwhile, at the behest of Moms, he developed a fondness for reading. He joined the Navy and became a medic (preparing badass Marines for proctology), and a proficient lab technician. Moving up in San Francisco, married and then divorced, he sold medical supplies. He was recruited as a trainee at Dean Witter just around the time he became a homeless single father. All his belongings in a shopping cart, Gardner sometimes slept with his young son at the office (apparently undiscovered by the night cleaning crew). The two also frequently bedded down in a public restroom. After Gardner’s talents were finally appreciated by the firm of Bear Stearns, his American Dream became real. He got the cool duds, hot car and fine ladies so coveted from afar back in the day. He even had a meeting with Nelson Mandela. Through it all, he remained a prideful parent. His own no-daddy blues are gone now.

Well-told and admonitory.

Pub Date: June 1, 2006

ISBN: 0-06-074486-3

Page Count: 320

Publisher: Amistad/HarperCollins

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: March 15, 2006

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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