by Hilary Mantel ‧ RELEASE DATE: June 1, 2000
Witty, offbeat, insightful regarding the trials of Catholicism without bogging down in dogma: a lightly weighted but...
A mysterious curate arrives one dark and stormy night to succor the populace—in this dryly comic tale by British novelist Mantel (The Giant, O’Brien, 1998, etc.).
First published in England in 1989, Fludd takes place in Fetherhoughton, a sorry post-industrial town on the moors where petty animosities and pervasive ill-humor hold sway. Father Angwin, the priest, is a decent man, though by 1956 he's long since given up believing in God and goes through the motions of his office only in hopes that his congregation may still benefit. His bishop’s request that all the statues of saints be removed from Angwin's church results in a crisis, which the priest ineffectively resolves by burying the figures. He then settles deeper into his despair, but a knock on his door, which opens to reveal the sodden and peculiar figure of Fludd, also reveals a way to his redemption. Fludd has a strange effect on everyone he meets: Angwin, who immediately confesses the whole of his disbelief, feels a load lifted, which enables him to act decisively; the priest’s spinster housekeeper, Agnes Dempsey, finds a warmth spreading through her that makes her hopeful once again; and when Fludd reads the palm of the town convent’s youngest member, Irish Sister Philomena, she awakens to new possibilities in life—possibilities that she’d never dared dream of. But along with his quiet miracles, Fludd brings a hefty measure of unease, since no one can remember exactly what he looks like when he's not around, and he seems to eat and drink without actually chewing or swallowing. At the close, he performs the one act that will set them all free, and then, like the true conjurer he is, has a final trick up his sleeve just for Sister Philomena.
Witty, offbeat, insightful regarding the trials of Catholicism without bogging down in dogma: a lightly weighted but charming vision of alchemy's noblest endeavors.Pub Date: June 1, 2000
ISBN: 0-8050-6273-4
Page Count: 192
Publisher: Henry Holt
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: April 1, 2000
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by Genki Kawamura ; translated by Eric Selland ‧ RELEASE DATE: March 12, 2019
Jonathan Livingston Kitty, it’s not.
A lonely postman learns that he’s about to die—and reflects on life as he bargains with a Hawaiian-shirt–wearing devil.
The 30-year-old first-person narrator in filmmaker/novelist Kawamura’s slim novel is, by his own admission, “boring…a monotone guy,” so unimaginative that, when he learns he has a brain tumor, the bucket list he writes down is dull enough that “even the cat looked disgusted with me.” Luckily—or maybe not—a friendly devil, dubbed Aloha, pops onto the scene, and he’s willing to make a deal: an extra day of life in exchange for being allowed to remove something pleasant from the world. The first thing excised is phones, which goes well enough. (The narrator is pleasantly surprised to find that “people seemed to have no problem finding something to fill up their free time.”) But deals with the devil do have a way of getting complicated. This leads to shallow musings (“Sometimes, when you rewatch a film after not having seen it for a long time, it makes a totally different impression on you than it did the first time you saw it. Of course, the movie hasn’t changed; it’s you who’s changed") written in prose so awkward, it’s possibly satire (“Tears dripped down onto the letter like warm, salty drops of rain”). Even the postman’s beloved cat, who gains the power of speech, ends up being prim and annoying. The narrator ponders feelings about a lost love, his late mother, and his estranged father in a way that some readers might find moving at times. But for many, whatever made this book a bestseller in Japan is going to be lost in translation.
Jonathan Livingston Kitty, it’s not.Pub Date: March 12, 2019
ISBN: 978-1-250-29405-0
Page Count: 176
Publisher: Flatiron Books
Review Posted Online: Feb. 16, 2019
Kirkus Reviews Issue: March 1, 2019
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by Donna Tartt ‧ RELEASE DATE: Sept. 16, 1992
The Brat Pack meets The Bacchae in this precious, way-too-long, and utterly unsuspenseful town-and-gown murder tale. A bunch of ever-so-mandarin college kids in a small Vermont school are the eager epigones of an aloof classics professor, and in their exclusivity and snobbishness and eagerness to please their teacher, they are moved to try to enact Dionysian frenzies in the woods. During the only one that actually comes off, a local farmer happens upon them—and they kill him. But the death isn't ruled a murder—and might never have been if one of the gang—a cadging sybarite named Bunny Corcoran—hadn't shown signs of cracking under the secret's weight. And so he too is dispatched. The narrator, a blank-slate Californian named Richard Pepen chronicles the coverup. But if you're thinking remorse-drama, conscience masque, or even semi-trashy who'll-break-first? page-turner, forget it: This is a straight gee-whiz, first-to-have-ever-noticed college novel—"Hampden College, as a body, was always strangely prone to hysteria. Whether from isolation, malice, or simple boredom, people there were far more credulous and excitable than educated people are generally thought to be, and this hermetic, overheated atmosphere made it a thriving black petri dish of melodrama and distortion." First-novelist Tartt goes muzzy when she has to describe human confrontations (the murder, or sex, or even the ping-ponging of fear), and is much more comfortable in transcribing aimless dorm-room paranoia or the TV shows that the malefactors anesthetize themselves with as fate ticks down. By telegraphing the murders, Tartt wants us to be continually horrified at these kids—while inviting us to semi-enjoy their manneristic fetishes and refined tastes. This ersatz-Fitzgerald mix of moralizing and mirror-looking (Jay McInerney shook and poured the shaker first) is very 80's—and in Tartt's strenuous version already seems dated, formulaic. Les Nerds du Mal—and about as deep (if not nearly as involving) as a TV movie.
Pub Date: Sept. 16, 1992
ISBN: 1400031702
Page Count: 592
Publisher: Knopf
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: July 1, 1992
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