by Henry Alley ‧ RELEASE DATE: N/A
A knotty, lyrical, but sometimes overdone tale about a gay vet’s recovery.
A gay Vietnam veteran’s buried trauma provokes much turmoil in this novel.
It’s 1986, and Robb Jorgenson, a 40-year-old Seattle biology professor, has a terrible secret. It’s not his gay sexuality: He is semi-out and has a relationship with Bart, a high school drama teacher. His problem is his experience in the Vietnam War, the memory of which is causing nightmares and insomnia, an Ativan habit, and a persistent sense that he “really didn’t feel he existed at all.” Robb’s anguish leads readers to expect a war crime in his past, but that’s not quite the case: While serving as a military clerk in Saigon, he was a passenger in a jeep that had a hit-and-run collision with a female bicyclist. It’s not clear whether the woman was injured or which vehicle was at fault, but he feels guilt-stricken for not reporting the driver, Mason, for leaving the scene. Compounding his unease is Mason’s hotness—“that tan, that back, those pectorals glimpsed in the windshield, bright with sun”—which leads to a sexual encounter that gets curtailed when he upbraids the man for the accident. My Lai it’s not, but the incident gives Robb panic attacks that get him discharged. Years later, it provokes hallucinations of flaming bicycle wheels, spiraling addiction, paranoia, suicide plans, and finally rehab. Robb’s breakdown draws in loved ones dealing with their own issues. His sister, Olivia, also in recovery, tries to stabilize him while her marriage to a psychiatrist frays. Bart is coming out to his own family and confronting his mother’s projection of her homophobia onto his father. Alley (The Dahlia Field, 2017, etc.) is a skillful writer who draws realistic characters and crafts well-turned comic vignettes—a grandmotherly nurse gives Bart an overly explicit safe sex tutorial—along with moving scenes of the gathering AIDS epidemic. There’s a psychological frankness to the novel, with many pointed discussions as characters internalize the lesson that they must take responsibility for their own lives. Counterpoised to that realism is a giddy sexual lyricism. Robb swoons over studs, from the “tanned runner…his blonde hair radiant as a sunflower” to “that god…in the black lycra tights, his butt almost busting.” Odes to the healing power of man-on-man touching blossom throughout. A massage that Robb receives from a handsome physical therapist sparks a Proustian sensual epiphany, as he finds “himself entering into Tyler’s very bone and sinew, as though their bodies were fusing, the anguish seeming to be like a flower, opening like a bud…with his brain instantly shooting itself back into the backyard of a childhood friend; the friend and his sister were wading with him in a little pond, below a rockery of heather and carnations.” Unfortunately, Robb is not a captivating focus for the book’s lubricious energy. He’s a morose, self-absorbed, ruminative man whose depression and PTSD feel unearned and whose recovery, complete with a brief turn away from gay sexuality that is dropped before it gets interesting, seems perfunctory. Readers may wish that Bart would dump him and take up with one of the more intriguing characters in this hit-and-miss story.
A knotty, lyrical, but sometimes overdone tale about a gay vet’s recovery.Pub Date: N/A
ISBN: 978-1-937627-35-5
Page Count: 297
Publisher: Chelsea Station Editions
Review Posted Online: Feb. 14, 2019
Review Program: Kirkus Indie
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BOOK REVIEW
by Henry Alley
by Paulo Coelho & translated by Margaret Jull Costa ‧ RELEASE DATE: July 1, 1993
Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.
Coelho is a Brazilian writer with four books to his credit. Following Diary of a Magus (1992—not reviewed) came this book, published in Brazil in 1988: it's an interdenominational, transcendental, inspirational fable—in other words, a bag of wind.
The story is about a youth empowered to follow his dream. Santiago is an Andalusian shepherd boy who learns through a dream of a treasure in the Egyptian pyramids. An old man, the king of Salem, the first of various spiritual guides, tells the boy that he has discovered his destiny: "to realize one's destiny is a person's only real obligation." So Santiago sells his sheep, sails to Tangier, is tricked out of his money, regains it through hard work, crosses the desert with a caravan, stops at an oasis long enough to fall in love, escapes from warring tribesmen by performing a miracle, reaches the pyramids, and eventually gets both the gold and the girl. Along the way he meets an Englishman who describes the Soul of the World; the desert woman Fatima, who teaches him the Language of the World; and an alchemist who says, "Listen to your heart" A message clings like ivy to every encounter; everyone, but everyone, has to put in their two cents' worth, from the crystal merchant to the camel driver ("concentrate always on the present, you'll be a happy man"). The absence of characterization and overall blandness suggest authorship by a committee of self-improvement pundits—a far cry from Saint- Exupery's The Little Prince: that flagship of the genre was a genuine charmer because it clearly derived from a quirky, individual sensibility.
Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.Pub Date: July 1, 1993
ISBN: 0-06-250217-4
Page Count: 192
Publisher: N/A
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 1, 1993
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BOOK REVIEW
by Paulo Coelho ; illustrated by Christoph Niemann ; translated by Margaret Jull Costa
BOOK REVIEW
by Paulo Coelho ; translated by Eric M.B. Becker
BOOK REVIEW
by Paulo Coelho ; translated by Zoë Perry
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SEEN & HEARD
SEEN & HEARD
BOOK TO SCREEN
by Hanya Yanagihara ‧ RELEASE DATE: March 10, 2015
The phrase “tour de force” could have been invented for this audacious novel.
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Kirkus Prize
winner
National Book Award Finalist
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
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