Compelling, if endlessly padded.
San Francisco’s golden-ager Beat philosopher/novelist/essayist (She Took My Arm As If She Loved Me, 1997, etc.) returns, as full of talk as ever.
Aging bachelor Dan Shaper translates Spanish, Italian, French, and Portuguese for non-English–speaking folks up before the city courts. His empty love-life, meanwhile, bears a faded For Rent sign. Then one day a phone call comes from 19-year-old Amanda Torres, daughter of Margaret Torres, a lapsed painter Dan hasn’t seen in 20 years. Amanda says she’s his daughter and would like to meet him. When she comes to his office, he sees at once that she speaks the truth, but she’s also a demanding pill, cutting him no slack at all for not knowing he was her father. What’s more, she wants a car and money from him in recompense for his unwitting but crass stupidity in ignoring her all these years. She’s had it tough with Margaret, after all. Come and say hello to mother. So off he goes to reunite with Margaret, who is even worse news than Amanda and cuts him even less slack, simply because he’s a man. Then ersatz Romany Gypsy Gyro Brown wants Dan to translate for Gyro’s daughter, the young, robust, dark-eyed Shari, a trained and serious shoplifter now facing criminal charges. Gyro, who runs the Yerba Buena Foundation (a high-grade whorehouse Shari helps manage), might even hire Dan for some other alternate activities. Well, more money would help our blameless hero provide for his new family. Enter the huge, gleaming, fearsomely gentle black giant D’Wayne, the whorehouse’s bouncer and Amanda’s lover, whom Shaper finds deeply inappropriate as future father of his grandchildren. What happens when life happens and you’re suddenly stuck with someone? A big Wakeup Call blasts you, as Gold knows, and you’re never the same again.
Compelling, if endlessly padded.Pub Date: July 1, 2000
ISBN: 0-312-26306-6
Page Count: 304
Publisher: Dunne/St. Martin's
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 1, 2000
Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.
Coelho is a Brazilian writer with four books to his credit. Following Diary of a Magus (1992—not reviewed) came this book, published in Brazil in 1988: it's an interdenominational, transcendental, inspirational fable—in other words, a bag of wind.
The story is about a youth empowered to follow his dream. Santiago is an Andalusian shepherd boy who learns through a dream of a treasure in the Egyptian pyramids. An old man, the king of Salem, the first of various spiritual guides, tells the boy that he has discovered his destiny: "to realize one's destiny is a person's only real obligation." So Santiago sells his sheep, sails to Tangier, is tricked out of his money, regains it through hard work, crosses the desert with a caravan, stops at an oasis long enough to fall in love, escapes from warring tribesmen by performing a miracle, reaches the pyramids, and eventually gets both the gold and the girl. Along the way he meets an Englishman who describes the Soul of the World; the desert woman Fatima, who teaches him the Language of the World; and an alchemist who says, "Listen to your heart" A message clings like ivy to every encounter; everyone, but everyone, has to put in their two cents' worth, from the crystal merchant to the camel driver ("concentrate always on the present, you'll be a happy man"). The absence of characterization and overall blandness suggest authorship by a committee of self-improvement pundits—a far cry from Saint- Exupery's The Little Prince: that flagship of the genre was a genuine charmer because it clearly derived from a quirky, individual sensibility.
Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.Pub Date: July 1, 1993
ISBN: 0-06-250217-4
Page Count: 192
Publisher: N/A
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 1, 1993
SEEN & HEARD
SEEN & HEARD
BOOK TO SCREEN
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
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