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MY LIFE AS AUTHOR AND EDITOR

The unmistakable iconoclasm of Mencken resounds again in this memoir of his early days in the literary trade. The original 1,000-page manuscript, scaled in a vault for 35 years after Mencken's death, has been trimmed 60 percent by Pulitzer-winning book-critic Yardley (Our Kind of People, 1989, etc.). Many of the deleted passages evidently dwelled on the trivial—and even in the finished product only an accountant could love Mencken's itemizations of his financial affairs. Admirers might wish that Yardley had also used the blue pencil on the casually flagrant stereotypes that litter this memoir much as they did The Diary of H. L. Mencken (1989), particularly those brief but pungent comments like the one about publisher Philip Goodman, who remained Mencken's friend "until the shattering impact of Hitler made him turn Jewish on me." The autobiography lacks some of the raffish nostalgia of Mencken's Days trilogy, an absence reflecting bitterness over America's second war with his beloved Germany, but it still offers an invaluable record of Mencken's impact on American letters until the early 1920's (a 1948 stroke prevented him from chronicling his stewardship of the American Mercury and his later journalism). Mencken is justifiably proud of how he and George Jean Nathan turned the cash-starved Smart Set into a forum for America's brightest newcomers. He cheerfully recalls the feuds and quirks (often alcohol-induced) of now-obscure neophytes, as well as of the more famous, including Scott Fitzgerald, Sinclair Lewis, Willa Cather, Ezra Pound, and Aldous Huxley. Mencken's description of his stormy friendship with Theodore Dreiser is masterful, as admiring of the latter's clumsy genius as it is exasperated with his oafishness ("Whenever an obvious fact competed for his attention with a sonorous piece of nonsense, he went for the nonsense"). Often comically brilliant in detailing Mencken's "sharp and more or less truculent dissent from the mores of my country"—and always brutally frank about others' foibles and his own prejudices.

Pub Date: Jan. 29, 1993

ISBN: 067974102X

Page Count: 464

Publisher: Knopf

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Nov. 15, 1992

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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INTO THE WILD

A wonderful page-turner written with humility, immediacy, and great style. Nothing came cheap and easy to McCandless, nor...

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The excruciating story of a young man on a quest for knowledge and experience, a search that eventually cooked his goose, told with the flair of a seasoned investigative reporter by Outside magazine contributing editor Krakauer (Eiger Dreams, 1990). 

Chris McCandless loved the road, the unadorned life, the Tolstoyan call to asceticism. After graduating college, he took off on another of his long destinationless journeys, this time cutting all contact with his family and changing his name to Alex Supertramp. He was a gent of strong opinions, and he shared them with those he met: "You must lose your inclination for monotonous security and adopt a helter-skelter style of life''; "be nomadic.'' Ultimately, in 1992, his terms got him into mortal trouble when he ran up against something—the Alaskan wild—that didn't give a hoot about Supertramp's worldview; his decomposed corpse was found 16 weeks after he entered the bush. Many people felt McCandless was just a hubris-laden jerk with a death wish (he had discarded his map before going into the wild and brought no food but a bag of rice). Krakauer thought not. Admitting an interest that bordered on obsession, he dug deep into McCandless's life. He found a willful, reckless, moody boyhood; an ugly little secret that sundered the relationship between father and son; a moral absolutism that agitated the young man's soul and drove him to extremes; but he was no more a nutcase than other pilgrims. Writing in supple, electric prose, Krakauer tries to make sense of McCandless (while scrupulously avoiding off-the-rack psychoanalysis): his risky behavior and the rites associated with it, his asceticism, his love of wide open spaces, the flights of his soul.

A wonderful page-turner written with humility, immediacy, and great style. Nothing came cheap and easy to McCandless, nor will it to readers of Krakauer's narrative. (4 maps) (First printing of 35,000; author tour)

Pub Date: Jan. 1, 1996

ISBN: 0-679-42850-X

Page Count: 320

Publisher: Villard

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Oct. 15, 1995

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