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BRING UP THE BODIES

The inventiveness of Mantel’s language is the chief draw here; the plot, as such, will engage only the most determined of...

Second in Mantel’s trilogy charting the Machiavellian trajectory of Thomas Cromwell.

The Booker award-winning first volume, Wolf Hall (2009), ended before the titular residence, that of Jane Seymour’s family, figured significantly in the life of King Henry VIII. Seeing through Cromwell’s eyes, a point of view she has thoroughly assimilated, Mantel approaches the major events slantwise, as Cromwell, charged with the practical details of managing Henry’s political and religious agendas, might have. We rejoin the characters as the king’s thousand-day marriage to Anne Boleyn is well along. Princess Elizabeth is a toddler, the exiled Queen Katherine is dying, and Henry’s disinherited daughter Princess Mary is under house arrest. As Master Secretary, Cromwell, while managing his own growing fortune, is always on call to put out fires at the court of the mercurial Henry (who, even for a king, is the ultimate Bad Boss). The English people, not to mention much of Europe, have never accepted Henry’s second marriage as valid, and Anne’s upstart relatives are annoying some of Britain’s more entrenched nobility with their arrogance and preening. Anne has failed to produce a son, and despite Cromwell’s efforts to warn her (the two were once allies of a sort), she refuses to alter her flamboyant behavior, even as Henry is increasingly beguiled by Jane Seymour’s contrasting (some would say calculated) modesty. Cromwell, a key player in the annulment of Henry’s first marriage, must now find a pretext for the dismantling of a second. Once he begins interrogating, with threats of torture, Anne’s male retainers to gather evidence of her adulteries, Mantel has a difficult challenge in keeping up our sympathy for Cromwell. She succeeds, mostly by portraying Cromwell as acutely aware that one misstep could land “him, Cromwell” on the scaffold as well. That misstep will happen, but not in this book.

The inventiveness of Mantel’s language is the chief draw here; the plot, as such, will engage only the most determined of Tudor enthusiasts.

Pub Date: May 22, 2012

ISBN: 978-0-8050-9003-1

Page Count: 432

Publisher: Henry Holt

Review Posted Online: May 6, 2012

Kirkus Reviews Issue: May 15, 2012

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THE NIGHTINGALE

Still, a respectful and absorbing page-turner.

Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.

In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.

Still, a respectful and absorbing page-turner.

Pub Date: Feb. 3, 2015

ISBN: 978-0-312-57722-3

Page Count: 448

Publisher: St. Martin's

Review Posted Online: Nov. 19, 2014

Kirkus Reviews Issue: Dec. 1, 2014

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ALL THE LIGHT WE CANNOT SEE

Doerr captures the sights and sounds of wartime and focuses, refreshingly, on the innate goodness of his major characters.

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Doerr presents us with two intricate stories, both of which take place during World War II; late in the novel, inevitably, they intersect.

In August 1944, Marie-Laure LeBlanc is a blind 16-year-old living in the walled port city of Saint-Malo in Brittany and hoping to escape the effects of Allied bombing. D-Day took place two months earlier, and Cherbourg, Caen and Rennes have already been liberated. She’s taken refuge in this city with her great-uncle Etienne, at first a fairly frightening figure to her. Marie-Laure’s father was a locksmith and craftsman who made scale models of cities that Marie-Laure studied so she could travel around on her own. He also crafted clever and intricate boxes, within which treasures could be hidden. Parallel to the story of Marie-Laure we meet Werner and Jutta Pfennig, a brother and sister, both orphans who have been raised in the Children’s House outside Essen, in Germany. Through flashbacks we learn that Werner had been a curious and bright child who developed an obsession with radio transmitters and receivers, both in their infancies during this period. Eventually, Werner goes to a select technical school and then, at 18, into the Wehrmacht, where his technical aptitudes are recognized and he’s put on a team trying to track down illegal radio transmissions. Etienne and Marie-Laure are responsible for some of these transmissions, but Werner is intrigued since what she’s broadcasting is innocent—she shares her passion for Jules Verne by reading aloud 20,000 Leagues Under the Sea. A further subplot involves Marie-Laure’s father’s having hidden a valuable diamond, one being tracked down by Reinhold von Rumpel, a relentless German sergeant-major.

Doerr captures the sights and sounds of wartime and focuses, refreshingly, on the innate goodness of his major characters.

Pub Date: May 6, 2014

ISBN: 978-1-4767-4658-6

Page Count: 448

Publisher: Scribner

Review Posted Online: March 5, 2014

Kirkus Reviews Issue: March 15, 2014

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