Some dark doings, but far more charm and happy endings.
Ten familiar Western tales are buffed up, inventively recast, and infused with tenderness and warm good humor.
Opening with the parochial (her sources, characters, and settings seem to be exclusively Eurocentric) but lovely observation that fairy tales “are our living heritage, true fairy gold, except these stories do not disappear at sunset,” McKay begins with a tale in which, intercut with flashbacks, an older Rapunzel teaches her twin children about patience when they bring home a songbird that fearfully clings to its cage. A heart-rending version of “Rumpelstiltskin” featuring a lowly “hob” who aches for a child to love follows. Snow White artfully uses her own experiences to wean her granddaughter Sophie away from the notion that being prettiest of all is all that counts; peas and mattresses come into play when a newborn Prince Charming pulls the Dust-Gray Fairy’s nose. “Red Riding Hood” is stripped of its stranger-danger overtones and ends with a joyful wedding; in a clever bit of literary legerdemain, Gretel tells her tale with perfect coherence but back to front in a school report; and for the closer, an atmospheric retelling of the Grimms’ “Six Swans” proposes an answer to the powerful riddle: “If I have seven boys and a sister for each of them, how many children have I?” With rare exceptions—notably Gretel’s class picture, which features a lineup diverse in dress and skin tone—Gibb sticks to traditional white figures and antique or country garb in her frequent silhouettes and delicately detailed painted scenes.
Some dark doings, but far more charm and happy endings. (bibliography) (Fairy tales/short stories. 10-13)Pub Date: Feb. 5, 2019
ISBN: 978-1-5344-3284-0
Page Count: 304
Publisher: McElderry
Review Posted Online: Nov. 11, 2018
Kirkus Reviews Issue: Dec. 1, 2018
Year-round fun.
Set in 1937 during the so-called “Roosevelt recession,” tight times compel Mary Alice, a Chicago girl, to move in with her grandmother, who lives in a tiny Illinois town so behind the times that it doesn’t “even have a picture show.”
This winning sequel takes place several years after A Long Way From Chicago (1998) leaves off, once again introducing the reader to Mary Alice, now 15, and her Grandma Dowdel, an indomitable, idiosyncratic woman who despite her hard-as-nails exterior is able to see her granddaughter with “eyes in the back of her heart.” Peck’s slice-of-life novel doesn’t have much in the way of a sustained plot; it could almost be a series of short stories strung together, but the narrative never flags, and the book, populated with distinctive, soulful characters who run the gamut from crazy to conventional, holds the reader’s interest throughout. And the vignettes, some involving a persnickety Grandma acting nasty while accomplishing a kindness, others in which she deflates an overblown ego or deals with a petty rivalry, are original and wildly funny. The arena may be a small hick town, but the battle for domination over that tiny turf is fierce, and Grandma Dowdel is a canny player for whom losing isn’t an option. The first-person narration is infused with rich, colorful language—“She was skinnier than a toothpick with termites”—and Mary Alice’s shrewd, prickly observations: “Anybody who thinks small towns are friendlier than big cities lives in a big city.”
Year-round fun. (Fiction. 11-13)Pub Date: Oct. 1, 2000
ISBN: 978-0-8037-2518-8
Page Count: 144
Publisher: Dial Books
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Sept. 15, 2000
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
In this series debut, Maggie Sinclair tracks down a dognapper and solves a mystery about the noises in the walls of her Brooklyn brownstone apartment building. The 12-year-old heroine, who shares a middle name—Brooklyn—with her twin brother, Finn, is juggling two dogwalking jobs she’s keeping secret from her parents, and somehow she attracts the ire of the dogs’ former walker. Maggie tells her story in the first person—she’s self-possessed and likable, even when her clueless brother invites her ex–best friend, now something of an enemy, to their shared 12th birthday party. Maggie’s attention to details helps her to figure out why dogs seem to be disappearing and why there seem to be mice in the walls of her building, though astute readers will pick up on the solution to at least one mystery before Maggie solves it. There’s a brief nod to Nancy Drew, but the real tensions in this contemporary preteen story are more about friendship and boy crushes than skullduggery. Still, the setting is appealing, and Maggie is a smart and competent heroine whose personal life is just as interesting as—if not more than—her detective work. (Mystery. 10-13)
Pub Date: Oct. 1, 2010
ISBN: 967-1-59990-525-9
Page Count: 208
Publisher: Bloomsbury
Review Posted Online: Sept. 15, 2010
Kirkus Reviews Issue: Oct. 1, 2010
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