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I DARE YOU NOT TO YAWN

Name: I DARE YOU NOT TO YAWN
Author: Hélène Boudreau
ISBN: 978-0-7636-5070-4

by Hélène Boudreau ; illustrated by Serge Bloch ‧ RELEASE DATE: March 12, 2012

Just the ticket for nap-time or bedtime sharing.

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Those sneaky, sneaky yawns—just one and it’s lights out for you.

In this clever, appealing offering, Boudreau describes what happens when a yawn hits: “your arms stretch up, your eyes squish tight, your mouth opens wide, your tongue curls back, and—mmm…rrr…yarwwrrrrr—a yawn pops out.” Moms never fail to spot them, and soon enough, it’s time for pajamas, goodnight books, lullabies, and tucking into bed with hugs and kisses. If one doesn’t wish to fall prey to these consequences, then the following rules should be observed: Don’t, for any reason, look at anyone else who is yawning, and avoid, at all costs, stuffed animals, pajamas, cozy blankies, books about sleepy baby animals, songs about sheep-counting and images of sleepy baby orangutans. The funny, melodramatic prose is cleverly extended by Bloch’s cartoonlike illustrations that emphasize the emotions of the little boy who is desperately trying not to yawn. He looks absolutely distraught when put to bed, hilariously focused and determined as he runs away from snuggly, yawn-inducing items, and finally, happily asleep on the final page. The boy’s cat appears in many of the illustrations, mimicking his behaviors and emotions to great comic effect.

Just the ticket for nap-time or bedtime sharing. (Picture book. 4-8)

Pub Date: March 12, 2012

ISBN: 978-0-7636-5070-4

Page Count: 32

Publisher: Candlewick

Review Posted Online: Jan. 27, 2013

Kirkus Reviews Issue: Feb. 15, 2013

Categories:

CHILDREN'S CONCEPTS

- BOOK REVIEW
REAL MERMAIDS DON'T NEED HIGH HEELS
by Hélène Boudreau

- BOOK REVIEW
REAL MERMAIDS DON'T WEAR TOE RINGS
by Hélène Boudreau

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ON THE FIRST DAY OF KINDERGARTEN

by Tish Rabe ; illustrated by Laura Hughes ‧ RELEASE DATE: June 21, 2016

While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of...

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Rabe follows a young girl through her first 12 days of kindergarten in this book based on the familiar Christmas carol.

The typical firsts of school are here: riding the bus, making friends, sliding on the playground slide, counting, sorting shapes, laughing at lunch, painting, singing, reading, running, jumping rope, and going on a field trip. While the days are given ordinal numbers, the song skips the cardinal numbers in the verses, and the rhythm is sometimes off: “On the second day of kindergarten / I thought it was so cool / making lots of friends / and riding the bus to my school!” The narrator is a white brunette who wears either a tunic or a dress each day, making her pretty easy to differentiate from her classmates, a nice mix in terms of race; two students even sport glasses. The children in the ink, paint, and collage digital spreads show a variety of emotions, but most are happy to be at school, and the surroundings will be familiar to those who have made an orientation visit to their own schools.

While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of Kindergarten (2003), it basically gets the job done. (Picture book. 4-7)

Pub Date: June 21, 2016

ISBN: 978-0-06-234834-0

Page Count: 32

Publisher: Harper/HarperCollins

Review Posted Online: May 3, 2016

Kirkus Reviews Issue: June 1, 2016

Categories:

CHILDREN'S CONCEPTS | CHILDREN'S SOCIAL THEMES

- BOOK REVIEW
ON THE FIRST DAY OF FIRST GRADE
by Tish Rabe ; illustrated by Sarah Jennings

- BOOK REVIEW
FIVE LITTLE BUNNIES
by Tish Rabe ; illustrated by Dan Yaccarino

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LOVE FROM THE CRAYONS

by Drew Daywalt ; illustrated by Oliver Jeffers ‧ RELEASE DATE: Dec. 24, 2019

As ephemeral as a valentine.

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Daywalt and Jeffers’ wandering crayons explore love.

Each double-page spread offers readers a vision of one of the anthropomorphic crayons on the left along with the statement “Love is [color].” The word love is represented by a small heart in the appropriate color. Opposite, childlike crayon drawings explain how that color represents love. So, readers learn, “love is green. / Because love is helpful.” The accompanying crayon drawing depicts two alligators, one holding a recycling bin and the other tossing a plastic cup into it, offering readers two ways of understanding green. Some statements are thought-provoking: “Love is white. / Because sometimes love is hard to see,” reaches beyond the immediate image of a cat’s yellow eyes, pink nose, and black mouth and whiskers, its white face and body indistinguishable from the paper it’s drawn on, to prompt real questions. “Love is brown. / Because sometimes love stinks,” on the other hand, depicted by a brown bear standing next to a brown, squiggly turd, may provoke giggles but is fundamentally a cheap laugh. Some of the color assignments have a distinctly arbitrary feel: Why is purple associated with the imagination and pink with silliness? Fans of The Day the Crayons Quit (2013) hoping for more clever, metaliterary fun will be disappointed by this rather syrupy read.

As ephemeral as a valentine. (Picture book. 4-6)