by Henry Petroski ‧ RELEASE DATE: Sept. 19, 1999
Petroski does for the bookcase what he did for The Pencil (1990) and for bridges in Engineer of Dreams (1995): offers an elaborately detailed history of a common item as an artifact. Ever the engineer (Petroski chairs the Department of Civil and Environmental Engineering at Duke University), he traces the development of the bookshelf “in response to real and perceived problems with existing technology,” i.e., the “shortcomings in the way . . . books were stored.” Obviously, bookshelves adapted to physical changes in books themselves. Roman and Greek scrolls were often stored in a container that looked rather like a hatbox. The development of codices and the use of papyrus, vellum, and other materials all called for differing storage methods. When books began to look like books—flat and rectangular—bookshelves became recognizable. In medieval times, particularly in European monasteries, books were shelved horizontally and were chained to the shelving unit. Petroski delights in detailing the engineering problems of making dozens of chained books accessible to the reader and scholar. He notes that arranging books vertically did not become a regular practice until overcrowding created the need, which was, in turn, created by the mass production of books after Gutenberg. Books previously designed to rest horizontally and with fore-edge out, had to be redesigned in response to shelving requirements. The author does a lovely job of describing famed libraries, such as those at St. John’s College at Cambridge, Merton College at Oxford, the Bodleian, and the Laurentian Library in Florence. He takes a lengthy look at the design of the British Museum Reading Room and the New York Public Library and the engineering feats required to shelve millions of books on miles of shelves (as early as 1910, the NYPL had 63 miles of shelving). The layperson or casual reader may struggle with Petroski’s often dry prose, but librarians, bibliophiles, and engineers will find the effort worthwhile. (67 illustrations)
Pub Date: Sept. 19, 1999
ISBN: 0-375-40649-2
Page Count: 288
Publisher: Knopf
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 1, 1999
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by Henry Petroski photographed by Catherine Petroski
by E.T.A. Hoffmann ‧ RELEASE DATE: Oct. 28, 1996
This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)
Pub Date: Oct. 28, 1996
ISBN: 0-15-100227-4
Page Count: 136
Publisher: Harcourt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 15, 1996
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by E.T.A. Hoffmann ; adapted by Natalie Andrewson ; illustrated by Natalie Andrewson
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by E.T.A. Hoffmann & illustrated by Julie Paschkis
by Ludwig Bemelmans ‧ RELEASE DATE: Feb. 23, 1955
An extravaganza in Bemelmans' inimitable vein, but written almost dead pan, with sly, amusing, sometimes biting undertones, breaking through. For Bemelmans was "the man who came to cocktails". And his hostess was Lady Mendl (Elsie de Wolfe), arbiter of American decorating taste over a generation. Lady Mendl was an incredible person,- self-made in proper American tradition on the one hand, for she had been haunted by the poverty of her childhood, and the years of struggle up from its ugliness,- until she became synonymous with the exotic, exquisite, worshipper at beauty's whrine. Bemelmans draws a portrait in extremes, through apt descriptions, through hilarious anecdote, through surprisingly sympathetic and understanding bits of appreciation. The scene shifts from Hollywood to the home she loved the best in Versailles. One meets in passing a vast roster of famous figures of the international and artistic set. And always one feels Bemelmans, slightly offstage, observing, recording, commenting, illustrated.
Pub Date: Feb. 23, 1955
ISBN: 0670717797
Page Count: -
Publisher: Viking
Review Posted Online: Oct. 25, 2011
Kirkus Reviews Issue: Feb. 1, 1955
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developed by Ludwig Bemelmans ; illustrated by Steven Salerno
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by Ludwig Bemelmans ; illustrated by Steven Salerno
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