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BABA YAGA AND THE WISE DOLL

Name: BABA YAGA AND THE WISE DOLL
Author: Hiawyn Oram
ISBN: 0-525-45947-2

adapted by Hiawyn Oram & illustrated by Ruth Brown ‧ RELEASE DATE: Feb. 1, 1998

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Superb artwork enhances this offbeat, minimalist retelling of the old Russian folktale in which Baba Yaga the witch is outwitted by an innocent little girl, with the help of a magic doll bequeathed to her by her now-dead mother. The outlines of the tale are familiar enough: the hapless, persecuted child, here named Too Nice, driven into the forest by her cruel stepsisters, Horrid and Too Horrid; the witch's house on chicken legs; the impossible tasks that are accomplished with the aid of the magic doll; the child's return with one of Baba Yaga's possessions (here a predatory toad) that finishes off Too Nice's tormentors. Some of the more colorful details of other versions are lacking here, and Baba Yaga has more bark than bite; when Too Nice passes the final test, Baba Yaga dances elatedly, less a mortal menace than a therapist who has practiced tough love. Brown's illustrations add psychological depth to the tale, with the barely visible figure of Too Nice's dead mother embracing her daughter on the front cover, the ominous black endpapers, the depiction of Too Nice's siblings as carbon copies of her; the caricature of housewifery in Baba Yaga's scraggly broom, her sloshing cauldron, and the rows of preserve jars holding ingredients for ghastly stews. Particularly striking are the scenes where the doll's shadow, hugely magnified by the angle of the light, completes Baba Yaga's impossible tasks. It's not particularly ``Russian'' in style, but it is excellent witchy stuff. (Picture book/folklore. 6- 10)

Pub Date: Feb. 1, 1998

ISBN: 0-525-45947-2

Page Count: 32

Publisher: Dutton

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Jan. 1, 1998

Categories:

CHILDREN'S GENERAL CHILDREN'S

- BOOK REVIEW
SNOWBOY AND THE LAST TREE STANDING
by Hiawyn Oram ; illustrated by Birgitta Sif

- BOOK REVIEW
FILBERT
by Hiawyn Oram ; illustrated by Jimmy Liao

- BOOK REVIEW
MY FRIEND FRED
by Hiawyn Oram & illustrated by Rosie Reeve

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WILD, WILD WOLVES

by Joyce Milton & illustrated by Larry Schwinger ‧ RELEASE DATE: April 1, 1992

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At ``Step 2'' in the useful ``Step into Reading'' series: an admirably clear, well-balanced presentation that centers on wolves' habits and pack structure. Milton also addresses their endangered status, as well as their place in fantasy, folklore, and the popular imagination. Attractive realistic watercolors on almost every page. Top-notch: concise, but remarkably extensive in its coverage. A real bargain. (Nonfiction/Easy reader. 6-10)

Pub Date: April 1, 1992

ISBN: 0-679-91052-2

Page Count: 48

Publisher: Random House

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: March 15, 1992

Categories:

CHILDREN'S GENERAL CHILDREN'S

- BOOK REVIEW
DINOSAUR DAYS
by Joyce Milton ; illustrated by Franco Tempesta

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GOONEY BIRD GREENE

by Lois Lowry & illustrated by Middy Thomas ‧ RELEASE DATE: Sept. 1, 2002

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Gooney Bird Greene (with a silent E) is not your average second grader. She arrives in Mrs. Pidgeon’s class announcing: “I’m your new student and I just moved here from China. I want a desk right smack in the middle of the room, because I like to be right smack in the middle of everything.” Everything about her is unusual and mysterious—her clothes, hairstyles, even her lunches. Since the second graders have never met anyone like Gooney Bird, they want to hear more about her. Mrs. Pidgeon has been talking to the class about what makes a good story, so it stands to reason that Gooney will get her chance. She tells a series of stories that explain her name, how she came from China on a flying carpet, how she got diamond earrings at the prince’s palace, and why she was late for school (because she was directing a symphony orchestra). And her stories are “absolutely true.” Actually, they are explainable and mesh precisely with the teacher’s lesson, more important, they are a clever device that exemplify the elements of good storytelling and writing and also demonstrate how everyone can turn everyday events into stories. Savvy teachers should take note and add this to their shelf of “how a story is made” titles. Gooney Bird’s stories are printed in larger type than the narrative and the black-and-white drawings add the right touch of sauciness (only the cover is in color). A hybrid of Harriet, Blossom, and Anastasia, irrepressible Gooney Bird is that rare bird in children’s fiction: one that instantly becomes an amusing and popular favorite. (Fiction. 6-9)