This trip to Wonderland delivers a mature, lasting jolt.
This YA fantasy debut sees Alice return to Wonderland to thwart the Queen of Hearts’ madness.
The year is 1888, and 15-year-old Alice Liddell is in the Warneford Asylum in Oxford. She’s been placed in Dr. Longfellow’s psychiatric care since nearly drowning in a river and returning from the magical realm of Wonderland. At school, Headmistress Collins had grown tired of her “childish nonsense” regarding the Cheshire Cat, the Caterpillar, and others. Yet Alice continues to keep her memories alive in a notebook filled with sketches that she hides below the floorboards of her room. One day, she finds the halls of the asylum replaced by those of her home. She wanders through the familiar, empty place and outside to the river. “You’re late,” says the White Rabbit, or Sir Ralph of Longshoot (as he’s truly known). He informs Alice that the Queen of Hearts has gone “stark raving mad” and beheaded the king. Further, Alice must return to—and save—Wonderland. After waking from what might have been a dream, Alice receives a visit from her mother. She learns that her sister, Mary, is getting married, and everyone hopes she’ll be healthy enough to attend the wedding. Arrangements proceed for Swiss Dr. Gottlieb Burckhardt to surgically cure Alice of her delusions once and for all. In this historically relevant fantasy, Ramsay honors Lewis Carroll’s work while expanding how readers connect with Wonderland. The humor lines up perfectly with the 19th-century source material, as when the Queen of Hearts asserts: “You must slouch. Everyone slouches in my presence.” Ramsay also offers excellent philosophical bons mots, including this White Rabbit gem: “You’re supposed to be wherever you belong.” An intriguing, though dark, surprise awaits in the character of Burckhardt, an actual pioneer of psychosurgery (for example, lobotomy) who began administering crude procedures in 1888. It’s bittersweet that in Wonderland, Alice meets the Prince of Hearts and his presence takes “away all the confusion and fear.” But she nevertheless comes to realize that “something was missing deep inside...that made Alice...Alice.” A harrowing finale closes this mostly playful narrative.
This trip to Wonderland delivers a mature, lasting jolt.Pub Date: N/A
ISBN: N/A
Page Count: 347
Publisher: Red Rogue Press
Review Posted Online: Jan. 10, 2019
Kirkus Reviews Issue: Feb. 15, 2019
Review Program: Kirkus Indie
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.
Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).
A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.Pub Date: June 16, 2020
ISBN: 978-1-9848-2678-7
Page Count: 304
Publisher: Del Rey/Ballantine
Review Posted Online: Feb. 9, 2020
Kirkus Reviews Issue: March 1, 2020
BOOK REVIEW
BOOK TO SCREEN
Amateurish, with a twist savvy readers will see coming from a mile away.
A woman accused of shooting her husband six times in the face refuses to speak.
"Alicia Berenson was thirty-three years old when she killed her husband. They had been married for seven years. They were both artists—Alicia was a painter, and Gabriel was a well-known fashion photographer." Michaelides' debut is narrated in the voice of psychotherapist Theo Faber, who applies for a job at the institution where Alicia is incarcerated because he's fascinated with her case and believes he will be able to get her to talk. The narration of the increasingly unrealistic events that follow is interwoven with excerpts from Alicia's diary. Ah, yes, the old interwoven diary trick. When you read Alicia's diary you'll conclude the woman could well have been a novelist instead of a painter because it contains page after page of detailed dialogue, scenes, and conversations quite unlike those in any journal you've ever seen. " 'What's the matter?' 'I can't talk about it on the phone, I need to see you.' 'It's just—I'm not sure I can make it up to Cambridge at the minute.' 'I'll come to you. This afternoon. Okay?' Something in Paul's voice made me agree without thinking about it. He sounded desperate. 'Okay. Are you sure you can't tell me about it now?' 'I'll see you later.' Paul hung up." Wouldn't all this appear in a diary as "Paul wouldn't tell me what was wrong"? An even more improbable entry is the one that pins the tail on the killer. While much of the book is clumsy, contrived, and silly, it is while reading passages of the diary that one may actually find oneself laughing out loud.
Amateurish, with a twist savvy readers will see coming from a mile away.Pub Date: Feb. 5, 2019
ISBN: 978-1-250-30169-7
Page Count: 304
Publisher: Celadon Books
Review Posted Online: Nov. 3, 2018
Kirkus Reviews Issue: Nov. 15, 2018
BOOK REVIEW
BOOK REVIEW
© Copyright 2024 Kirkus Media LLC. All Rights Reserved.
Follow
Popular in this Genre
We can’t wait for you to join Kirkus!
It’s free and takes less than 10 seconds!
Already have an account? Log in.
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
Welcome Back!
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
