Superbly odd, but still superb.
Unpleasant and meddling dead people litter the landscape around a very sweet medium whose past would frighten anyone to death.
The mark of a great novelist may be the ability to take you where you truly don’t want to go. If so, Mantel (Giving Up the Ghost: A Memoir, 2003; Fludd, 2000, etc.) is the real goods. Who, without some sort of artistic seduction, would willingly go into the mind of an obese English psychic whose tortured childhood makes the worst of Dickens look like a cakewalk? Mantel’s lure into this dark trip is the carefully won charm of psychic Alison “Al” Hart, a sunny-tempered “sensitive” who has had to tolerate the constant presence underfoot of Morris, her repulsive spirit guide. Morris, who is linked to Al’s evil childhood surroundings, hangs around her dressing room, invisible to the “insensitive” as Alison works the crummy theaters and meeting halls where she and her colleagues bring whitewashed glimpses of the postmortem other side (nobody wnts to hear how confused and unhappy the dead really are) to England’s lower middle classes. In the years since the appearance of the Hale-Bopp comet brought unimagined looniness onto the world scene, Al has benefited from the no-nonsense assistance of Colette, an erstwhile events manager in flight from a loveless marriage. Colette’s keen business sense has put Al’s finances in such order that there is enough money for the odd couple to buy the largest model of house in a new subdivision that is so devoid of charm or past that Morris, very much a city lad when he was alive, finally leaves the two women alone for a period of peace. Relative peace. Alison is never without reminders of not just her special abilities but of the incidents in her childhood that scarred her brutally, inside and out. Voices of the dead turn up on Al’s taped memoirs, and then her old torturers turn up in the subdivision, following orders from Lucifer.
Superbly odd, but still superb.Pub Date: May 9, 2005
ISBN: 0-8050-7356-6
Page Count: 384
Publisher: Henry Holt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: March 1, 2005
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An illuminating read for anyone interested in the inner workings of the Catholic Church; for prelate-fiction superfans, it...
Harris, creator of grand, symphonic thrillers from Fatherland (1992) to An Officer and a Spy (2014), scores with a chamber piece of a novel set in the Vatican in the days after a fictional pope dies.
Fictional, yes, but the nameless pontiff has a lot in common with our own Francis: he’s famously humble, shunning the lavish Apostolic Palace for a small apartment, and he is committed to leading a church that engages with the world and its problems. In the aftermath of his sudden death, rumors circulate about the pope’s intention to fire certain cardinals. At the center of the action is Cardinal Lomeli, Dean of the College of Cardinals, whose job it is to manage the conclave that will elect a new pope. He believes it is also his duty to uncover what the pope knew before he died because some of the cardinals in question are in the running to succeed him. “In the running” is an apt phrase because, as described by Harris, the papal conclave is the ultimate political backroom—albeit a room, the Sistine Chapel, covered with Michelangelo frescoes. Vying for the papal crown are an African cardinal whom many want to see as the first black pope, a press-savvy Canadian, an Italian arch-conservative (think Cardinal Scalia), and an Italian liberal who wants to continue the late pope’s campaign to modernize the church. The novel glories in the ancient rituals that constitute the election process while still grounding that process in the real world: the Sistine Chapel is fitted with jamming devices to thwart electronic eavesdropping, and the pressure to act quickly is increased because “rumours that the pope is dead are already trending on social media.”
An illuminating read for anyone interested in the inner workings of the Catholic Church; for prelate-fiction superfans, it is pure temptation.Pub Date: Nov. 22, 2016
ISBN: 978-0-451-49344-6
Page Count: 304
Publisher: Knopf
Review Posted Online: Sept. 6, 2016
Kirkus Reviews Issue: Sept. 15, 2016
The Brat Pack meets The Bacchae in this precious, way-too-long, and utterly unsuspenseful town-and-gown murder tale. A bunch of ever-so-mandarin college kids in a small Vermont school are the eager epigones of an aloof classics professor, and in their exclusivity and snobbishness and eagerness to please their teacher, they are moved to try to enact Dionysian frenzies in the woods. During the only one that actually comes off, a local farmer happens upon them—and they kill him. But the death isn't ruled a murder—and might never have been if one of the gang—a cadging sybarite named Bunny Corcoran—hadn't shown signs of cracking under the secret's weight. And so he too is dispatched. The narrator, a blank-slate Californian named Richard Pepen chronicles the coverup. But if you're thinking remorse-drama, conscience masque, or even semi-trashy who'll-break-first? page-turner, forget it: This is a straight gee-whiz, first-to-have-ever-noticed college novel—"Hampden College, as a body, was always strangely prone to hysteria. Whether from isolation, malice, or simple boredom, people there were far more credulous and excitable than educated people are generally thought to be, and this hermetic, overheated atmosphere made it a thriving black petri dish of melodrama and distortion." First-novelist Tartt goes muzzy when she has to describe human confrontations (the murder, or sex, or even the ping-ponging of fear), and is much more comfortable in transcribing aimless dorm-room paranoia or the TV shows that the malefactors anesthetize themselves with as fate ticks down. By telegraphing the murders, Tartt wants us to be continually horrified at these kids—while inviting us to semi-enjoy their manneristic fetishes and refined tastes. This ersatz-Fitzgerald mix of moralizing and mirror-looking (Jay McInerney shook and poured the shaker first) is very 80's—and in Tartt's strenuous version already seems dated, formulaic. Les Nerds du Mal—and about as deep (if not nearly as involving) as a TV movie.
Pub Date: Sept. 16, 1992
ISBN: 1400031702
Page Count: 592
Publisher: Knopf
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: July 1, 1992
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BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
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