TERRACE STORY

A group of characters linked across time and space navigate love and, often, its loss.

In “Terrace Story,” Leichter’s 2020 National Magazine Award–winning short story, Edward and Annie, a young couple, move into a small city apartment with their infant daughter, Rose. One day, they invite Annie’s co-worker Stephanie to dinner, and when Annie opens the door to what is normally a closet, she finds instead a beautiful terrace, bedecked with plants, furnished, filled with twinkling lights. This novel of the same name—though it is as much a collection of linked stories as a traditional novel—takes that piece as its symbolic core and imagines a constellation of characters for whom time and space are slippery at best. Part of the book’s fun is figuring out the characters’ connections to those from other sections, but in perhaps the novel’s most compelling part, “Fortress,” Leichter follows Stephanie, whose power to create and manipulate physical spaces (the reason Annie and Edward’s terrace only appears when she's visiting their apartment) leads to a series of crushing heartbreaks. Leichter is not only interested in micro drama, though; this is also a big-picture look at the Late Anthropocene, with animals continually going extinct and many characters either historians or storytellers (one is a writer whose specialty is extinction). Leichter is juggling plenty of symbolism along with her zingy surrealism-lite and it can be a lot to untangle, but at the book's heart are the relatable grief and terror that go along with love—of our planet, of another—and the threat of losing it. As Leichter writes of one character, “All [she] wanted was a person on the other end of her stories.”

Leichter bends minds—and physics—to give a light touch to deep grief.