Good old-fashioned snickering sexism generally hides behind closed doors these days, so it's with a sense of growing wonder that one slogs one's way through the veteran Denker's Dial-A-Diatribe, starring Judge Harry Spencer, Great Brontosaurus of the Federal bench. "Young woman, this Court takes judicial notice that all women have breasts. Even female attorneys. There is no need to flaunt them in my courtroom. So this Court can concentrate on your argument, you go home and put on a bra. With my limited experience in these matters, I would say a thirty-six C cup should do nicely." That's our hero, Federal District Court Judge Spencer, a cranky, cantankerous, gruff, but fair-minded—such is the author's painful misapprehension—old jurist who has just admonished a woman lawyer he believes is dressed for a "TV jiggle show" (a word to the wise in chambers is not Harry's style). The Women's Bar Association (naturally led by "an Amazon of a spinster in her mid-forties, tall, robust, attired in a quite masculine grey flannel suit") wants him to apologize, but there stands Spencer like a stone wall, so his old enemy, Chief Justice August Cartwright, takes advantage of the ensuing brouhaha to try to force him into retirement. Unabashed, Harry goes on about the business of trying Stockwell v. The State, a class-action suit claiming wage discrimination against female employees. Spencer finds the doctrine of Comparable Worth absurd and threatening (and Denker's stacked-deck version of it certainly is), so he writes a sarcastic opinion, and yet finds for the plaintiff, feeling certain higher courts will overrule him. But those crazed libbers at NOW (represented by actress/feminist/ exercise tycoon "Joan Esty") are too dumb to understand his deceptive plans, and Spencer coyly doesn't enlighten them when he flies out to L.A. to receive their Man of the Year Award. In fact, the gals find him such a charming old coot that they inundate August Cartwright and his buddies with letters, and Harry's job is saved. Back in the office, in an expansive mood, Harry reminisces with his secretary: "God, Betsy, remember this case? Esther Freihofer v. Acme Tool and Die. Clear case of reverse discrimination. Claimed she was held up to ridicule because she was the only girl in the office her boss never made a pass at." Shallow and tendentious. Strictly for cracker-barrel cacklers.
Pub Date: April 1, 1986
ISBN: 0688063861
Page Count: 332
Publisher: Morrow/HarperCollins
Review Posted Online: May 29, 2012
Kirkus Reviews Issue: March 15, 1986
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
Heartfelt, yes, but pretty routine.
Life lessons.
Angie Malone, the youngest of a big, warm Italian-American family, returns to her Pacific Northwest hometown to wrestle with various midlife disappointments: her divorce, Papa’s death, a downturn in business at the family restaurant, and, above all, her childlessness. After several miscarriages, she, a successful ad exec, and husband Conlan, a reporter, befriended a pregnant young girl and planned to adopt her baby—and then the birth mother changed her mind. Angie and Conlan drifted apart and soon found they just didn’t love each other anymore. Metaphorically speaking, “her need for a child had been a high tide, an overwhelming force that drowned them. A year ago, she could have kicked to the surface but not now.” Sadder but wiser, Angie goes to work in the struggling family restaurant, bickering with Mama over updating the menu and replacing the ancient waitress. Soon, Angie befriends another young girl, Lauren Ribido, who’s eager to learn and desperately needs a job. Lauren’s family lives on the wrong side of the tracks, and her mother is a promiscuous alcoholic, but Angie knows nothing of this sad story and welcomes Lauren into the DeSaria family circle. The girl listens in, wide-eyed, as the sisters argue and make wisecracks and—gee-whiz—are actually nice to each other. Nothing at all like her relationship with her sluttish mother, who throws Lauren out when boyfriend David, en route to Stanford, gets her pregnant. Will Lauren, who’s just been accepted to USC, let Angie adopt her baby? Well, a bit of a twist at the end keeps things from becoming too predictable.
Heartfelt, yes, but pretty routine.Pub Date: July 1, 2004
ISBN: 0-345-46750-7
Page Count: 400
Publisher: Ballantine
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 15, 2004
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