HOLY CITY

Deputy Sheriff Will Seems—who’s recently returned to his faded Virginia hometown a decade after escaping to Richmond—investigates a murder with links to a horrific incident that still torments him.

When he was 16, Will, who is white, stood by while Sam Hathom, a Black friend, withstood a brutal beating by a gang of taunting kids that left him with physical and psychological injuries and a drug habit. Driven by guilt, Will has come back to deal with personal demons and to look after his strung-out friend. He also has to deal with the murder of a local man whose body he drags from a burning house. When his corrupt boss arrests Sam’s father for the crime based on circumstantial evidence, Will staunchly opposes him. Suspended from the force, he teams up with Bennico Watts, a strong-willed female investigator with a spotty history, who is hired by the murder victim’s angrily grieving mother. Knowing Bennico is a reckless spirit who was fired by the Richmond police for an illegal search, Will keeps his distance—until he starts breaking rules himself and finds her presence helpful. Relentlessly dark, with one wrenching exchange of violence, Wise’s impressive debut deeply penetrates the history of Will’s cursed family and equally cursed town. Streaming with and sometimes choked by rapturous imagery—a burning house “melting inward like blossom-end rot on some strange fruit”—the novel supports Bennico’s notion that “understanding a crime...had almost as much to do with the setting as the act itself.” In expanding the setting to Richmond, a prospering college town infected by a hateful right-wing presence, the novel conveys how American dreams can be defiled even in a place called the Holy City.

A dense, brilliantly rendered novel by a new master of Southern gothic.