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A Chicano in the White House

THE NIXON NO ONE KNEW

A thoughtful, if occasionally strident, account of a neglected aspect of Nixon’s presidency.

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A panoramic historical study of President Richard Nixon’s handling of Hispanic affairs, as told by a former White House insider.

In his debut, Ramirez, offers a historical tour de force. Part scholarly study, part ringing celebration of Hispanic-American success, the work is also an intensely personal account of his own evolution as a man juggling dual Mexican and American identities. The analytical meat of the book defends Nixon as the president who effected the most profound changes for the Hispanic community, which began to swell in the United States following World War II. Ramirez focuses on Nixon’s impact on the Mexican population, a “sleeping giant” that quickly catapulted into a major American demographic. “Nixon was the man who grew up with us Mexicans. He knew us, cared about us, and included us,” Ramirez writes. “Let history show that he was the only president who really and truly gave a damn for the Mexicans.” Discussing largely forgotten political operatives such as Robert Finch, Counselor to the President, and Martin Castillo, first Chairman of the Cabinet Committee on Opportunities for Spanish Speaking People, the author persuasively makes a case that Nixon, rather than his predecessors Kennedy and Johnson, was truly devoted to the precarious plight of Hispanic-Americans. Sidestepping some of Nixon’s infamous failings, the analysis sometimes borders on hagiographic. Also, it can be a bit self-referential, detailing maybe too meticulously the author’s privileged vantage point (a lengthy section of the book is entitled “Why I am the One Who Can Tell the Story”). Ramirez bluntly informs readers that the book is “a sine qua non for understanding the rise of the Chicanos and Nixon’s part in it,” and his arguments are well-articulated and rigorously sourced, including extensive appendices of pertinent documents.

A thoughtful, if occasionally strident, account of a neglected aspect of Nixon’s presidency.

Pub Date: March 25, 2014

ISBN: 978-0615821931

Page Count: 474

Publisher: Henry M. Ramirez

Review Posted Online: July 17, 2014

Kirkus Reviews Issue: Aug. 15, 2014

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NUTCRACKER

This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)

Pub Date: Oct. 28, 1996

ISBN: 0-15-100227-4

Page Count: 136

Publisher: Harcourt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 15, 1996

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TO THE ONE I LOVE THE BEST

EPISODES FROM THE LIFE OF LADY MENDL (ELSIE DE WOLFE)

An extravaganza in Bemelmans' inimitable vein, but written almost dead pan, with sly, amusing, sometimes biting undertones, breaking through. For Bemelmans was "the man who came to cocktails". And his hostess was Lady Mendl (Elsie de Wolfe), arbiter of American decorating taste over a generation. Lady Mendl was an incredible person,- self-made in proper American tradition on the one hand, for she had been haunted by the poverty of her childhood, and the years of struggle up from its ugliness,- until she became synonymous with the exotic, exquisite, worshipper at beauty's whrine. Bemelmans draws a portrait in extremes, through apt descriptions, through hilarious anecdote, through surprisingly sympathetic and understanding bits of appreciation. The scene shifts from Hollywood to the home she loved the best in Versailles. One meets in passing a vast roster of famous figures of the international and artistic set. And always one feels Bemelmans, slightly offstage, observing, recording, commenting, illustrated.

Pub Date: Feb. 23, 1955

ISBN: 0670717797

Page Count: -

Publisher: Viking

Review Posted Online: Oct. 25, 2011

Kirkus Reviews Issue: Feb. 1, 1955

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