Uneven in value the new tweaks may be, but they do add luster to a tale that well merits a new generation of readers.
Recipient of a starred Kirkus review in 1957, this fictionalized twin portrait of teenage Richard II and his child bride, Isabelle of Valois, still shines—more so for at least some of the historical matter added to this digital edition.
In the course of an extended, high-friction romance with a noble younger son who throws in his lot with the usurping future King Henry IV, lady-in-waiting Isabella Clinton witnesses or reports on tumultuous events both in England and at the French royal court during and after Richard’s truncated reign. Some “enhancements” don’t enhance much, among them (dispensable) family trees and a background essay drawn from Wikipedia, plus distracting bolded words in the narrative (“I must be schooled in the courtesies of my breeding”) linked to a glossary. But several dozen inserted, mostly color, illustrations ranging from old prints and manuscript illuminations to modern photos of artifacts do extend the original edition’s rough line drawings to offer evocative (if not always exactly period) glimpses of the era’s figures, fashions and frivolities.
Uneven in value the new tweaks may be, but they do add luster to a tale that well merits a new generation of readers. (new list of recommended websites and videos added to the old bibliography) (Enhanced e-book/historical fiction. 12-14)Pub Date: April 4, 2013
ISBN: N/A
Page Count: -
Publisher: Crushed Lime Media
Review Posted Online: May 28, 2013
Kirkus Reviews Issue: June 15, 2013
In a snowbound Swiss village, Matti figures it’s a good day to make a gingerbread man. He and his mother mix a batch of gingerbread and tuck it in the oven, but Matti is too impatient to wait ten minutes without peeking. When he opens the door, out pops a gingerbread baby, taunting the familiar refrain, “Catch me if you can.” The brash imp races all over the village, teasing animals and tweaking the noses of the citizenry, until there is a fair crowd on his heels intent on giving him a drubbing. Always he remains just out of reach as he races over the winterscape, beautifully rendered with elegant countryside and architectural details by Brett. All the while, Matti is busy back home, building a gingerbread house to entice the nervy cookie to safe harbor. It works, too, and Matti is able to spirit the gingerbread baby away from the mob. The mischief-maker may be a brat, but the gingerbread cookie is also the agent of good cheer, and Brett allows that spirit to run free on these pages. (Picture book. 4-8)
Pub Date: Oct. 1, 1999
ISBN: 0-399-23444-6
Page Count: 32
Publisher: Putnam
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Nov. 1, 1999
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
Themes of freedom and responsibility twine between the lines of this short but heavy novel from the author of Because of Winn-Dixie (2000). Three months after his mother's death, Rob and his father are living in a small-town Florida motel, each nursing sharp, private pain. On the same day Rob has two astonishing encounters: first, he stumbles upon a caged tiger in the woods behind the motel; then he meets Sistine, a new classmate responding to her parents' breakup with ready fists and a big chip on her shoulder. About to burst with his secret, Rob confides in Sistine, who instantly declares that the tiger must be freed. As Rob quickly develops a yen for Sistine's company that gives her plenty of emotional leverage, and the keys to the cage almost literally drop into his hands, credible plotting plainly takes a back seat to character delineation here. And both struggle for visibility beneath a wagonload of symbol and metaphor: the real tiger (and the inevitable recitation of Blake's poem); the cage; Rob's dream of Sistine riding away on the beast's back; a mysterious skin condition on Rob's legs that develops after his mother's death; a series of wooden figurines that he whittles; a larger-than-life African-American housekeeper at the motel who dispenses wisdom with nearly every utterance; and the climax itself, which is signaled from the start. It's all so freighted with layers of significance that, like Lois Lowry's Gathering Blue (2000), Anne Mazer's Oxboy (1995), or, further back, Julia Cunningham's Dorp Dead (1965), it becomes more an exercise in analysis than a living, breathing story. Still, the tiger, "burning bright" with magnificent, feral presence, does make an arresting central image. (Fiction. 10-12)
Pub Date: March 1, 2001
ISBN: 0-7636-0911-0
Page Count: 128
Publisher: Candlewick
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Feb. 1, 2001
BOOK TO SCREEN
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