A much-needed showcase for one of America's greatest and most neglected poets.
Although Melville devoted the last three decades of his life to verse, his poetry has always taken a back seat to his formidable reputation as a novelist. His penchant for narrative verse set to fairly conservative meters makes his work seem at first glance less interesting than that of Dickinson and Whitman. However, close examination reveals an intensity and variety of thought and feeling that is rare in any period of American poetry. In fact, Melville can match Whitman's expansiveness, or Dickinson's syntactic hermeticism—as he does in the brief manifesto "Greek Architecture" ("Not magnitude, not lavishness / But Form—the Site; / Not innovating willfulness, / But reverence for the archetype"). While Northwestern has been planning a complete collection of Melville's verse for several years, the volume has yet to materialize; in the meantime, Robillard's generous selection comes closest to a definitive edition. Included are a long and helpful introduction; the complete poetic texts of Melville's three published books; 60 pages of selections from Melville's four-volume narrative poem, “Clarel”; and several important poems left in manuscript at the end of Melville's life. The edition is hardly a perfect one. Robillard's notes are brief and tend to summarize plot instead of identifying cruxes or aiding with obscure references. He inexplicably leaves out the prose elements of the first book, including Melville's own notes to the poems. The excerpts from “Clarel” include neither the introduction, with its Chaucerian intimacy, nor the powerful conclusion, though the last two stanzas are quoted in the notes. But a great strength of Robillard's collection is its emphasis on Melville's sometimes drastic manuscript changes, which gives the opportunity to watch the poems evolve in calculated and at times surprising ways.
A much-needed showcase for one of America's greatest and most neglected poets.Pub Date: June 1, 2000
ISBN: 0-87338-660-4
Page Count: 416
Publisher: N/A
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: June 15, 2000
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
Heartfelt, yes, but pretty routine.
Life lessons.
Angie Malone, the youngest of a big, warm Italian-American family, returns to her Pacific Northwest hometown to wrestle with various midlife disappointments: her divorce, Papa’s death, a downturn in business at the family restaurant, and, above all, her childlessness. After several miscarriages, she, a successful ad exec, and husband Conlan, a reporter, befriended a pregnant young girl and planned to adopt her baby—and then the birth mother changed her mind. Angie and Conlan drifted apart and soon found they just didn’t love each other anymore. Metaphorically speaking, “her need for a child had been a high tide, an overwhelming force that drowned them. A year ago, she could have kicked to the surface but not now.” Sadder but wiser, Angie goes to work in the struggling family restaurant, bickering with Mama over updating the menu and replacing the ancient waitress. Soon, Angie befriends another young girl, Lauren Ribido, who’s eager to learn and desperately needs a job. Lauren’s family lives on the wrong side of the tracks, and her mother is a promiscuous alcoholic, but Angie knows nothing of this sad story and welcomes Lauren into the DeSaria family circle. The girl listens in, wide-eyed, as the sisters argue and make wisecracks and—gee-whiz—are actually nice to each other. Nothing at all like her relationship with her sluttish mother, who throws Lauren out when boyfriend David, en route to Stanford, gets her pregnant. Will Lauren, who’s just been accepted to USC, let Angie adopt her baby? Well, a bit of a twist at the end keeps things from becoming too predictable.
Heartfelt, yes, but pretty routine.Pub Date: July 1, 2004
ISBN: 0-345-46750-7
Page Count: 400
Publisher: Ballantine
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 15, 2004
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