by Herb Boyd ‧ RELEASE DATE: June 6, 2017
An inspiring, illuminating book that will interest students of urban history and the black experience.
The history of the many contributions of African-American Detroit to the larger American project.
If Paris, as the German critic Walter Benjamin put it, was the capital of the 19th century, then Detroit was surely the capital of 20th-century African-America. As native son Boyd (African-American History and Culture/City Coll. of New York; Black Panthers for Beginners, 2015, etc.), a respected author and journalist, recounts, this centrality dates back to the American Revolution but became pronounced at the time of the Civil War, when Detroit went from being an important station along the Underground Railroad to become an important source of abolitionism, industrialism, and sheer manpower for the war effort—including black soldiers bound for the Union ranks. As the author notes, however, the ascendancy of Black Detroit did not mean an end to racial tension; though he grew up on a block with Italian, Irish, and Jewish families, “our blackness was for our neighbors an object of derision and insult.” Boyd celebrates the rising-above that accompanied this ethnic contest, the grit and determination that put Berry Gordy’s Motown on the map, lifted the members of the Supremes and the Miracles from the projects, and ushered in a second black literary renaissance through the pens of Gwendolyn Brooks and Nikki Giovanni. As he reminds his readers, immigrants and exiles from other regions and countries did their parts to shape Black Detroit: Malcolm X lived there before moving to New York and taking a leading part in the radical wing of the civil rights movement, while Rosa Parks moved there from the South in 1957. “Parks’s commitment to fight Jim Crow—North or South—was unrelenting,” writes the author. Though the city has fallen victim since to outmigration, its population having fallen from 1.8 million in 1950 to about 670,000 today, Boyd writes confidently that the city’s African-American population will be central to its revival, concluding, “I’m proud to be a Detroiter.”
An inspiring, illuminating book that will interest students of urban history and the black experience.Pub Date: June 6, 2017
ISBN: 978-0-06-234662-9
Page Count: 432
Publisher: Amistad/HarperCollins
Review Posted Online: April 29, 2017
Kirkus Reviews Issue: May 15, 2017
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by David Grann ‧ RELEASE DATE: April 18, 2017
Dogged original research and superb narrative skills come together in this gripping account of pitiless evil.
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Greed, depravity, and serial murder in 1920s Oklahoma.
During that time, enrolled members of the Osage Indian nation were among the wealthiest people per capita in the world. The rich oil fields beneath their reservation brought millions of dollars into the tribe annually, distributed to tribal members holding "headrights" that could not be bought or sold but only inherited. This vast wealth attracted the attention of unscrupulous whites who found ways to divert it to themselves by marrying Osage women or by having Osage declared legally incompetent so the whites could fleece them through the administration of their estates. For some, however, these deceptive tactics were not enough, and a plague of violent death—by shooting, poison, orchestrated automobile accident, and bombing—began to decimate the Osage in what they came to call the "Reign of Terror." Corrupt and incompetent law enforcement and judicial systems ensured that the perpetrators were never found or punished until the young J. Edgar Hoover saw cracking these cases as a means of burnishing the reputation of the newly professionalized FBI. Bestselling New Yorkerstaff writer Grann (The Devil and Sherlock Holmes: Tales of Murder, Madness, and Obsession, 2010, etc.) follows Special Agent Tom White and his assistants as they track the killers of one extended Osage family through a closed local culture of greed, bigotry, and lies in pursuit of protection for the survivors and justice for the dead. But he doesn't stop there; relying almost entirely on primary and unpublished sources, the author goes on to expose a web of conspiracy and corruption that extended far wider than even the FBI ever suspected. This page-turner surges forward with the pacing of a true-crime thriller, elevated by Grann's crisp and evocative prose and enhanced by dozens of period photographs.
Dogged original research and superb narrative skills come together in this gripping account of pitiless evil.Pub Date: April 18, 2017
ISBN: 978-0-385-53424-6
Page Count: 352
Publisher: Doubleday
Review Posted Online: Feb. 1, 2017
Kirkus Reviews Issue: Feb. 15, 2017
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BOOK TO SCREEN
BOOK TO SCREEN
BOOK TO SCREEN
by Howard Zinn ‧ RELEASE DATE: Jan. 1, 1979
For Howard Zinn, long-time civil rights and anti-war activist, history and ideology have a lot in common. Since he thinks that everything is in someone's interest, the historian—Zinn posits—has to figure out whose interests he or she is defining/defending/reconstructing (hence one of his previous books, The Politics of History). Zinn has no doubts about where he stands in this "people's history": "it is a history disrespectful of governments and respectful of people's movements of resistance." So what we get here, instead of the usual survey of wars, presidents, and institutions, is a survey of the usual rebellions, strikes, and protest movements. Zinn starts out by depicting the arrival of Columbus in North America from the standpoint of the Indians (which amounts to their standpoint as constructed from the observations of the Europeans); and, after easily establishing the cultural disharmony that ensued, he goes on to the importation of slaves into the colonies. Add the laborers and indentured servants that followed, plus women and later immigrants, and you have Zinn's amorphous constituency. To hear Zinn tell it, all anyone did in America at any time was to oppress or be oppressed; and so he obscures as much as his hated mainstream historical foes do—only in Zinn's case there is that absurd presumption that virtually everything that came to pass was the work of ruling-class planning: this amounts to one great indictment for conspiracy. Despite surface similarities, this is not a social history, since we get no sense of the fabric of life. Instead of negating the one-sided histories he detests, Zinn has merely reversed the image; the distortion remains.
Pub Date: Jan. 1, 1979
ISBN: 0061965588
Page Count: 772
Publisher: Harper & Row
Review Posted Online: May 26, 2012
Kirkus Reviews Issue: Jan. 1, 1979
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