by Herman Wouk ‧ RELEASE DATE: Oct. 17, 1978
From Pearl Harbor to Hiroshima with Herman Wouk and the Henry family: an even longer book than The Winds of War (1971), with even greater emphasis on "scrupulous accuracy of locale and historical fact" at the expense of emotional involvement. Again Wouk's inbred cast of characters is programmed to be at all the right places and represent all the big issues. Capt. "Pug" Henry is Admiral Halsey's favorite commander—a vital presence at the battles of Midway, Guadalcanal, and Leyte Gulf, with time out to be FDR's Lend-Lease emissary in Moscow and then sit in on the Teheran conference. Pug's wife back home has a lover who's working on the A-bomb. Son Warren is a dive-bomber pilot killed at Midway. And son Byron is a submarine diving officer whose Jewish wife Natalie is stuck in Italy with her author uncle; they will almost escape many times before being brutalized by Eichmann in concentration camps, thus rediscovering their Jewishness. Meanwhile, Natalie's old Polish cousin Berel is escaping from Auschwitz with filmed evidence of atrocities, and Natalie's old flame, diplomat Leslie Slote, is trying to convince the complacent Allies that there really is a holocaust going on in Europe. Very familiar materials, arranged far too neatly; but Wouk is a gifted enough storyteller and dialogue-writer to make each personal sequence—from sub warfare to concentration-camp horrors—flicker with momentary vitality. Unfortunately, however, these sequences are separated by pages and pages of debate ("on the whole, the analogy between Auschwitz and Oak Ridge seems forced") and barely digested history, mostly military (from both German and Allied points of view). As a result, the human stories lose whatever small momentum they begin with: you can see every plot development coming at least 50 pages down the pike. Wouk's seriousness must be admired, but even War and Peace puts people first, ideas second, history third. Here it's the reverse order, premised on the notion that a wholesale retelling—without the focused intensity of a James Jones or an Elie Wiesel-is enough: "they will not have died in vain, if the remembrance can lead us from the long, long time of war to the time for peace." Enlivened only occasionally by Wouk's story-telling talents, such nobly intentioned bombast is likely to be—to an even greater degree than The Winds of War-much-bought and little-read.
Pub Date: Oct. 17, 1978
ISBN: 0316954993
Page Count: 1056
Publisher: Little, Brown
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Oct. 1, 1978
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by Herman Wouk
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by Larry McMurtry ‧ RELEASE DATE: June 1, 1985
This large, stately, and intensely powerful new novel by the author of Terms of Endearment and The Last Picture Show is constructed around a cattle drive—an epic journey from dry, hard-drinking south Texas, where a band of retired Texas Rangers has been living idly, to the last outpost and the last days of the old, unsettled West in rough Montana. The time is the 1880s. The characters are larger than life and shimmer: Captain Woodrow Call, who leads the drive, is the American type of an unrelentingly righteous man whose values are puritanical and pioneering and whose orders, which his men inevitably follow, lead, toward the end, to their deaths; talkative Gus McCrae, Call's best friend, learned, lenient, almost magically skilled in a crisis, who is one of those who dies; Newt, the unacknowledged 17-year-old son of Captain Call's one period of self-indulgence and the inheritor of what will become a new and kinder West; and whores, drivers, misplaced sheriffs and scattered settlers, all of whom are drawn sharply, engagingly, movingly. As the rag-tag band drives the cattle 3,000 miles northward, only Call fails to learn that his quest to conquer more new territories in the West is futile—it's a quest that perishes as men are killed by natural menaces that soon will be tamed and by half-starved renegades who soon will die at the hands of those less heroic than themselves. McMurtry shows that it is a quest misplaced in history, in a landscape that is bare of buffalo but still mythic; and it is only one of McMurtry's major accomplishments that he does it without forfeiting a grain of the characters' sympathetic power or of the book's considerable suspense. This is a masterly novel. It will appeal to all lovers of fiction of the first order.
Pub Date: June 1, 1985
ISBN: 068487122X
Page Count: 872
Publisher: Simon & Schuster
Review Posted Online: Sept. 30, 2011
Kirkus Reviews Issue: May 15, 1985
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SEEN & HEARD
by Paulo Coelho & translated by Margaret Jull Costa ‧ RELEASE DATE: July 1, 1993
Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.
Coelho is a Brazilian writer with four books to his credit. Following Diary of a Magus (1992—not reviewed) came this book, published in Brazil in 1988: it's an interdenominational, transcendental, inspirational fable—in other words, a bag of wind.
The story is about a youth empowered to follow his dream. Santiago is an Andalusian shepherd boy who learns through a dream of a treasure in the Egyptian pyramids. An old man, the king of Salem, the first of various spiritual guides, tells the boy that he has discovered his destiny: "to realize one's destiny is a person's only real obligation." So Santiago sells his sheep, sails to Tangier, is tricked out of his money, regains it through hard work, crosses the desert with a caravan, stops at an oasis long enough to fall in love, escapes from warring tribesmen by performing a miracle, reaches the pyramids, and eventually gets both the gold and the girl. Along the way he meets an Englishman who describes the Soul of the World; the desert woman Fatima, who teaches him the Language of the World; and an alchemist who says, "Listen to your heart" A message clings like ivy to every encounter; everyone, but everyone, has to put in their two cents' worth, from the crystal merchant to the camel driver ("concentrate always on the present, you'll be a happy man"). The absence of characterization and overall blandness suggest authorship by a committee of self-improvement pundits—a far cry from Saint- Exupery's The Little Prince: that flagship of the genre was a genuine charmer because it clearly derived from a quirky, individual sensibility.
Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.Pub Date: July 1, 1993
ISBN: 0-06-250217-4
Page Count: 192
Publisher: N/A
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 1, 1993
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by Paulo Coelho ; translated by Margaret Jull Costa
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by Paulo Coelho ; illustrated by Christoph Niemann ; translated by Margaret Jull Costa
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by Paulo Coelho ; translated by Eric M.B. Becker
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