by Henry Louis Gates Jr. ‧ RELEASE DATE: Jan. 27, 2009
Bright, inquisitive take on the multifarious murky stories and relationships that make up the history of a dispossessed...
Chatty companion volume to the landmark PBS documentary African American Lives.
The folksy persona displayed onscreen by the two-part program’s writer/producer was a decided change of pace for gadfly public intellectual Gates (director, W.E.B. Du Bois Institute/Harvard Univ.; America Behind the Color Line, 2004, etc.), whose scholarly work can be starchy. Often going by his nickname “Skip,” Gates led celebrity guests like Maya Angelou, Quincy Jones and Morgan Freeman through their family history, with an impressive team of genealogists and DNA scientists helping to clear up many mysteries. That same engaging tone emanates from this book, which covers all 19 people profiled on the show and adds a chapter on “How to Trace Your Own Roots.” It’s the rare African-American family that can track any relative back past the 19th century, and none of Gates’s guests knew nearly as much about their family as they would have liked. (“I just want to know exactly what happened, whatever it is,” was a common statement.) There’s not a dull story in these pages. Tina Turner found out she was actually one-third white: “So that’s why I love Europe,” she quipped. Reverend Peter J. Gomes learned that his Cape Verdean background included several Jewish ancestors. Don Cheadle’s ancestors were owned, not by whites, but by Native Americans. Long-held family myths were dispelled by hard genealogical or genetic data, often prompting very emotional responses, but the historical truths that replaced them were sometimes even more fascinating. Like the documentary, the book aims to be as approachable as possible—Gates’s frequent use of “we” is a nicely familial touch—but there are times when this stance becomes repetitive and bland, despite the intrinsically intriguing material. In the end, though, Gates achieves his goal: to produce a Roots for the 21st century.
Bright, inquisitive take on the multifarious murky stories and relationships that make up the history of a dispossessed people.Pub Date: Jan. 27, 2009
ISBN: 978-0-307-38240-5
Page Count: 448
Publisher: Crown
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Nov. 15, 2008
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by Zora Neale Hurston & edited by Genevieve West ; Henry Louis Gates Jr.
by David Grann ‧ RELEASE DATE: April 18, 2017
Dogged original research and superb narrative skills come together in this gripping account of pitiless evil.
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Greed, depravity, and serial murder in 1920s Oklahoma.
During that time, enrolled members of the Osage Indian nation were among the wealthiest people per capita in the world. The rich oil fields beneath their reservation brought millions of dollars into the tribe annually, distributed to tribal members holding "headrights" that could not be bought or sold but only inherited. This vast wealth attracted the attention of unscrupulous whites who found ways to divert it to themselves by marrying Osage women or by having Osage declared legally incompetent so the whites could fleece them through the administration of their estates. For some, however, these deceptive tactics were not enough, and a plague of violent death—by shooting, poison, orchestrated automobile accident, and bombing—began to decimate the Osage in what they came to call the "Reign of Terror." Corrupt and incompetent law enforcement and judicial systems ensured that the perpetrators were never found or punished until the young J. Edgar Hoover saw cracking these cases as a means of burnishing the reputation of the newly professionalized FBI. Bestselling New Yorker staff writer Grann (The Devil and Sherlock Holmes: Tales of Murder, Madness, and Obsession, 2010, etc.) follows Special Agent Tom White and his assistants as they track the killers of one extended Osage family through a closed local culture of greed, bigotry, and lies in pursuit of protection for the survivors and justice for the dead. But he doesn't stop there; relying almost entirely on primary and unpublished sources, the author goes on to expose a web of conspiracy and corruption that extended far wider than even the FBI ever suspected. This page-turner surges forward with the pacing of a true-crime thriller, elevated by Grann's crisp and evocative prose and enhanced by dozens of period photographs.
Dogged original research and superb narrative skills come together in this gripping account of pitiless evil.Pub Date: April 18, 2017
ISBN: 978-0-385-53424-6
Page Count: 352
Publisher: Doubleday
Review Posted Online: Feb. 1, 2017
Kirkus Reviews Issue: Feb. 15, 2017
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BOOK TO SCREEN
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BOOK TO SCREEN
by Howard Zinn ‧ RELEASE DATE: Jan. 1, 1979
For Howard Zinn, long-time civil rights and anti-war activist, history and ideology have a lot in common. Since he thinks that everything is in someone's interest, the historian—Zinn posits—has to figure out whose interests he or she is defining/defending/reconstructing (hence one of his previous books, The Politics of History). Zinn has no doubts about where he stands in this "people's history": "it is a history disrespectful of governments and respectful of people's movements of resistance." So what we get here, instead of the usual survey of wars, presidents, and institutions, is a survey of the usual rebellions, strikes, and protest movements. Zinn starts out by depicting the arrival of Columbus in North America from the standpoint of the Indians (which amounts to their standpoint as constructed from the observations of the Europeans); and, after easily establishing the cultural disharmony that ensued, he goes on to the importation of slaves into the colonies. Add the laborers and indentured servants that followed, plus women and later immigrants, and you have Zinn's amorphous constituency. To hear Zinn tell it, all anyone did in America at any time was to oppress or be oppressed; and so he obscures as much as his hated mainstream historical foes do—only in Zinn's case there is that absurd presumption that virtually everything that came to pass was the work of ruling-class planning: this amounts to one great indictment for conspiracy. Despite surface similarities, this is not a social history, since we get no sense of the fabric of life. Instead of negating the one-sided histories he detests, Zinn has merely reversed the image; the distortion remains.
Pub Date: Jan. 1, 1979
ISBN: 0061965588
Page Count: 772
Publisher: Harper & Row
Review Posted Online: May 26, 2012
Kirkus Reviews Issue: Jan. 1, 1979
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