A dense, brilliantly rendered novel by a new master of Southern gothic.
Deputy Sheriff Will Seems—who’s recently returned to his faded Virginia hometown a decade after escaping to Richmond—investigates a murder with links to a horrific incident that still torments him.
When he was 16, Will, who is white, stood by while Sam Hathom, a Black friend, withstood a brutal beating by a gang of taunting kids that left him with physical and psychological injuries and a drug habit. Driven by guilt, Will has come back to deal with personal demons and to look after his strung-out friend. He also has to deal with the murder of a local man whose body he drags from a burning house. When his corrupt boss arrests Sam’s father for the crime based on circumstantial evidence, Will staunchly opposes him. Suspended from the force, he teams up with Bennico Watts, a strong-willed female investigator with a spotty history, who is hired by the murder victim’s angrily grieving mother. Knowing Bennico is a reckless spirit who was fired by the Richmond police for an illegal search, Will keeps his distance—until he starts breaking rules himself and finds her presence helpful. Relentlessly dark, with one wrenching exchange of violence, Wise’s impressive debut deeply penetrates the history of Will’s cursed family and equally cursed town. Streaming with and sometimes choked by rapturous imagery—a burning house “melting inward like blossom-end rot on some strange fruit”—the novel supports Bennico’s notion that “understanding a crime...had almost as much to do with the setting as the act itself.” In expanding the setting to Richmond, a prospering college town infected by a hateful right-wing presence, the novel conveys how American dreams can be defiled even in a place called the Holy City.
A dense, brilliantly rendered novel by a new master of Southern gothic.Pub Date: June 4, 2024
ISBN: 9780802162915
Page Count: 352
Publisher: Atlantic Monthly
Review Posted Online: March 9, 2024
Kirkus Reviews Issue: April 1, 2024
An affecting portrait of a prickly woman.
A lifetime’s worth of letters combine to portray a singular character.
Sybil Van Antwerp, a cantankerous but exceedingly well-mannered septuagenarian, is the titular correspondent in Evans’ debut novel. Sybil has retired from a beloved job as chief clerk to a judge with whom she had previously been in private legal practice. She is the divorced mother of two living adult children and one who died when he was 8. She is a reader of novels, a gardener, and a keen observer of human nature. But the most distinguishing thing about Sybil is her lifelong practice of letter writing. As advancing vision problems threaten Sybil’s carefully constructed way of life—in which letters take the place of personal contact and engagement—she must reckon with unaddressed issues from her past that threaten the house of cards (letters, really) she has built around herself. Sybil’s relationships are gradually revealed in the series of letters sent to and received from, among others, her brother, sister-in-law, children, former work associates, and, intriguingly, literary icons including Joan Didion and Larry McMurtry. Perhaps most affecting is the series of missives Sybil writes but never mails to a shadowy figure from her past. Thoughtful musings on the value and immortal quality of letters and the written word populate one of Sybil’s notes to a young correspondent while other messages are laugh-out-loud funny, tinged with her characteristic blunt tartness. Evans has created a brusque and quirky yet endearing main character with no shortage of opinions and advice for others but who fails to excavate the knotty difficulties of her own life. As Sybil grows into a delayed self-awareness, her letters serve as a chronicle of fitful growth.
An affecting portrait of a prickly woman.Pub Date: May 6, 2025
ISBN: 9780593798430
Page Count: 304
Publisher: Crown
Review Posted Online: Feb. 15, 2025
Kirkus Reviews Issue: March 15, 2025
High-concept and highly entertaining.
Fiction writers compete to finish a famous author’s abandoned novel.
Seven writers, all but one published, have received invitations to spend the weekend with crime novelist Arthur Fletch, the world’s most successful author, on his private island off the coast of Scotland. When they arrive at his cliffside castle, they expect to take part in one of the literary salons for which Fletch is famous; instead, they’re greeted by his agent, who informs them that Fletch is dead. Why has there been nothing about this in the press? Because “there are some…loose ends that must be tied up first.” Fletch has left his eagerly anticipated final novel unfinished, so the agent has summoned the writers to the island for a competition: One of them will get to complete Fletch’s book. As premises go, this one’s a humdinger, courtesy of fantasy writer V.E. Schwab and YA author Cat Clarke, here joining forces as Clarke. The story contains an amusing throughline about the indignity of being an uncelebrated novelist; as the agent tells the assembled writers, the contest winner will receive both cash and something equally valuable: “a way out of the midlist.” The novel’s wandering perspective allows each writer to vent their private frustrations, especially with the publishing industry and with the book world’s genre hierarchy (the YA writer among the competitors understands that she and the romance writer are “supposed to support each other against the general snobbishness of the other genres”). Readers who have come for the crimes and the twists, both of which are plentiful, might grow impatient with all the characters’ backstories, but these readers will likely warm to the shop talk, which at its funniest plays like a kvetchy midlist-writers’ support group.
High-concept and highly entertaining.Pub Date: April 7, 2026
ISBN: 9780063444614
Page Count: 352
Publisher: Harper/HarperCollins
Review Posted Online: Jan. 19, 2026
Kirkus Reviews Issue: Feb. 15, 2026
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