by Helen Schulman ‧ RELEASE DATE: June 6, 2023
In a word: Wow.
Two women—between them, survivors of the Bosnian genocide, a Hollywood rape, the American media, and a career with the Mossad—face off.
You might think that a book inspired by the role of Rose McGowan in the fall of Harvey Weinstein would have a fairly predictable story arc, but this barn burner of a novel handily incinerates that assumption. With an ambitious story structure recalling the work of Anthony Marra, Schulman has engineered a series of breathtaking aha moments, set to go off like timed explosives located in Paris, Sarajevo, Tel Aviv, Los Angeles, and a retirement community in Florida. It begins on the Boulevard Saint-Germain, where a violet-eyed 24-year-old fugitive named Meredith Montgomery has come to hide from a media shitstorm and career implosion she incited by complaining on Twitter about her rape by a Hollywood mega-creep she calls the Rug—to hide from it, but also to write a memoir about it, nondisclosure agreement be damned. Schulman’s creation of Meredith is perfect. For example, describing her flight to Europe: “For exercise and to prevent blood clots, occasionally I’d prop up on an elbow to flag down a flight attendant so I could order additional mini-bottles of whiskey—waving an arm in the air burns more calories than not waving an arm in the air—and when I actually stood, I swayed (that does, too). Whether the oscillation was from an inborn sense of rhythm, turbulence, or a history of drug abuse, it’s hard to tell—time is running out now, and I have more existential problems than the fact that maybe I shouldn’t have done so much ayahuasca.” When a lawyer tells her she can’t bring charges against the Rug—“Way too late for that. His word against yours, you lose. Forget about it”—her first thought is: a haiku! Before we meet her counterpart, a woman of many names and careers (including a humorously evoked stint with Birthright), the second section opens with an extended guessing game, a bravura tactic introducing a city and a character whose relevance is not immediately clear. It's like Meredith, the novice memoirist, says: “That’s what I like about book writing, you can play around with time, find its most meaningful iteration.” Schulman has certainly done that here, in her finest work to date.
In a word: Wow.Pub Date: June 6, 2023
ISBN: 9780593536230
Page Count: 336
Publisher: Knopf
Review Posted Online: March 27, 2023
Kirkus Reviews Issue: April 15, 2023
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by Alison Espach ‧ RELEASE DATE: July 30, 2024
Uneven but fitfully amusing.
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New York Times Bestseller
Betrayed by her husband, a severely depressed young woman gets drawn into the over-the-top festivities at a lavish wedding.
Phoebe Stone, who teaches English literature at a St. Louis college, is plotting her own demise. Her husband, Matt, has left her for another woman, and Phoebe is taking it hard. Indeed, she's determined just where and how she will end it all: at an oceanfront hotel in Newport, where she will lie on a king-sized canopy bed and take a bottle of her cat’s painkillers. At the hotel, Phoebe meets bride-to-be Lila, a headstrong rich girl presiding over her own extravagant six-day wedding celebration. Lila thought she had booked every room in the hotel, and learning of Phoebe's suicidal intentions, she forbids this stray guest from disrupting the nuptials: “No. You definitely can’t kill yourself. This is my wedding week.” After the punchy opening, a grim flashback to the meltdown of Phoebe's marriage temporarily darkens the mood, but things pick up when spoiled Lila interrupts Phoebe's preparations and sweeps her up in the wedding juggernaut. The slide from earnest drama to broad farce is somewhat jarring, but from this point on, Espach crafts an enjoyable—if overstuffed—comedy of manners. When the original maid of honor drops out, Phoebe is persuaded, against her better judgment, to take her place. There’s some fun to be had here: The wedding party—including groom-to-be Gary, a widower, and his 11-year-old daughter—takes surfing lessons; the women in the group have a session with a Sex Woman. But it all goes on too long, and the humor can seem forced, reaching a low point when someone has sex with the vintage wedding car (you don’t want to know the details). Later, when two characters have a meet-cute in a hot tub, readers will guess exactly how the marriage plot resolves.
Uneven but fitfully amusing.Pub Date: July 30, 2024
ISBN: 9781250899576
Page Count: 384
Publisher: Henry Holt
Review Posted Online: Sept. 13, 2024
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More About This Book
SEEN & HEARD
by Paulo Coelho & translated by Margaret Jull Costa ‧ RELEASE DATE: July 1, 1993
Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.
Coelho is a Brazilian writer with four books to his credit. Following Diary of a Magus (1992—not reviewed) came this book, published in Brazil in 1988: it's an interdenominational, transcendental, inspirational fable—in other words, a bag of wind.
The story is about a youth empowered to follow his dream. Santiago is an Andalusian shepherd boy who learns through a dream of a treasure in the Egyptian pyramids. An old man, the king of Salem, the first of various spiritual guides, tells the boy that he has discovered his destiny: "to realize one's destiny is a person's only real obligation." So Santiago sells his sheep, sails to Tangier, is tricked out of his money, regains it through hard work, crosses the desert with a caravan, stops at an oasis long enough to fall in love, escapes from warring tribesmen by performing a miracle, reaches the pyramids, and eventually gets both the gold and the girl. Along the way he meets an Englishman who describes the Soul of the World; the desert woman Fatima, who teaches him the Language of the World; and an alchemist who says, "Listen to your heart" A message clings like ivy to every encounter; everyone, but everyone, has to put in their two cents' worth, from the crystal merchant to the camel driver ("concentrate always on the present, you'll be a happy man"). The absence of characterization and overall blandness suggest authorship by a committee of self-improvement pundits—a far cry from Saint- Exupery's The Little Prince: that flagship of the genre was a genuine charmer because it clearly derived from a quirky, individual sensibility.
Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.Pub Date: July 1, 1993
ISBN: 0-06-250217-4
Page Count: 192
Publisher: N/A
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 1, 1993
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by Paulo Coelho ; illustrated by Christoph Niemann ; translated by Margaret Jull Costa
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