A creative, fun introduction to Islam.
A counting book takes readers on a tour of the Islamic faith.
“One is the morning sun” as a multigenerational Muslim family awakes to the first adhaan (call for prayer). “Two are hands for making dua” as they utter morning invocations. In this fashion, the book moves through the numbers one to 10 as the family members, including two children, carry out various religious practices and traditions. As Khan explains in a closing author’s note, the book steers clear of abstract concepts (like five for the five pillars of Islam) and instead presents “concrete and illustratable terms” to help children “focus on things we can count in the world around us.” Thus, readers see five cups of tea being served at a halaqa (religious study group) with family friends, 10 pairs of shoes that the characters have removed from their feet before salah (formal worship), and three bags of donations being prepared for sadaqa (almsgiving). Exquisite, colorful mixed-media illustrations depict a setting that could be Iran (Amini’s ancestral homeland) and showcase the aesthetics of Islamic art, from textile patterns to architectural ornamentation. This concept book complements the creators’ Golden Domes and Silver Lanterns (2012) and Crescent Moons and Pointed Minarets (2018), about colors and shapes, respectively. Some readers may disagree with certain spelling choices, such as salah instead of sala or salat. A helpful glossary explains key terms and could be critical for non-Muslim readers. Muslims are portrayed diversely in terms of dress, physical appearance, and race.
A creative, fun introduction to Islam. (Picture book. 3-7)Pub Date: March 1, 2022
ISBN: 978-1-4521-8272-8
Page Count: 32
Publisher: Chronicle Books
Review Posted Online: Jan. 11, 2022
Kirkus Reviews Issue: Feb. 1, 2022
PERSPECTIVES
While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of...
Rabe follows a young girl through her first 12 days of kindergarten in this book based on the familiar Christmas carol.
The typical firsts of school are here: riding the bus, making friends, sliding on the playground slide, counting, sorting shapes, laughing at lunch, painting, singing, reading, running, jumping rope, and going on a field trip. While the days are given ordinal numbers, the song skips the cardinal numbers in the verses, and the rhythm is sometimes off: “On the second day of kindergarten / I thought it was so cool / making lots of friends / and riding the bus to my school!” The narrator is a white brunette who wears either a tunic or a dress each day, making her pretty easy to differentiate from her classmates, a nice mix in terms of race; two students even sport glasses. The children in the ink, paint, and collage digital spreads show a variety of emotions, but most are happy to be at school, and the surroundings will be familiar to those who have made an orientation visit to their own schools.
While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of Kindergarten (2003), it basically gets the job done. (Picture book. 4-7)Pub Date: June 21, 2016
ISBN: 978-0-06-234834-0
Page Count: 32
Publisher: Harper/HarperCollins
Review Posted Online: May 3, 2016
Kirkus Reviews Issue: June 1, 2016
BOOK REVIEW
BOOK REVIEW
As ephemeral as a valentine.
Daywalt and Jeffers’ wandering crayons explore love.
Each double-page spread offers readers a vision of one of the anthropomorphic crayons on the left along with the statement “Love is [color].” The word love is represented by a small heart in the appropriate color. Opposite, childlike crayon drawings explain how that color represents love. So, readers learn, “love is green. / Because love is helpful.” The accompanying crayon drawing depicts two alligators, one holding a recycling bin and the other tossing a plastic cup into it, offering readers two ways of understanding green. Some statements are thought-provoking: “Love is white. / Because sometimes love is hard to see,” reaches beyond the immediate image of a cat’s yellow eyes, pink nose, and black mouth and whiskers, its white face and body indistinguishable from the paper it’s drawn on, to prompt real questions. “Love is brown. / Because sometimes love stinks,” on the other hand, depicted by a brown bear standing next to a brown, squiggly turd, may provoke giggles but is fundamentally a cheap laugh. Some of the color assignments have a distinctly arbitrary feel: Why is purple associated with the imagination and pink with silliness? Fans of The Day the Crayons Quit (2013) hoping for more clever, metaliterary fun will be disappointed by this rather syrupy read.
As ephemeral as a valentine. (Picture book. 4-6)Pub Date: Dec. 24, 2019
ISBN: 978-1-5247-9268-8
Page Count: 32
Publisher: Penguin Workshop
Review Posted Online: Feb. 1, 2021
SEEN & HEARD
SEEN & HEARD
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