A vivid, vigorous memoir that every budding musician should read.
An American composer and saxophonist recounts a long, extraordinarily accomplished life in music.
Born in 1944, Threadgill grew up in a Chicago whose airwaves were as catholic as they came: “I remember Mexican music, country music (which people used to call ‘hillbilly’ back then), jazz, rhythm and blues, boogie-woogie, plus regular programming including radio plays, detective shows, and science fiction.” All that, plus the gospel of the likes of Mahalia Jackson and the world music pioneered by none other than DJ Studs Terkel. Threadgill might have fallen victim to the mean streets of the South Side, where he got into his share of scrapes and police officers shot to kill. “People talk about being scared—they don’t know what being scared is,” he writes. “I was running for my motherfucking life.” Enlisting in the Army as a musician, he was promised soft postings until he managed to bring heat down on the brass for a unique arrangement of the national anthem, whereupon he was packed off to Vietnam. His recollections from the battlefront are immediate and affecting. “I played both clarinet and alto saxophone, depending on the circumstances,” he writes. “But in terms of my situation, the key word was ‘infantry.’ ” After his discharge in 1969, Threadgill began putting together one stylistically revolutionary act after another, from Air to Zooid, playing with Sun Ra, James White and the Blacks, John Cale, and Cecil Taylor, and absorbing lessons from—while avoiding imitating—the likes of Miles Davis and John Coltrane. The author is both encouraging and stern, as when he counsels, “If you haven’t had a love affair with the music, I don’t know what you’re doing in it.” More than that, he urges readers to innovate, improvise, and widen their horizons—for example, follow the Cuban model, studying percussion along with whatever instrument one chooses.
A vivid, vigorous memoir that every budding musician should read.Pub Date: May 16, 2023
ISBN: 9781524749071
Page Count: 416
Publisher: Knopf
Review Posted Online: March 10, 2023
Kirkus Reviews Issue: April 1, 2023
An engrossing and ominous chronicle, told by a master of the form.
Documenting perilous times.
In his most recent behind-the-scenes account of political power and how it is wielded, Woodward synthesizes several narrative strands, from the Jan. 6, 2021, insurrection and Hamas’ Oct. 7, 2023, attack on Israel to the 2024 presidential campaign. Woodward’s clear, gripping storytelling benefits from his legendary access to prominent figures and a structure of propulsive chapters. The run-up to Russia’s invasion of Ukraine is tense (if occasionally repetitive), as a cast of geopolitical insiders try to divine Vladimir Putin’s intent: “Doubt among allies, the public and among Ukrainians meant valuable time and space for Putin to maneuver.” Against this backdrop, U.S. Sen. Lindsey Graham implores Donald Trump to run again, notwithstanding the former president’s denial of his 2020 defeat. This provides unwelcome distraction for President Biden, portrayed as a thoughtful, compassionate lifetime politico who could not outrace time, as demonstrated in the June 2024 debate. Throughout, Trump’s prevarications and his supporters’ cynicism provide an unsettling counterpoint to warnings provided by everyone from former Joint Chief of Staff Mark Milley to Vice President Kamala Harris, who calls a second Trump term a likely “death knell for American democracy.” The author’s ambitious scope shows him at the top of his capabilities. He concludes with these unsettling words: “Based on my reporting, Trump’s language and conduct has at times presented risks to national security—both during his presidency and afterward.”
An engrossing and ominous chronicle, told by a master of the form.Pub Date: Oct. 15, 2024
ISBN: 9781668052273
Page Count: 448
Publisher: Simon & Schuster
Review Posted Online: Oct. 15, 2024
Kirkus Reviews Issue: Dec. 15, 2024
IN THE NEWS
PERSPECTIVES
A blissfully vicarious, heartfelt glimpse into the life of a Manhattan burlesque dancer.
A former New York City dancer reflects on her zesty heyday in the 1970s.
Discovered on a Manhattan street in 2020 and introduced on Stanton’s Humans of New York Instagram page, Johnson, then 76, shares her dynamic history as a “fiercely independent” Black burlesque dancer who used the stage name Tanqueray and became a celebrated fixture in midtown adult theaters. “I was the only black girl making white girl money,” she boasts, telling a vibrant story about sex and struggle in a bygone era. Frank and unapologetic, Johnson vividly captures aspects of her former life as a stage seductress shimmying to blues tracks during 18-minute sets or sewing lingerie for plus-sized dancers. Though her work was far from the Broadway shows she dreamed about, it eventually became all about the nightly hustle to simply survive. Her anecdotes are humorous, heartfelt, and supremely captivating, recounted with the passion of a true survivor and the acerbic wit of a weathered, street-wise New Yorker. She shares stories of growing up in an abusive household in Albany in the 1940s, a teenage pregnancy, and prison time for robbery as nonchalantly as she recalls selling rhinestone G-strings to prostitutes to make them sparkle in the headlights of passing cars. Complemented by an array of revealing personal photographs, the narrative alternates between heartfelt nostalgia about the seedier side of Manhattan’s go-go scene and funny quips about her unconventional stage performances. Encounters with a variety of hardworking dancers, drag queens, and pimps, plus an account of the complexities of a first love with a drug-addled hustler, fill out the memoir with personality and candor. With a narrative assist from Stanton, the result is a consistently titillating and often moving story of human struggle as well as an insider glimpse into the days when Times Square was considered the Big Apple’s gloriously unpolished underbelly. The book also includes Yee’s lush watercolor illustrations.
A blissfully vicarious, heartfelt glimpse into the life of a Manhattan burlesque dancer.Pub Date: July 12, 2022
ISBN: 978-1-250-27827-2
Page Count: 192
Publisher: St. Martin's
Review Posted Online: July 27, 2022
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