by Hilary Spurling ‧ RELEASE DATE: Nov. 5, 1998
A masterfully written biography of Matisse, whose dedication to an art of “balance, purity, and tranquility” was his primary defense against a life of hardship, disruption, and loss. Few who know Matisse’s work would equate the dynamism of his palette—full of saturated, singing colors—with the fierce emotional intensity of the man himself, but Spurling, a British theater critic and literary editor of the Spectator, makes the connection. With tremendous sensitivity to her subject, she casts the story of Matisse’s early life as “a flight toward the brilliant light” from the dark and dour northern landscape of his birthplace, Bohain-en-Vermandois, near the Belgian border. It was, she points out, the same cultural and geographic area that had given rise to van Gogh some 16 years earlier, and while Matisse’s own artistic fever was never quite as incapacitating as his predecessor’s, it was still intense. Matisse suffered from unrelenting insomnia for much of his life and sometimes —feared that the blazing colors he had let loose would end by making him go blind.— Fortunately, he escaped that fate, although he did not escape being maligned and ridiculed. When Matisse submitted Le Bonheur de vivre to the Salon des IndÇpendents in 1906, for example, practical jokers defaced handbills posted outside the local urinals so that they read: —Matisse has caused more harm in a year than an epidemic!— and —Matisse drives you mad!— Spurling delves into Matisse’s past with a historian’s eye for detail and a fervor that gives her narrative compelling force. She maintains that, from the start of his career, Matisse undertook nothing less than a groundbreaking exploration of color, form, and emotionality in painting. “Matisse was not simply discarding perspective, abolishing shadows, repudiating the academic distinction between line and color,— she writes, —he was attempting to overturn a way of seeing evolved and accepted by the Western world for centuries.” Matisse’s genius was to make conscious subjectivity the defining force of his painting; Spurling, in this first volume of his biography, excels by revealing the forces that shaped both the man and his aesthetic. (24 pages color and 152 b&w illustrations, not seen)
Pub Date: Nov. 5, 1998
ISBN: 0-679-43428-3
Page Count: 512
Publisher: Knopf
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Sept. 15, 1998
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by Elie Wiesel & translated by Marion Wiesel ‧ RELEASE DATE: Jan. 16, 2006
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
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by Elie Wiesel ; edited by Alan Rosen
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by Elie Wiesel ; illustrated by Mark Podwal
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by Elie Wiesel ; translated by Marion Wiesel
by Chris Gardner with Quincy Troupe ‧ RELEASE DATE: June 1, 2006
Well-told and admonitory.
Young-rags-to-mature-riches memoir by broker and motivational speaker Gardner.
Born and raised in the Milwaukee ghetto, the author pulled himself up from considerable disadvantage. He was fatherless, and his adored mother wasn’t always around; once, as a child, he spied her at a family funeral accompanied by a prison guard. When beautiful, evanescent Moms was there, Chris also had to deal with Freddie “I ain’t your goddamn daddy!” Triplett, one of the meanest stepfathers in recent literature. Chris did “the dozens” with the homies, boosted a bit and in the course of youthful adventure was raped. His heroes were Miles Davis, James Brown and Muhammad Ali. Meanwhile, at the behest of Moms, he developed a fondness for reading. He joined the Navy and became a medic (preparing badass Marines for proctology), and a proficient lab technician. Moving up in San Francisco, married and then divorced, he sold medical supplies. He was recruited as a trainee at Dean Witter just around the time he became a homeless single father. All his belongings in a shopping cart, Gardner sometimes slept with his young son at the office (apparently undiscovered by the night cleaning crew). The two also frequently bedded down in a public restroom. After Gardner’s talents were finally appreciated by the firm of Bear Stearns, his American Dream became real. He got the cool duds, hot car and fine ladies so coveted from afar back in the day. He even had a meeting with Nelson Mandela. Through it all, he remained a prideful parent. His own no-daddy blues are gone now.
Well-told and admonitory.Pub Date: June 1, 2006
ISBN: 0-06-074486-3
Page Count: 320
Publisher: Amistad/HarperCollins
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: March 15, 2006
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