by Hiromi Kawakami & translated by Michael Emmerich ‧ RELEASE DATE: Sept. 1, 2010
Evocative, original exploration of grief—more of a journey than a destination, with plot almost beside the point.
In this debut novel from Japanese writer Kawakami, a Tokyo woman coping with the mysterious loss of her husband finds herself suddenly drawn to a small fishing village.
Kei, the 40-something narrator of this dreamlike novel, has made a life for herself that appears solid, even as her thoughts show it is anything but. A writer, she shares an apartment with her mother and an increasingly distant teenage daughter named Momo. She is also in a long-term relationship with a married man, Seiji, who actually seems more into Kei than she into him. That could be because 12 years earlier Rei, the man she loved, vanished, leaving her and Momo alone. What role, if any, Kei had in his disappearance remains vague, as if Kei herself is unsure of it. Was it another woman? Foul play? Either way, she has on some level shut herself off emotionally. Feeling restless one day, however, she spontaneously gets on a train and ends up in Manazuru, a sleepy seaside burg. There she feels herself “followed” by spiritlike presences and not for the first time. One of these apparitions, a chatty woman, seems especially interested in Kei. Kei in turn wonders if this spirit can help her uncover whatever happened to Rei and maybe even contact him on the other side. Whether or not the spirit woman is real, or a part of Kei’s subconscious, remains a central question. Kei keeps going back, and her buried memories of Rei blend with disturbing and beautiful visions. And it soon becomes clear, as Kei is drawn deeper and deeper into this quest for closure, that she runs the risk of losing herself—as well as the people who care most for her. Subtly compelling, Kawakami’s novel interestingly blends whodunit, travelogue and a dash of tasteful eroticism.
Evocative, original exploration of grief—more of a journey than a destination, with plot almost beside the point.Pub Date: Sept. 1, 2010
ISBN: 978-1-58243-600-5
Page Count: 224
Publisher: Counterpoint
Review Posted Online: July 21, 2010
Kirkus Reviews Issue: Aug. 15, 2010
Share your opinion of this book
More by Hiromi Kawakami
BOOK REVIEW
by Hiromi Kawakami ; translated by Asa Yoneda
BOOK REVIEW
by Hiromi Kawakami ; translated by Ted Goossen
BOOK REVIEW
by Hiromi Kawakami ; translated by Allison Markin Powell
by Robert Harris ‧ RELEASE DATE: Nov. 22, 2016
An illuminating read for anyone interested in the inner workings of the Catholic Church; for prelate-fiction superfans, it...
Harris, creator of grand, symphonic thrillers from Fatherland (1992) to An Officer and a Spy (2014), scores with a chamber piece of a novel set in the Vatican in the days after a fictional pope dies.
Fictional, yes, but the nameless pontiff has a lot in common with our own Francis: he’s famously humble, shunning the lavish Apostolic Palace for a small apartment, and he is committed to leading a church that engages with the world and its problems. In the aftermath of his sudden death, rumors circulate about the pope’s intention to fire certain cardinals. At the center of the action is Cardinal Lomeli, Dean of the College of Cardinals, whose job it is to manage the conclave that will elect a new pope. He believes it is also his duty to uncover what the pope knew before he died because some of the cardinals in question are in the running to succeed him. “In the running” is an apt phrase because, as described by Harris, the papal conclave is the ultimate political backroom—albeit a room, the Sistine Chapel, covered with Michelangelo frescoes. Vying for the papal crown are an African cardinal whom many want to see as the first black pope, a press-savvy Canadian, an Italian arch-conservative (think Cardinal Scalia), and an Italian liberal who wants to continue the late pope’s campaign to modernize the church. The novel glories in the ancient rituals that constitute the election process while still grounding that process in the real world: the Sistine Chapel is fitted with jamming devices to thwart electronic eavesdropping, and the pressure to act quickly is increased because “rumours that the pope is dead are already trending on social media.”
An illuminating read for anyone interested in the inner workings of the Catholic Church; for prelate-fiction superfans, it is pure temptation.Pub Date: Nov. 22, 2016
ISBN: 978-0-451-49344-6
Page Count: 304
Publisher: Knopf
Review Posted Online: Sept. 6, 2016
Kirkus Reviews Issue: Sept. 15, 2016
Share your opinion of this book
by Donna Tartt ‧ RELEASE DATE: Sept. 16, 1992
The Brat Pack meets The Bacchae in this precious, way-too-long, and utterly unsuspenseful town-and-gown murder tale. A bunch of ever-so-mandarin college kids in a small Vermont school are the eager epigones of an aloof classics professor, and in their exclusivity and snobbishness and eagerness to please their teacher, they are moved to try to enact Dionysian frenzies in the woods. During the only one that actually comes off, a local farmer happens upon them—and they kill him. But the death isn't ruled a murder—and might never have been if one of the gang—a cadging sybarite named Bunny Corcoran—hadn't shown signs of cracking under the secret's weight. And so he too is dispatched. The narrator, a blank-slate Californian named Richard Pepen chronicles the coverup. But if you're thinking remorse-drama, conscience masque, or even semi-trashy who'll-break-first? page-turner, forget it: This is a straight gee-whiz, first-to-have-ever-noticed college novel—"Hampden College, as a body, was always strangely prone to hysteria. Whether from isolation, malice, or simple boredom, people there were far more credulous and excitable than educated people are generally thought to be, and this hermetic, overheated atmosphere made it a thriving black petri dish of melodrama and distortion." First-novelist Tartt goes muzzy when she has to describe human confrontations (the murder, or sex, or even the ping-ponging of fear), and is much more comfortable in transcribing aimless dorm-room paranoia or the TV shows that the malefactors anesthetize themselves with as fate ticks down. By telegraphing the murders, Tartt wants us to be continually horrified at these kids—while inviting us to semi-enjoy their manneristic fetishes and refined tastes. This ersatz-Fitzgerald mix of moralizing and mirror-looking (Jay McInerney shook and poured the shaker first) is very 80's—and in Tartt's strenuous version already seems dated, formulaic. Les Nerds du Mal—and about as deep (if not nearly as involving) as a TV movie.
Pub Date: Sept. 16, 1992
ISBN: 1400031702
Page Count: 592
Publisher: Knopf
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: July 1, 1992
Share your opinion of this book
More by Donna Tartt
BOOK REVIEW
by Donna Tartt
BOOK REVIEW
by Donna Tartt
More About This Book
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
© Copyright 2024 Kirkus Media LLC. All Rights Reserved.
Hey there, book lover.
We’re glad you found a book that interests you!
We can’t wait for you to join Kirkus!
It’s free and takes less than 10 seconds!
Already have an account? Log in.
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
Welcome Back!
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
Don’t fret. We’ll find you.