by Henry Jay Przybylo ‧ RELEASE DATE: Nov. 14, 2017
A fascinating tour of a mystifying, unnerving, yet precious medical necessity.
A veteran anesthesiologist probes the origins and mysteries of medically induced unconsciousness.
Przybylo (Anesthesiology/Northwestern Univ. School of Medicine) shares anecdotes and personal impressions of his career, during which he has “administered anesthesia more than thirty thousand times.” Specializing in the pediatric arena of his field, the author cares for more than 1,000 children in an average year, and he offers profiles of many of them in this vividly written, candid exploration. In many ways, Przybylo considers himself a faith healer since so many patients and their families put their trust in his expertise with the drugs he administers. He retraces the curious history of how painless surgeries were eventually achieved in the 1800s through the meticulously measured inhalation of ether, though the process itself was considered sacrilegious at the time. A compassionate, patient caregiver, the author describes how he empathizes with (and medically alleviates) his young patients’ anxiety, fear, and confusion. The author discusses his lengthy tenure in medicine, which molded him into a highly controlled professional “always searching for ways to improve my care.” Przybylo is also honest enough to include the medical blunders he has experienced during his career, and he provides a personalized walk-through that intriguingly describes the highly specialized equipment he uses, the “Five A’s” of his comprehensive care, and why an empty stomach is essential to anesthesia success. Several of the cases he recalls embody the “dark side of medicine,” but they are striking in content and quite moving. They include a high school sophomore basketball player who must endure a heart transplant and, surprisingly, a lethargic 2-year-old gorilla with a life-threatening infection. What may particularly resonate with readers, however, is the pharmaceutical gray area that still confounds Przybylo and the industry at large, as he admits to being “no closer to explaining the mechanism by which the gas I provide anesthetizes.”
A fascinating tour of a mystifying, unnerving, yet precious medical necessity.Pub Date: Nov. 14, 2017
ISBN: 978-0-393-25443-3
Page Count: 256
Publisher: Norton
Review Posted Online: Aug. 20, 2017
Kirkus Reviews Issue: Sept. 1, 2017
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by E.T.A. Hoffmann ‧ RELEASE DATE: Oct. 28, 1996
This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)
Pub Date: Oct. 28, 1996
ISBN: 0-15-100227-4
Page Count: 136
Publisher: Harcourt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 15, 1996
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by Ludwig Bemelmans ‧ RELEASE DATE: Feb. 23, 1955
An extravaganza in Bemelmans' inimitable vein, but written almost dead pan, with sly, amusing, sometimes biting undertones, breaking through. For Bemelmans was "the man who came to cocktails". And his hostess was Lady Mendl (Elsie de Wolfe), arbiter of American decorating taste over a generation. Lady Mendl was an incredible person,- self-made in proper American tradition on the one hand, for she had been haunted by the poverty of her childhood, and the years of struggle up from its ugliness,- until she became synonymous with the exotic, exquisite, worshipper at beauty's whrine. Bemelmans draws a portrait in extremes, through apt descriptions, through hilarious anecdote, through surprisingly sympathetic and understanding bits of appreciation. The scene shifts from Hollywood to the home she loved the best in Versailles. One meets in passing a vast roster of famous figures of the international and artistic set. And always one feels Bemelmans, slightly offstage, observing, recording, commenting, illustrated.
Pub Date: Feb. 23, 1955
ISBN: 0670717797
Page Count: -
Publisher: Viking
Review Posted Online: Oct. 25, 2011
Kirkus Reviews Issue: Feb. 1, 1955
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