A visually compelling, compassionate look at an often-misunderstood situation.
An unhoused child feels less alone in the world.
A racially diverse group of students draw owls for an art assignment. Belle’s depiction is especially praised for its lifelike quality and the wise nature behind the owl’s eyes. Little do Ms. Rio or the other students know that Belle has firsthand knowledge of owls. Belle and Mom are unhoused; Belle tells readers that one day the two of them drove far out of town to a park in their car, packed to the brim with their cherished belongings. Belle’s feelings of uncertainty were magnified by the spooky setting. Each night, Belle and Mom heard the “hooty lullaby” of an owl; one night, Belle had a close encounter with the bird. The experience brought a sense of comfort as Belle realized that someone or something was looking out for the family, as if to say, “I’m glad you’re here.” The next day at school, Belle pays it forward upon seeing a new student in a similar situation, letting the boy know he’s not alone. Hippely’s lyrical, empathetic text complements James’ mesmerizing, at times haunting acrylic illustrations depicting vast landscapes dotted with houses and secluded natural scenes rendered with thick brush strokes in comforting dark blues and greens. Wordless double-page spreads throughout allow readers to assume Belle’s perspective and take in the child’s day-to-day feelings of uncertainty, fostering empathy along the way. Belle and Mom are tan-skinned; Ms. Rio is dark-skinned.
A visually compelling, compassionate look at an often-misunderstood situation. (Picture book. 4-7)Pub Date: Oct. 29, 2024
ISBN: 9780823456666
Page Count: 32
Publisher: Neal Porter/Holiday House
Review Posted Online: Aug. 3, 2024
Kirkus Reviews Issue: Sept. 1, 2024
BOOK REVIEW
While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of...
Rabe follows a young girl through her first 12 days of kindergarten in this book based on the familiar Christmas carol.
The typical firsts of school are here: riding the bus, making friends, sliding on the playground slide, counting, sorting shapes, laughing at lunch, painting, singing, reading, running, jumping rope, and going on a field trip. While the days are given ordinal numbers, the song skips the cardinal numbers in the verses, and the rhythm is sometimes off: “On the second day of kindergarten / I thought it was so cool / making lots of friends / and riding the bus to my school!” The narrator is a white brunette who wears either a tunic or a dress each day, making her pretty easy to differentiate from her classmates, a nice mix in terms of race; two students even sport glasses. The children in the ink, paint, and collage digital spreads show a variety of emotions, but most are happy to be at school, and the surroundings will be familiar to those who have made an orientation visit to their own schools.
While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of Kindergarten (2003), it basically gets the job done. (Picture book. 4-7)Pub Date: June 21, 2016
ISBN: 978-0-06-234834-0
Page Count: 32
Publisher: Harper/HarperCollins
Review Posted Online: May 3, 2016
Kirkus Reviews Issue: June 1, 2016
BOOK REVIEW
BOOK REVIEW
Wins for compassion and for the refusal to let physical limitations hold one back.
With such short arms, how can Tiny T. Rex give a sad friend a hug?
Fleck goes for cute in the simple, minimally detailed illustrations, drawing the diminutive theropod with a chubby turquoise body and little nubs for limbs under a massive, squared-off head. Impelled by the sight of stegosaurian buddy Pointy looking glum, little Tiny sets out to attempt the seemingly impossible, a comforting hug. Having made the rounds seeking advice—the dino’s pea-green dad recommends math; purple, New Age aunt offers cucumber juice (“That is disgusting”); red mom tells him that it’s OK not to be able to hug (“You are tiny, but your heart is big!”), and blue and yellow older sibs suggest practice—Tiny takes up the last as the most immediately useful notion. Unfortunately, the “tree” the little reptile tries to hug turns out to be a pterodactyl’s leg. “Now I am falling,” Tiny notes in the consistently self-referential narrative. “I should not have let go.” Fortunately, Tiny lands on Pointy’s head, and the proclamation that though Rexes’ hugs may be tiny, “I will do my very best because you are my very best friend” proves just the mood-lightening ticket. “Thank you, Tiny. That was the biggest hug ever.” Young audiences always find the “clueless grown-ups” trope a knee-slapper, the overall tone never turns preachy, and Tiny’s instinctive kindness definitely puts him at (gentle) odds with the dinky dino star of Bob Shea’s Dinosaur Vs. series.
Wins for compassion and for the refusal to let physical limitations hold one back. (Picture book. 5-7)Pub Date: March 5, 2019
ISBN: 978-1-4521-7033-6
Page Count: 48
Publisher: Chronicle Books
Review Posted Online: Nov. 11, 2018
Kirkus Reviews Issue: Dec. 1, 2018
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
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