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EVERYWHERE I LOOK

Like strolling around in an idiosyncratic, surprising, and informative museum.

A veteran Australian novelist and essayist returns with a motley, spirited collection of pieces dating back more than a decade.

One of the first things readers new to Garner (The House of Grief: The Story of a Murder Trial, 2015, etc.) will notice is her candor. She writes frankly about her youthful indiscretions, failed marriages, temper (she goes off on a teenage girl taunting older women), and ignorance about certain subjects (ballet, for example). She does so in the same frank and clear voice she uses throughout these essays that range from memories (a rare book from girlhood) to reviews (of films and personalities, from United 93 to the complete films of Russell Crowe) to searches for meaning in her quotidian experiences (she invariably finds something). A couple of times Garner mentions key dreams that conveniently fit with the theme of the piece, but she nonetheless convinces throughout that she is one on whom little is lost. Most pieces are quite brief, just several pages, and they appear in thematic rather than chronological order. Most are from the 2000s, but one about pianist Glenn Gould is from 1994: “J.S. Bach is God, as far as I’m concerned, and…Gould was one of his major prophets.” Throughout, we learn quite a bit about the author. Her feelings about her parents, her fondness for her ukulele, her gratitude to a tough teacher from girlhood, her admiration for writers (from Elizabeth Jolley to Janet Malcolm; she calls the latter “Dear boss”), her broken relationship with a family dog, her battle with depression, her responses to aging (she’s now 73)—these and other richly human subjects connect the author emotionally to her readers. Among the most engaging pieces are three selections from her diary; though generally very brief, they provide sharp images of her work, her reading, and her fellow travelers.

Like strolling around in an idiosyncratic, surprising, and informative museum.

Pub Date: Sept. 13, 2016

ISBN: 978-1-925355-36-9

Page Count: 240

Publisher: Text

Review Posted Online: June 11, 2016

Kirkus Reviews Issue: July 1, 2016

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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INTO THE WILD

A wonderful page-turner written with humility, immediacy, and great style. Nothing came cheap and easy to McCandless, nor...

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The excruciating story of a young man on a quest for knowledge and experience, a search that eventually cooked his goose, told with the flair of a seasoned investigative reporter by Outside magazine contributing editor Krakauer (Eiger Dreams, 1990). 

Chris McCandless loved the road, the unadorned life, the Tolstoyan call to asceticism. After graduating college, he took off on another of his long destinationless journeys, this time cutting all contact with his family and changing his name to Alex Supertramp. He was a gent of strong opinions, and he shared them with those he met: "You must lose your inclination for monotonous security and adopt a helter-skelter style of life''; "be nomadic.'' Ultimately, in 1992, his terms got him into mortal trouble when he ran up against something—the Alaskan wild—that didn't give a hoot about Supertramp's worldview; his decomposed corpse was found 16 weeks after he entered the bush. Many people felt McCandless was just a hubris-laden jerk with a death wish (he had discarded his map before going into the wild and brought no food but a bag of rice). Krakauer thought not. Admitting an interest that bordered on obsession, he dug deep into McCandless's life. He found a willful, reckless, moody boyhood; an ugly little secret that sundered the relationship between father and son; a moral absolutism that agitated the young man's soul and drove him to extremes; but he was no more a nutcase than other pilgrims. Writing in supple, electric prose, Krakauer tries to make sense of McCandless (while scrupulously avoiding off-the-rack psychoanalysis): his risky behavior and the rites associated with it, his asceticism, his love of wide open spaces, the flights of his soul.

A wonderful page-turner written with humility, immediacy, and great style. Nothing came cheap and easy to McCandless, nor will it to readers of Krakauer's narrative. (4 maps) (First printing of 35,000; author tour)

Pub Date: Jan. 1, 1996

ISBN: 0-679-42850-X

Page Count: 320

Publisher: Villard

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Oct. 15, 1995

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