A triumph.
The end comes for Thomas Cromwell—and for the brilliant trilogy about his life that began with Wolf Hall (2009) and Bring Up the Bodies (2012).
“Once the queen’s head is severed, he walks away”: With this perfect sentence, Mantel plunges into the scene of Anne Boleyn’s execution, and there’s no need to spell out who “he” is. On the second page, the executioner, who was brought over from France, refers to him as Cremuel (“No Frenchman can ever pronounce his name”), and finally, a few paragraphs later, when the swordsman is showing off the special blade he used on the queen, “he, Cromwell, touches a finger to the metal.” And we’re off, knowing that by the end it will be Cromwell’s head that rolls. (We can only hope his executioner will be as meticulous.) In the meantime, we get more of everything we’d expect from Mantel’s evocation of the reign of Henry VIII: power, rivalry, strategy, love, loyalty, ambition, regret, loneliness, lust—all centered on the magnetic Cromwell, a man who knows everything from the number of soldiers commanded by each nobleman in England to the secret desires of their wives and daughters. The narrative voice is as supple and insinuating as ever, but the tone is more contemplative—now that the newly made Lord Cromwell has attained the loftiest heights, he returns often to certain touchstones from his past—while the momentum drives forward to our hero’s inevitable fall. (Perhaps it could have driven forward a little more relentlessly; it does occasionally idle.) Cromwell has become almost a bogeyman to the people of England, and Mantel describes his reputation with characteristic dry humor: “He means to…tamper with the baker’s scales, and fix liquid measures in his favour. The man is like a weasel, who eats his own weight every day.” Mantel has created a vivid 16th-century universe, but sometimes it feels like she’s speaking directly to her modern reader, particularly about the role of women: “Try smiling. You’ll be surprised how much better you feel. Not that you can put it like that to a woman…she might take it badly.”
A triumph.Pub Date: March 10, 2020
ISBN: 978-0-8050-9660-6
Page Count: 784
Publisher: Henry Holt
Review Posted Online: Feb. 25, 2020
Kirkus Reviews Issue: April 1, 2020
A dramatic, vividly detailed reconstruction of a little-known aspect of the Vietnam War.
A young woman’s experience as a nurse in Vietnam casts a deep shadow over her life.
When we learn that the farewell party in the opening scene is for Frances “Frankie” McGrath’s older brother—“a golden boy, a wild child who could make the hardest heart soften”—who is leaving to serve in Vietnam in 1966, we feel pretty certain that poor Finley McGrath is marked for death. Still, it’s a surprise when the fateful doorbell rings less than 20 pages later. His death inspires his sister to enlist as an Army nurse, and this turn of events is just the beginning of a roller coaster of a plot that’s impressive and engrossing if at times a bit formulaic. Hannah renders the experiences of the young women who served in Vietnam in all-encompassing detail. The first half of the book, set in gore-drenched hospital wards, mildewed dorm rooms, and boozy officers’ clubs, is an exciting read, tracking the transformation of virginal, uptight Frankie into a crack surgical nurse and woman of the world. Her tensely platonic romance with a married surgeon ends when his broken, unbreathing body is airlifted out by helicopter; she throws her pent-up passion into a wild affair with a soldier who happens to be her dead brother’s best friend. In the second part of the book, after the war, Frankie seems to experience every possible bad break. A drawback of the story is that none of the secondary characters in her life are fully three-dimensional: Her dismissive, chauvinistic father and tight-lipped, pill-popping mother, her fellow nurses, and her various love interests are more plot devices than people. You’ll wish you could have gone to Vegas and placed a bet on the ending—while it’s against all the odds, you’ll see it coming from a mile away.
A dramatic, vividly detailed reconstruction of a little-known aspect of the Vietnam War.Pub Date: Feb. 6, 2024
ISBN: 9781250178633
Page Count: 480
Publisher: St. Martin's
Review Posted Online: Nov. 4, 2023
Kirkus Reviews Issue: Dec. 1, 2023
PERSPECTIVES
BOOK TO SCREEN
SEEN & HEARD
Still, a respectful and absorbing page-turner.
Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.
In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.
Still, a respectful and absorbing page-turner.Pub Date: Feb. 3, 2015
ISBN: 978-0-312-57722-3
Page Count: 448
Publisher: St. Martin's
Review Posted Online: Nov. 19, 2014
Kirkus Reviews Issue: Dec. 1, 2014
BOOK TO SCREEN
SEEN & HEARD
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