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THE SONG AND THE TRUTH

A virtuosic interweaving of myth, history, and imagination.

We’ve seen a number of interesting novels from the Netherlands lately, but few have been better than this engrossing saga of a Dutch Jewish family’s experiences of personal upheaval in the East Indies and WWII upon returning to Holland.

Their story is told in retrospect by Louise “Lulu” Benda, whose memories extend back to her early childhood in an exotic “paradise” where “gods” are believed to prowl lush gardens and figures from Javanese mythology seem every bit as real as Lulu’s father Cees, a compassionate doctor, her mother Hélène, and (maternal) Aunt Margot, plus the playful, vaguely sinister Felix, Cees’s brother, and—as Lulu barely intuits—a threat to both “Aunty Margot’s” happiness and her parents’ marriage. The enigmatic Uncle Felix is one of several omens (such as the tale of the sorrowful Javanese Princess Dewi Kesuma) that influence and complicate Lulu’s gradual understanding of the forces that drive her family back to Europe (first to the comparative safety of The Hague), and to the numerous relatives whom she encounters (the most memorable being her authoritarian “Granny Mimi,” who has “banned a number of topics of conversation, such as war and someone called Hitla”). Ruebsamen uses Lulu’s initially inchoate consciousness beautifully, building up a complex contrast between the limpid, seductive “song” of her innocent years in the Indies and the abrasive “truth” of her unhappy maturing in the crucible of her war-torn mother country. The tale is further distinguished by vivid, patiently assembled characterizations of such striking figures as Lulu’s stoical, stubbornly decent and heroic father, her young “other Aunt” Tinka (a child of the Indies who cannot survive in the sluggish, destroyed atmosphere of Holland’s “Wetlands”), and the Bendas’ affable maidservant Aleida, a perverse maternal figure whose powerful sexuality both repels and fascinates the preadolescent Lulu.

A virtuosic interweaving of myth, history, and imagination.

Pub Date: Sept. 10, 2000

ISBN: 0-375-40261-6

Page Count: 352

Publisher: Knopf

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Sept. 1, 2000

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THE THINGS WE DO FOR LOVE

Heartfelt, yes, but pretty routine.

Life lessons.

Angie Malone, the youngest of a big, warm Italian-American family, returns to her Pacific Northwest hometown to wrestle with various midlife disappointments: her divorce, Papa’s death, a downturn in business at the family restaurant, and, above all, her childlessness. After several miscarriages, she, a successful ad exec, and husband Conlan, a reporter, befriended a pregnant young girl and planned to adopt her baby—and then the birth mother changed her mind. Angie and Conlan drifted apart and soon found they just didn’t love each other anymore. Metaphorically speaking, “her need for a child had been a high tide, an overwhelming force that drowned them. A year ago, she could have kicked to the surface but not now.” Sadder but wiser, Angie goes to work in the struggling family restaurant, bickering with Mama over updating the menu and replacing the ancient waitress. Soon, Angie befriends another young girl, Lauren Ribido, who’s eager to learn and desperately needs a job. Lauren’s family lives on the wrong side of the tracks, and her mother is a promiscuous alcoholic, but Angie knows nothing of this sad story and welcomes Lauren into the DeSaria family circle. The girl listens in, wide-eyed, as the sisters argue and make wisecracks and—gee-whiz—are actually nice to each other. Nothing at all like her relationship with her sluttish mother, who throws Lauren out when boyfriend David, en route to Stanford, gets her pregnant. Will Lauren, who’s just been accepted to USC, let Angie adopt her baby? Well, a bit of a twist at the end keeps things from becoming too predictable.

Heartfelt, yes, but pretty routine.

Pub Date: July 1, 2004

ISBN: 0-345-46750-7

Page Count: 400

Publisher: Ballantine

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: May 15, 2004

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HOME FRONT

Less bleak than the subject matter might warrant—Hannah’s default outlook is sunny—but still, a wrenching depiction of war’s...

 The traumatic homecoming of a wounded warrior.

The daughter of alcoholics who left her orphaned at 17, Jolene “Jo” Zarkades found her first stable family in the military: She’s served over two decades, first in the army, later with the National Guard. A helicopter pilot stationed near Seattle, Jo copes as competently at home, raising two daughters, Betsy and Lulu, while trying to dismiss her husband Michael’s increasing emotional distance. Jo’s mettle is sorely tested when Michael informs her flatly that he no longer loves her. Four-year-old Lulu clamors for attention while preteen Betsy, mean-girl-in-training, dismisses as dweeby her former best friend, Seth, son of Jo’s confidante and fellow pilot, Tami. Amid these challenges comes the ultimate one: Jo and Tami are deployed to Iraq. Michael, with the help of his mother, has to take over the household duties, and he rapidly learns that parenting is much harder than his wife made it look. As Michael prepares to defend a PTSD-afflicted veteran charged with Murder I for killing his wife during a dissociative blackout, he begins to understand what Jolene is facing and to revisit his true feelings for her. When her helicopter is shot down under insurgent fire, Jo rescues Tami from the wreck, but a young crewman is killed. Tami remains in a coma and Jo, whose leg has been amputated, returns home to a difficult rehabilitation on several fronts. Her nightmares in which she relives the crash and other horrors she witnessed, and her pain, have turned Jo into a person her daughters now fear (which in the case of bratty Betsy may not be such a bad thing). Jo can't forgive Michael for his rash words. Worse, she is beginning to remind Michael more and more of his homicide client. Characterization can be cursory: Michael’s earlier callousness, left largely unexplained, undercuts the pathos of his later change of heart. 

Less bleak than the subject matter might warrant—Hannah’s default outlook is sunny—but still, a wrenching depiction of war’s aftermath.

Pub Date: Jan. 31, 2012

ISBN: 978-0-312-57720-9

Page Count: 400

Publisher: St. Martin's

Review Posted Online: Dec. 18, 2011

Kirkus Reviews Issue: Jan. 1, 2012

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