by H.L. Mencken ‧ RELEASE DATE: Jan. 30, 1995
Rescued from an abandoned but essentially finished manuscript, the second of Mencken's chrestomathies forms as good a compendium of social and literary irascibility as one could hope for. Mencken put together his first chrestomathy (from the Greek, "useful learning") to bring back his pungent but out-of-print writings from his Prejudices, the American Mercury, the Baltimore Sun, and the Smart Set. Although his philological The American Language had sustained his reputation after the Depression, the Chrestomathy's success inspired him to a sequel, which he had almost finished editing at the time of his crippling stroke. Teachout (City Limits, 1991, etc.) has retrieved the manuscript from Mencken's voluminous deposit of papers in Baltimore and, with a last boost of editorial care, perfected it into a mirror-image of the first volume, succeeding in preserving Mencken's character as well as his writing. With sections titled "Americana," "Progress," "Constructive Criticism," and "Lesser Eminentoes," this farrago is less coherent than most miscellanies; but that is likewise true of Mencken's supercharged polemical prose, whether he is attacking YMCA morality ("The Emperor of Wowsers"), the legal profession ("Stewards of Nonsense"), or New York City ("Totentanz"). A few of his better-known pieces appear here, such as his sardonic history of academic criticism, "Criticism of Criticism of Criticism"; his attack on the later George Bernard Shaw, "The Ulster Polonius"; and his gastric analysis of America, "Hot Dogs." Throughout there are gems of cultural and literary criticism, even buffooneries like an anthropological satire of the discovery of fire. The only drawbacks to this anthology, aside from Mencken's lapses into offensive remarks (e.g., about non—Anglo Saxon immigrants) and bombastic opinionating, are the omissions of an author editing himself for posterity: Mencken includes no substantial excerpts of his political, philological, or autobiographical writings. Still, this has everything that puts Mencken alongside Ambrose Bierce and Edmund Wilson in the American tradition of intelligent ornery writing.
Pub Date: Jan. 30, 1995
ISBN: 0-679-42829-1
Page Count: 512
Publisher: Knopf
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Dec. 1, 1994
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by William Strunk & E.B. White ‧ RELEASE DATE: May 15, 1972
Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis...
Privately published by Strunk of Cornell in 1918 and revised by his student E. B. White in 1959, that "little book" is back again with more White updatings.
Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis (whoops — "A bankrupt expression") a unique guide (which means "without like or equal").Pub Date: May 15, 1972
ISBN: 0205632645
Page Count: 105
Publisher: Macmillan
Review Posted Online: Oct. 28, 2011
Kirkus Reviews Issue: May 1, 1972
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by E.T.A. Hoffmann ‧ RELEASE DATE: Oct. 28, 1996
This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)
Pub Date: Oct. 28, 1996
ISBN: 0-15-100227-4
Page Count: 136
Publisher: Harcourt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 15, 1996
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