More than capably written, and redeemed by many stunning moments, but a little too rigorously staged to be fully convincing.
The presence of Charlotte Brontë's Jane Eyre—as both this novel's partial inspiration and its heroine's own favorite book—adds considerable romantic-gothic flavor to a leisurely tale of a young maidservant's enlightening and disillusioning "education."
When Annie Phelan, orphaned and condemned to a life of "service" by the Irish Potato Famine, arrives at the English country home of the Dashells, she's eyed warily by fellow servants envious of her delicate beauty and appropriated by her mistress Isabelle, a photographer (modeled on Victorian Julia Margaret Cameron) given to "arranging" nearby people on various classical and literary poses. The initially reluctant Annie "becomes" Isabelle's Guinevere, Ophelia, Sappho, and Madonna. Meanwhile, Annie finds herself in a virtual friendship with Isabelle's docile husband Eldon, a scholarly cartographer who allows Annie (a devout reader) the use of his library and confides to her his unrealized ambition: he had "wanted to be a great adventurer" and explorer, but settled instead for devising "a themed map of the world" for a publisher of atlases. Humphreys (Leaving Earth, 1998) turns the Dashells' loveless marriage and burden of sorrow (three stillborn babies, and no living children) into a lucid but awfully undramatic debate about the nature and utility of artistic and factual representations of reality—so much so that when Eldon's frustrations overpower his reason and Isabelle's stunted maternal longings are subsumed into her growing intimacy with Annie, the sudden consequent surges of emotion seem out of keeping with the story's carefully managed restraint. As a result, its climactic surprises feel forced, and involve the reader far less than do incidental vivid glimpses into Annie's confused mind and heart, and an array of beautiful images (notably the richly suggestive one of a winged boy falling out of the sky).
More than capably written, and redeemed by many stunning moments, but a little too rigorously staged to be fully convincing.Pub Date: April 10, 2001
ISBN: 0-8050-6666-7
Page Count: 256
Publisher: Henry Holt
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: Feb. 15, 2001
Still, a respectful and absorbing page-turner.
Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.
In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.
Still, a respectful and absorbing page-turner.Pub Date: Feb. 3, 2015
ISBN: 978-0-312-57722-3
Page Count: 448
Publisher: St. Martin's
Review Posted Online: Nov. 19, 2014
Kirkus Reviews Issue: Dec. 1, 2014
BOOK TO SCREEN
SEEN & HEARD
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
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