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SURVIVING

THE UNCOLLECTED WRITINGS OF HENRY GREEN

Who knows that it won't be Henry Green (1905-73), not Joyce or Woolf, that history finally will favor as the greatest English prose-extender of the century? For mysteriousness, fidelity both to complex sensation and simple speech, humane comedy, and what John Updike in the introduction here perfectly encapsulates as ``marvellous originality, intuition, sensuality, and finish,'' Green's novels are almost without equal. And yet by 1952, with Doting, he was done—to live out another 20 years as a businessman, then retiree: an eerie coda, largely of silence. But from the whole career, his grandson now has collected what scraps, rejected work, and bit-journalism he did (along with the amazing Paris Review interview he gave in 1958 to Terry Southern). There are some minor fiction drafts here (a trying-out of the articleless prose of Living; a 1927 sketch describing a swarm of starlings that seems a premonition of the great birds-in-a-tree passage in the much later Concluding). But most interesting may be Green's ever modest insistences, in the occasional article or book review, on fiction as a ``non-representational art,'' ``life which is not''—an art of misapprehension, mistake, mishearing: an antidote to the imperialism of authorial direction more convincing than the French deconstructionism of later decades. And, in a 1961 chiding of fiction critics, there's this jewel: ``Living one's own life can be a great muddle, but the great writers do not make it plain, they palliate, and put the whole in a sort of proportion. Which helps; and on the whole, year after year, help is what one needs.'' No Green fan will want to be without it. (First serial rights to Antaeus, Conjunctions, Grand Street, Missouri Review, Paris Review, and Story)

Pub Date: Feb. 1, 1993

ISBN: 0-670-80476-2

Page Count: 320

Publisher: Viking

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Dec. 1, 1992

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NUTCRACKER

This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)

Pub Date: Oct. 28, 1996

ISBN: 0-15-100227-4

Page Count: 136

Publisher: Harcourt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 15, 1996

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TO THE ONE I LOVE THE BEST

EPISODES FROM THE LIFE OF LADY MENDL (ELSIE DE WOLFE)

An extravaganza in Bemelmans' inimitable vein, but written almost dead pan, with sly, amusing, sometimes biting undertones, breaking through. For Bemelmans was "the man who came to cocktails". And his hostess was Lady Mendl (Elsie de Wolfe), arbiter of American decorating taste over a generation. Lady Mendl was an incredible person,- self-made in proper American tradition on the one hand, for she had been haunted by the poverty of her childhood, and the years of struggle up from its ugliness,- until she became synonymous with the exotic, exquisite, worshipper at beauty's whrine. Bemelmans draws a portrait in extremes, through apt descriptions, through hilarious anecdote, through surprisingly sympathetic and understanding bits of appreciation. The scene shifts from Hollywood to the home she loved the best in Versailles. One meets in passing a vast roster of famous figures of the international and artistic set. And always one feels Bemelmans, slightly offstage, observing, recording, commenting, illustrated.

Pub Date: Feb. 23, 1955

ISBN: 0670717797

Page Count: -

Publisher: Viking

Review Posted Online: Oct. 25, 2011

Kirkus Reviews Issue: Feb. 1, 1955

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