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MOOREWOOD FAMILY RULES

An ensemble comedy with a healthy dose of humorous back-stabbing.

A woman newly released from prison reunites with her family of con artists to find out which one turned her in.

The only life that Jillian Moorewood has ever known is a dishonest one. Growing up in a family of scammers meant that any semblance of a straightforward childhood wouldn't be possible—but now, 39 months after going to prison, she’s back and ready to make her relatives go legit. Granted, when Jillian shows up at home in Newport, Rhode Island, everyone is more than prepared to deny that they'd agreed to the condition she'd imposed before going to jail for all of them: that they'd go legit. This wayward daughter has a few tricks up her sleeve, though, and they all start and end with hitting the rest of the family where it hurts: in their bank accounts. Jillian's relatives are less than thrilled about her ultimatum, but are they irritated enough to attempt to off her themselves? Enter the intimidating and distractingly handsome bodyguard Beck Romer, whom Jillian initially hires to protect her from her diabolical family—but the two discover that their connection is even more intense than that of boss and employee. There's little time for the possibility of love, though, when Jillian is not only trying to find out who was responsible for sending her to prison in the first place, but also dodging retaliation from relatives left and right. Dimon's latest is lighter on romance than most of her books, leaning more significantly into the wacky interpersonal hijinks of its premise. Readers who enjoy dysfunctional family dynamics will find entertainment here. Given the limited scope of the setting, though, notching up the drama between characters and incorporating more mystery would have served the story even better.

An ensemble comedy with a healthy dose of humorous back-stabbing.

Pub Date: April 25, 2023

ISBN: 9780063297142

Page Count: 384

Publisher: Avon/HarperCollins

Review Posted Online: Feb. 23, 2023

Kirkus Reviews Issue: March 15, 2023

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THE WOMEN

A dramatic, vividly detailed reconstruction of a little-known aspect of the Vietnam War.

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A young woman’s experience as a nurse in Vietnam casts a deep shadow over her life.

When we learn that the farewell party in the opening scene is for Frances “Frankie” McGrath’s older brother—“a golden boy, a wild child who could make the hardest heart soften”—who is leaving to serve in Vietnam in 1966, we feel pretty certain that poor Finley McGrath is marked for death. Still, it’s a surprise when the fateful doorbell rings less than 20 pages later. His death inspires his sister to enlist as an Army nurse, and this turn of events is just the beginning of a roller coaster of a plot that’s impressive and engrossing if at times a bit formulaic. Hannah renders the experiences of the young women who served in Vietnam in all-encompassing detail. The first half of the book, set in gore-drenched hospital wards, mildewed dorm rooms, and boozy officers’ clubs, is an exciting read, tracking the transformation of virginal, uptight Frankie into a crack surgical nurse and woman of the world. Her tensely platonic romance with a married surgeon ends when his broken, unbreathing body is airlifted out by helicopter; she throws her pent-up passion into a wild affair with a soldier who happens to be her dead brother’s best friend. In the second part of the book, after the war, Frankie seems to experience every possible bad break. A drawback of the story is that none of the secondary characters in her life are fully three-dimensional: Her dismissive, chauvinistic father and tight-lipped, pill-popping mother, her fellow nurses, and her various love interests are more plot devices than people. You’ll wish you could have gone to Vegas and placed a bet on the ending—while it’s against all the odds, you’ll see it coming from a mile away.

A dramatic, vividly detailed reconstruction of a little-known aspect of the Vietnam War.

Pub Date: Feb. 6, 2024

ISBN: 9781250178633

Page Count: 480

Publisher: St. Martin's

Review Posted Online: Nov. 4, 2023

Kirkus Reviews Issue: Dec. 1, 2023

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IT STARTS WITH US

Through palpable tension balanced with glimmers of hope, Hoover beautifully captures the heartbreak and joy of starting over.

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The sequel to It Ends With Us (2016) shows the aftermath of domestic violence through the eyes of a single mother.

Lily Bloom is still running a flower shop; her abusive ex-husband, Ryle Kincaid, is still a surgeon. But now they’re co-parenting a daughter, Emerson, who's almost a year old. Lily won’t send Emerson to her father’s house overnight until she’s old enough to talk—“So she can tell me if something happens”—but she doesn’t want to fight for full custody lest it become an expensive legal drama or, worse, a physical fight. When Lily runs into Atlas Corrigan, a childhood friend who also came from an abusive family, she hopes their friendship can blossom into love. (For new readers, their history unfolds in heartfelt diary entries that Lily addresses to Finding Nemo star Ellen DeGeneres as she considers how Atlas was a calming presence during her turbulent childhood.) Atlas, who is single and running a restaurant, feels the same way. But even though she’s divorced, Lily isn’t exactly free. Behind Ryle’s veneer of civility are his jealousy and resentment. Lily has to plan her dates carefully to avoid a confrontation. Meanwhile, Atlas’ mother returns with shocking news. In between, Lily and Atlas steal away for romantic moments that are even sweeter for their authenticity as Lily struggles with child care, breastfeeding, and running a business while trying to find time for herself.

Through palpable tension balanced with glimmers of hope, Hoover beautifully captures the heartbreak and joy of starting over.

Pub Date: Oct. 18, 2022

ISBN: 978-1-668-00122-6

Page Count: 352

Publisher: Atria

Review Posted Online: July 26, 2022

Kirkus Reviews Issue: Aug. 15, 2022

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