THE COT IN THE LIVING ROOM

From her small apartment in Washington Heights, New York City, a young girl dreams of the perfect place to sleep.

Guest after guest relies on the cot in the Afro-Latina protagonist’s living room for last-minute accommodations. The narrator imagines an ideal night with the living room all to herself and narrates her disappointment each time a new family friend has dibs on the cot, all illustrated with playfully patterned backdrops against which the vibrant, colorful characters pop. Still, when Raquel, Edgardo, or Lisa sleep over, readers see glimpses of the precarious circumstances necessitating their stays even as the narrator remains oblivious and noticeably jealous. She’s nonetheless helpful in the process of preparing a temporary home for kids in need. Mami, Papi, and her older sister may not understand the desire to sleep in the living room, but, as a family, they’re noticeably loving and supportive of one another and their diverse Uptown Manhattan neighbors. When the time comes for the protagonist to get her turn on the cot, she quickly realizes it’s not all it was cracked up to be. Ultimately, the cot in the living room isn’t as magical as she imagined, but she learns that spaces—even tight ones—created of love and care can be the source of her own magic.

Between clever quilted endpapers, Burgos and D’Alessandro set a comfy space for readers.