A sweet start ripe for more installments
Faith and friendship are at the heart of Bouwman’s (A Crack in the Sea, 2017, etc.) new chapter-book series.
Eight-year old Eleanor has just moved, against her protestations, into a new duplex with her family. Now she’s suddenly forced to share a room with her older sister, and to top it off, her beloved goldfish, Scrumpy IV, has just bought the farm. Eleanor loves Darth Vader and building. The upstairs of the duplex is home to 7-year-old home-schooler Owen, who loves secret codes and fencing. He has not had much experience making friends, much less ones with so forceful a personality as Eleanor. When Eleanor announces her plan to run away, back to her beloved blue house, in order to bury Scrumpy alongside his predecessors and to take up residence herself in the backyard treehouse, Owen is along for a wild ride. Although the story is brief, Bouwman manages to bring depth to each of the protagonists as the narrative shifts between Owen’s and Eleanor’s perspectives, both wrestling with their choices and values. The particular moral and theological bent of the narrative may limit the audience somewhat—Eleanor’s concerns about losing her home are relieved when she’s reminded that her “real home is always with God”—but the overarching themes of friendship, familial love, and resiliency in the face of change are fairly universal. Brown-skinned Eleanor has a mixed heritage, with a Costa Rican–born father and American-born mother, while Owen presents white.
A sweet start ripe for more installments . (Fiction. 5-9)Pub Date: April 3, 2018
ISBN: 978-1-5064-3972-3
Page Count: 120
Publisher: Sparkhouse
Review Posted Online: Feb. 3, 2018
Kirkus Reviews Issue: Feb. 15, 2018
It’s hard to argue with success, but guides that actually do the math will be more useful to budding capitalists.
How to raise money for a coveted poster: put your friends to work!
John, founder of the FUBU fashion line and a Shark Tank venture capitalist, offers a self-referential blueprint for financial success. Having only half of the $10 he needs for a Minka J poster, Daymond forks over $1 to buy a plain T-shirt, paints a picture of the pop star on it, sells it for $5, and uses all of his cash to buy nine more shirts. Then he recruits three friends to decorate them with his design and help sell them for an unspecified amount (from a conveniently free and empty street-fair booth) until they’re gone. The enterprising entrepreneur reimburses himself for the shirts and splits the remaining proceeds, which leaves him with enough for that poster as well as a “brand-new business book,” while his friends express other fiscal strategies: saving their share, spending it all on new art supplies, or donating part and buying a (math) book with the rest. (In a closing summation, the author also suggests investing in stocks, bonds, or cryptocurrency.) Though Miles cranks up the visual energy in her sparsely detailed illustrations by incorporating bright colors and lots of greenbacks, the actual advice feels a bit vague. Daymond is Black; most of the cast are people of color. (This book was reviewed digitally.)
It’s hard to argue with success, but guides that actually do the math will be more useful to budding capitalists. (Picture book. 7-9)Pub Date: March 21, 2023
ISBN: 978-0-593-56727-2
Page Count: 40
Publisher: Random House
Review Posted Online: Dec. 13, 2022
Kirkus Reviews Issue: Jan. 1, 2023
The dynamic interaction between the characters invites readers to take risks, push boundaries, and have a little unscripted...
Reinvention is the name of the game for two blobs of clay.
A blue-eyed gray blob and a brown-eyed brown blob sit side by side, unsure as to what’s going to happen next. The gray anticipates an adventure, while the brown appears apprehensive. A pair of hands descends, and soon, amid a flurry of squishing and prodding and poking and sculpting, a handsome gray wolf and a stately brown owl emerge. The hands disappear, leaving the friends to their own devices. The owl is pleased, but the wolf convinces it that the best is yet to come. An ear pulled here and an extra eye placed there, and before you can shake a carving stick, a spurt of frenetic self-exploration—expressed as a tangled black scribble—reveals a succession of smug hybrid beasts. After all, the opportunity to become a “pig-e-phant” doesn’t come around every day. But the sound of approaching footsteps panics the pair of Picassos. How are they going to “fix [them]selves” on time? Soon a hippopotamus and peacock are staring bug-eyed at a returning pair of astonished hands. The creative naiveté of the “clay mates” is perfectly captured by Petty’s feisty, spot-on dialogue: “This was your idea…and it was a BAD one.” Eldridge’s endearing sculpted images are photographed against the stark white background of an artist’s work table to great effect.
The dynamic interaction between the characters invites readers to take risks, push boundaries, and have a little unscripted fun of their own . (Picture book. 5-8)Pub Date: June 20, 2017
ISBN: 978-0-316-30311-8
Page Count: 40
Publisher: Little, Brown
Review Posted Online: March 28, 2017
Kirkus Reviews Issue: April 15, 2017
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