One lone, yellow dot sits in the center of a blank, white page. Underneath is the inviting command (affirming the reader's already intrinsic urge): "Press here." Turn the page; now there are two yellow dots! Press again. Now, three! What happens if you tap them? Or tilt the book on its side? Gleefully, the dots scatter like marbles. Readers will clamor to press, poke, shake and blow the pages to find out what happens next. Compared to the squawking sounds and flashing lights of many toys, Tullet's simplicity is a breath of fresh air. He cues page turns with complete mastery of his audience. When all the dots very nearly float off the top of the page (readers may have blown too hard in the previous spread), he suggests what they will already have intuited: "Stand the book up straight / to make those dots drop down again." Clapping once makes the dots grow bigger; "Whoa! Clap twice?" A frenzy of clapping brings readers round to the beginning again. Better read one-on-one to avoid the crush of excited participants; however, all audiences will smile at this visual jolt of imaginative play. Children and parents keen to explore technological interactivity will delight in recalling the infinite possibilities of the picture book. (Picture book. 3-8)
Pub Date: March 16, 2011
ISBN: 978-0-8118-7954-5
Page Count: 56
Publisher: Handprint/Chronicle
Review Posted Online: April 4, 2011
Kirkus Reviews Issue: March 1, 2011
While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of...
Rabe follows a young girl through her first 12 days of kindergarten in this book based on the familiar Christmas carol.
The typical firsts of school are here: riding the bus, making friends, sliding on the playground slide, counting, sorting shapes, laughing at lunch, painting, singing, reading, running, jumping rope, and going on a field trip. While the days are given ordinal numbers, the song skips the cardinal numbers in the verses, and the rhythm is sometimes off: “On the second day of kindergarten / I thought it was so cool / making lots of friends / and riding the bus to my school!” The narrator is a white brunette who wears either a tunic or a dress each day, making her pretty easy to differentiate from her classmates, a nice mix in terms of race; two students even sport glasses. The children in the ink, paint, and collage digital spreads show a variety of emotions, but most are happy to be at school, and the surroundings will be familiar to those who have made an orientation visit to their own schools.
While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of Kindergarten (2003), it basically gets the job done. (Picture book. 4-7)Pub Date: June 21, 2016
ISBN: 978-0-06-234834-0
Page Count: 32
Publisher: Harper/HarperCollins
Review Posted Online: May 3, 2016
Kirkus Reviews Issue: June 1, 2016
BOOK REVIEW
BOOK REVIEW
As ephemeral as a valentine.
Daywalt and Jeffers’ wandering crayons explore love.
Each double-page spread offers readers a vision of one of the anthropomorphic crayons on the left along with the statement “Love is [color].” The word love is represented by a small heart in the appropriate color. Opposite, childlike crayon drawings explain how that color represents love. So, readers learn, “love is green. / Because love is helpful.” The accompanying crayon drawing depicts two alligators, one holding a recycling bin and the other tossing a plastic cup into it, offering readers two ways of understanding green. Some statements are thought-provoking: “Love is white. / Because sometimes love is hard to see,” reaches beyond the immediate image of a cat’s yellow eyes, pink nose, and black mouth and whiskers, its white face and body indistinguishable from the paper it’s drawn on, to prompt real questions. “Love is brown. / Because sometimes love stinks,” on the other hand, depicted by a brown bear standing next to a brown, squiggly turd, may provoke giggles but is fundamentally a cheap laugh. Some of the color assignments have a distinctly arbitrary feel: Why is purple associated with the imagination and pink with silliness? Fans of The Day the Crayons Quit (2013) hoping for more clever, metaliterary fun will be disappointed by this rather syrupy read.
As ephemeral as a valentine. (Picture book. 4-6)Pub Date: Dec. 24, 2019
ISBN: 978-1-5247-9268-8
Page Count: 32
Publisher: Penguin Workshop
Review Posted Online: Feb. 1, 2021
SEEN & HEARD
SEEN & HEARD
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